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Related Music Theory Alchemy

The chord progression in the outro of Beck’s “Say Goodbye” is an interesting combination of diatonic and chromatic elements. The use of the borrowed chord A# major in the mostly diatonic setting adds an unexpected twist to the progression, creating a unique and expressive harmonic landscape.

The chord progression throughout this verse of Beck’s “Lost Cause” is predominantly in the key of F Major with some chords from its relative minor (D minor). The use of borrowed chords adds variety and color to the progression, and the alternation between F major and C major chords creates a strong sense of tonality and grounding in the key of F Major. The use of Am and E7 chords provides a brief tension and leaning toward the parallel key of F minor before resolving back to the original key. This adds interest and complexity to the otherwise straightforward progression.

“In My Head” by Queens of the Stone Age shows a variety of complex chord progressions that are often seen in alternative rock and other sub-genres of rock music. The chord progressions seem to use a combination of modal and chromatic harmony which gives it an edgy and intriguing sound quality.

Nine Inch Nails’ “Closer” is a unique blend of industrial rock, electronica, and alternative styles that has propelled the song to prominence as one of the band’s most famous and frequently played tracks. The song is in the key of E major and features a recurring chord progression throughout its various sections.

“Bullet With Butterfly Wings” by The Smashing Pumpkins is a rock song that alternates between heavy distortion and calm sections. Interestingly, the song is mostly in E minor, but uses a lot of power chords (5th chords) and sus2 chords which give the song a distinctively undecided, floating feeling, as these chords don’t have a clear major or minor character. The song uses a rather straightforward progression with a few deviations and embellishments which provide tension and release.

Beck – Say Goodbye – Bridge

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Chord Progression

D, C

Chord Progression Analysis

D Major (I) – C Major (bVII)

Borrowed chord:
`C Major (bVII)`

Similar Chord Progressions

1. Neil Young – “Down by the River”
Chord Progression:
E Minor (i) – D Major (bVII)

2. The Beatles – “Hey Jude”
Chord Progression (during the outro section):
F Major (I) – E-flat Major (bVII)

3. Radiohead – “Karma Police”
Chord progression (during the chorus):
G Major (I) – F Major (bVII)

These songs feature a similar bVII movement, which contributes to their unique and memorable nature.

Musical Analysis

The bridge oscillates between the D Major and C Major chords. The use of the flattened seventh chord (C Major) in the key of D Major adds a touch of unexpectedness and intrigue, making the progression engaging. This movement between the tonic and the borrowed chord from the mixolydian mode makes the progression sound unique and captivating.

Overall Analysis

The bridge of “Say Goodbye” by Beck features a simple two-chord progression. However, this simplicity allows space for an interesting interplay between melody and harmony while still evoking strong emotions. Despite being simple, the progression still manages to create a sense of tension and resolution.

Style Analysis

Beck is known for blending various styles of music, such as folk, rock, and electronica. The choice of this simple yet unexpected chord progression contributes to his signature eclecticism. The use of the bVII chord in a major key has a hint of modal mixture, adding an element of surprise as well as lending it a distinct “Beck” quality. It’s worth noting that this chord progression can be often found in various genres, particularly in rock, alternative music, and indie.

Chords in the Bridge section of Say Goodbye by Beck are:

D, C