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The chord progression of “Say Goodbye” by Beck uses a combination of diatonic and borrowed chords within the key of G major. The verse features a total of 8 chords: G major, A# major, A minor, and C major. The use of a borrowed chord (A# major) adds an interesting twist to the progression and provides a unique color to the harmony.

“Lord Only Knows” by Beck showcases a simple yet effective chord progression in its Verse 2. The harmonic foundation of this progression is based on the I – V – IV – I pattern, repeated four times. This pattern is common in many popular music genres, with the verse featuring a strong tonic-dominant relationship. The progression also displays an interesting mix of major and minor chords, adding a certain level of spice to the harmonic atmosphere present in the verse.

The chord progression of “I Want To Hold Your Hand” by The Beatles is particularly interesting for its use of key changes and borrowed chords. It reflects both the catchy driving pop rock melody signature of early Beatles and the sophistication of harmonic innovation, which defines their later work.

“All My Loving” by The Beatles is a mid-tempo pop song written in the key of E minor for the verse and D Major for the bridge and outro, featuring a distinct, upbeat walking bassline. The grey, almost mournful verses, along with the brighter, major-toned bridges and chorus, create a juxtaposition of feelings within the piece. The bridge also highlights The Beatles’ use of secondary dominants and chromaticism. Concluding in the tonic key of D Major, the song has an interesting interplay between Em and D Major throughout, which could be perceived as a Em: i, VI, III, II and D: vi, V7, I, vi, IV, ii, I progression.

“Fake Plastic Trees” by Radiohead is a haunting and introspective ballad that features an evocative chord progression. The progression appears to have been influenced by alternative rock and combines elements of both major and minor tonalities, as well as non-diatonic and diatonic chords. This blend of harmonic flavors creates an unforgettable sound that is melancholic, yet beautiful.

Beck – Say Goodbye – Verse 2

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Chord Progression

G, A#, Am, C, G, A#, Am, C

Chord Progression Analysis

G major (I)
A# major (bIII)
A minor (ii)
C major (IV)
G major (I)
A# major (bIII)
A minor (ii)
C major (IV)

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Borrowed Chord: A# major (bIII)
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Similar Chord Progressions

1. Radiohead – “Creep”: [G major (I), B major (bIII), C major (IV), C minor (iv)]
2. David Bowie – “Heroes”: [D major (I), F# major (bIII), G major (IV), G minor (iv)]
3. The Beatles – “While My Guitar Gently Weeps”: [Am (i), A# major (bII), G (bVII), C (III)]

These songs feature similar chord progressions with a borrowed chord that adds an unexpected and powerful mood shift within their respective keys.

Musical Analysis

The progression begins with the tonic chord, G major, followed by a borrowed chord, A# major, before settling into the diatonic chords A minor and C major. The A# major adds a surprising and colorful twist to the otherwise standard progression in the key of G major. The A# major chord acts as a borrowed chord from the parallel minor key of G minor, giving the progression a refreshing and emotionally complex quality. The repeated cycle of these chords lends a sense of development and movement throughout the verse.

Overall Analysis

The chord progression in Verse 2 of Beck’s “Say Goodbye” showcases a unique blend of chords that are not commonly heard together in popular music. The mix of major, minor, and borrowed chords creates an interesting and engaging sound. Its distinctive quality can be found in the use of the A# major chord, which is not diatonic to the key of G major.

Style Analysis

This chord progression showcases Beck’s experimental and creative approach to songwriting, as he is known for integrating various musical styles and influences. This particular progression has a slight touch of classical influence due to the functional aspect of the chords, but it also carries a hint of pop-rock sensibility. The use of a borrowed chord, like the A# major in this case, is a technique commonly found in many contemporary music genres, which adds emotional depth and contrast to a song.

Chords in the Verse 2 section of Say Goodbye by Beck are:

G, A#, Am, C, G, A#, Am, C