Music Theory Alchemy

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The chord progression in the outro of Beck’s “Say Goodbye” is an interesting combination of diatonic and chromatic elements. The use of the borrowed chord A# major in the mostly diatonic setting adds an unexpected twist to the progression, creating a unique and expressive harmonic landscape.

“Paper Tiger” by Beck is a song from his album “Sea Change,” released in 2002. The style of this song is primarily alternative rock, with elements of psychedelia and baroque pop. The outro of “Paper Tiger” features a simple chord progression of E, E7, and Bm, with interesting harmonic techniques, such as secondary dominants and borrowed chords.

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“Somebody To Love” by Queen is a classic rock ballad in the key of G major, drawing heavily from influences of gospel music and blues progressions. Its bridge, aside from the characteristic gospel and rock elements, includes a modulating progression that is particularly interesting due to its use of borrowed chords, which adds contrast and emphasizes the emotive quality of the song.

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“Maxwell’s Silver Hammer” is a Beatles song composed in the key of D Major. It’s a classic example of Paul McCartney’s knack for catchy pop songwriting. This song showcases McCartney’s affinity for borrowing chords to make his progressions more interesting.

The chord progression from the bridge of Weezer’s “Buddy Holly” is in the key of A major. The progression presents a strong sense of tonality and features common rock/pop techniques, such as diatonic chord progressions, inversions, and the use of the minor subdominant.

Beck – Say Goodbye – Bridge

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Chord Progression

D, C

Chord Progression Analysis

D Major (I) – C Major (bVII)

Borrowed chord:
`C Major (bVII)`

Similar Chord Progressions

1. Neil Young – “Down by the River”
Chord Progression:
E Minor (i) – D Major (bVII)

2. The Beatles – “Hey Jude”
Chord Progression (during the outro section):
F Major (I) – E-flat Major (bVII)

3. Radiohead – “Karma Police”
Chord progression (during the chorus):
G Major (I) – F Major (bVII)

These songs feature a similar bVII movement, which contributes to their unique and memorable nature.

Musical Analysis

The bridge oscillates between the D Major and C Major chords. The use of the flattened seventh chord (C Major) in the key of D Major adds a touch of unexpectedness and intrigue, making the progression engaging. This movement between the tonic and the borrowed chord from the mixolydian mode makes the progression sound unique and captivating.

Overall Analysis

The bridge of “Say Goodbye” by Beck features a simple two-chord progression. However, this simplicity allows space for an interesting interplay between melody and harmony while still evoking strong emotions. Despite being simple, the progression still manages to create a sense of tension and resolution.

Style Analysis

Beck is known for blending various styles of music, such as folk, rock, and electronica. The choice of this simple yet unexpected chord progression contributes to his signature eclecticism. The use of the bVII chord in a major key has a hint of modal mixture, adding an element of surprise as well as lending it a distinct “Beck” quality. It’s worth noting that this chord progression can be often found in various genres, particularly in rock, alternative music, and indie.

Chords in the Bridge section of Say Goodbye by Beck are:

D, C