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“Stairway to Heaven” is a well-known song by Led Zeppelin, released in 1971 on their untitled fourth album, which is often referred to as “Led Zeppelin IV” or “Zoso.” The song, composed by Jimmy Page and Robert Plant, is a complex piece with various sections and stylistic influences. The section under analysis, Bridge 2, is a chord progression that serves as a connecting passage between the more tranquil sections of the song and the harder, rock aspects that follow. The chords are built on diatonic and chromatic elements, showcasing the band’s skill in creating evocative harmonic progressions.

“Whole Lotta Love” by Led Zeppelin is a classic rock song that was released in 1969. The song features a signature riff that has become an iconic part of rock and roll history. The chorus of the song features a chord progression based on the alternating pattern of E and D Major chords, creating a groove that is both driving and catchy.

“While My Guitar Gently Weeps” is in the key of A minor and quite uniquely, the song borrows chords from parallel major and minor keys, as well as from modes like mixolydian. It is one of George Harrison’s contributions to the Beatles and showcases sophisticated harmonic techniques and an intricate chordal design, reflecting deeply on the influence of Eastern music and philosophies on his songwriting.

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The given chord progression is from the verse of Beck’s song “Morning.” The progression is in the key of E Major and follows a cyclical pattern throughout the verse.

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“Roads” by Portishead is set in the key of Am, also known as A minor. In the verse, there is an interesting use of the flat major 7 (Fmaj7) chord. This chord is not typically found within the natural minor key but is considered a borrowed chord from the A major key. Thus, this use of said borrowed chord and its resolution to the E7 dominants gives the song a unique feel, contributing to its mesmerizing and emotive ambience. Portishead tends to blend the use of A minor and A Dorian modality in their music, especially apparent in this composition.

Led Zeppelin – Stairway To Heaven – Verse 1

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Chord Progression

[‘Am,
Ammaj9,
Am7,
D/F#,
Fmaj7,
G,
Am,
Am,
Ammaj9,
Am7,
D/F#,
Fmaj7,
G,
Am,
C,
D/F#,
C,
G,
D’]

Chord Progression Analysis

“`
A minor (i),
A minor major 9 (iMaj9),
A minor 7 (i7),
D major/F# (IV6),
F major 7 (VI7),
G major (VII),
A minor (i)
–(x2)
C major (III),
D major/F# (IV6),
C major (III),
G major (VII),
D major (IV)
“`
`Borrowed chord: [‘D major/F# (IV6)`’]

Similar Chord Progressions

1. Pink Floyd – “Breathe”
“`
D7sus2/G (IV7sus2/III),
Gmaj7 (IVmaj7),
A7sus4 (V7sus4),
A7 (V7),
“`

2. Jethro Tull – “Aqualung”
“`
Fmaj7 (VI7),
Dm (iv),
G7sus4 (VII7sus4),
G7 (VII7)
“`

3. Genesis – “Firth of Fifth”
“`
Cmaj7 (III7),
Ebmaj7 (bV7),
Fmaj7 (VI7),
G#maj7 (bVII7),
Abmaj7 (bVIM7)
“`

Musical Analysis

The verse begins with a tonic A minor chord, establishing the tonal center of the piece. The progression then moves through Ammaj9 and Am7, creating a chromatic descent in the melody. The borrowed chord, D major/F# (IV6), adds tension and intrigue to the progression, serving as a secondary dominant leading back to the relative major, Fmaj7.

The use of the Fmaj7 and G chords adds a sense of resolution to the progression, leading back to the tonic A minor. The inclusion of the C major (III) and D major (IV) chords in the latter part of the verse adds further interest and movement, while G major (VII) serves as a dominant function leading back to the tonic.

Overall Analysis

“Stairway to Heaven” is a progressive rock song by Led Zeppelin, released in 1971. The song showcases a movement between different styles and musical settings, as it starts with a gentle, fingerpicked acoustic section and gradually evolves into a powerful and climactic electric guitar solo, finishing with a full-band finale. The song is characterized by its ascending progression and intricate chord changes, which contribute to its unique and haunting atmosphere. The verse 1 chord progression features a blend of diatonic and chromatic elements, borrowed chords, and inversions, which create a sense of tension and resolution throughout the progression.

Style Analysis

“Stairway to Heaven” is a fusion of progressive rock, folk, and hard rock, as it combines intricate acoustic fingerpicking with powerful guitar solos and a highly dynamic arrangement. The chord progression in the verse reflects an eclectic mix of diatonic, chromatic, and borrowed chords that are typical of progressive rock, contributing to the song’s atmospheric quality.

Chords in the Verse 1 section of Stairway To Heaven by Led Zeppelin are:

[‘Am,
Ammaj9,
Am7,
D/F#,
Fmaj7,
G,
Am,
Am,
Ammaj9,
Am7,
D/F#,
Fmaj7,
G,
Am,
C,
D/F#,
C,
G,
D’]