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Related Music Theory Alchemy

The bridge of “Say Goodbye” by Beck features a simple two-chord progression. However, this simplicity allows space for an interesting interplay between melody and harmony while still evoking strong emotions. Despite being simple, the progression still manages to create a sense of tension and resolution.

The chord progression in Verse 2 of Beck’s “Say Goodbye” showcases a unique blend of chords that are not commonly heard together in popular music. The mix of major, minor, and borrowed chords creates an interesting and engaging sound. Its distinctive quality can be found in the use of the A# major chord, which is not diatonic to the key of G major.

“Just The Two of Us” by Grover Washington Jr. is an easy-listening song, falling under R&B and jazz genres. It’s a classic example of the use of major 7th, dominant 7th, and minor 7th chords to create a rich, smooth harmonic texture. The chord progression is quite repetitive and follows a mixture of diatonic and chromatic movement.

“Stairway to Heaven” is a progressive rock song by Led Zeppelin, released in 1971. The song showcases a movement between different styles and musical settings, as it starts with a gentle, fingerpicked acoustic section and gradually evolves into a powerful and climactic electric guitar solo, finishing with a full-band finale. The song is characterized by its ascending progression and intricate chord changes, which contribute to its unique and haunting atmosphere. The verse 1 chord progression features a blend of diatonic and chromatic elements, borrowed chords, and inversions, which create a sense of tension and resolution throughout the progression.

“Hallelujah” by Jeff Buckley is a well-known example of a poignant, introspective ballad with a mix of pop, folk, and gospel elements. It features intricate, emotionally evocative chord progressions that move beyond typical diatonic patterns and uses borrowed chords to create an emotionally charged atmosphere.

Beck – Say Goodbye – Verse 1

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Chord Progression

G, A#, Am, C, G, A#, Am, C

Chord Progression Analysis

G major (I) – A# major (bIII) – A minor (II) – C major (IV)
G major (I) – A# major (bIII) – A minor (II) – C major (IV)

“` Borrowed Chord: A# major (bIII) from G minor “`

Similar Chord Progressions

1. Radiohead – “No Surprises”
Chord progression: F major (I) – Ab major (bIII) – G minor (II) – Bb major (IV)
2. David Bowie – “Space Oddity”
Chord progression: C major (I) – Eb major (bIII) – F major (IV) – G major (V)

Both of these examples demonstrate progressions rooted in the major key, utilizing diatonic and borrowed chords, closely resembling the chord progression found in “Say Goodbye.”

Musical Analysis

The verse progresses with a repetition of the same four chords, creating a continuous loop. Using the diatonic chords I, II, and IV (G, A minor, and C major respectively) roots the progression within the key of G major, while the inclusion of the borrowed chord A# major from the key’s parallel minor (G minor) adds tension and chromaticism to the harmony. The borrowed chord acts as a surprising element in the chord progression, pulling the listener’s ear away from the otherwise diatonic context. Overall, the harmonic movement between these chords contributes to the somewhat melancholic and introspective character of the song.

Overall Analysis

The chord progression of “Say Goodbye” by Beck uses a combination of diatonic and borrowed chords within the key of G major. The verse features a total of 8 chords: G major, A# major, A minor, and C major. The use of a borrowed chord (A# major) adds an interesting twist to the progression and provides a unique color to the harmony.

Style Analysis

“Say Goodbye” utilizes a combination of traditional diatonic harmony and chromaticism that is characteristic of alternative/indie rock late 20th-century musical styles, blending the familiar with the unexpected. Beck’s music often contains quirky harmonic choices in chord progressions, integrating elements of rock, folk, and pop.

Chords in the Verse 1 section of Say Goodbye by Beck are:

G, A#, Am, C, G, A#, Am, C