Oasis – Dont Look Back In Anger – Chorus
Dont Look Back In Anger < All Analyses
Chord Progression
[‘C’, ‘G’, ‘Am’, ‘E7’, ‘F’, ‘G’, ‘C’, ‘Am’, ‘G’, ‘C’, ‘G’, ‘Am’, ‘E7’, ‘F’, ‘G’, ‘C’, ‘Am’, ‘G’, ‘C’, ‘G’, ‘Am’, ‘E7’, ‘F’, ‘G’, ‘C’, ‘Am’, ‘G’, ‘C’, ‘G’, ‘Am’, ‘F’, ‘Fm6’, ‘C’, ‘G’, ‘Am’, ‘E7’, ‘F’, ‘Fm6’, ‘C’]
Chord Progression Analysis
The analysis of the chord progressions is as follows:
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C (I), G (V), Am (vi), E7 (V/vi – Secondary Dominant), F (IV), G (V), C (I), Am (vi), G (V),
C (I), G (V), Am (vi), E7 (V/vi – Secondary Dominant), F (IV), G (V), C (I), Am (vi), G (V),
C (I), G (V), Am (vi), E7 (V/vi – Secondary Dominant), F (IV), G (V), C (I), Am (vi), G (V),
C (I), G (V), Am (vi), F (IV), Fm6 (iv – Borrowed Chord), C (I), G (V), Am (vi), E7 (V/vi – Secondary Dominant),
F (IV), Fm6 (iv – Borrowed Chord), C (I)
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Similar Chord Progressions
Similar progressions can be noticed in tracks from artists across eras and genres. The usage of borrowed chords and secondary dominants is a common musical device.
1. “Let it Be” by The Beatles:
The song has a similar chord progression, including the use of iv in the bridge.
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C (I), G (V), Am (vi), F (IV), C (I), G (V), F (IV), C (I), C7 (V7/IV),
F (IV), A7 (V7/ii – Secondary Dominant), Dm (ii), G (V)
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2. “Hey Jude” by The Beatles:
Here secondary dominants are also a key feature.
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F (I), C (V), C7 (V7/IV), F (I), Bb (IV), F (I), C7 (V7/IV), F (I)
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Musical Analysis
The verses set up a sequence of VI-V which is quite common in the pop/rock genre. However, the use of the E7 chord as a secondary dominant is refreshing, building up tension towards the Am chord.
The Fm6 chord towards the end is a borrowed chord which gives a nice uplifting quality and adds a surprise element to the chord progression.
Overall Analysis
“Don’t Look Back in Anger” by Oasis is written in the key of C major. Although it largely conforms to the traditional progressions expected within this key, the song does feature some interesting variations in the form of borrowed chords coming from the parallel minor key (C minor) – a common technique used in pop and rock music.
Style Analysis
Oasis, a quintessential Britpop band from the 90s, showcases their classic combination of simple yet effective chord progressions. The style often includes elements of traditional British rock, combined with the usage of borrowed chords – a trait highlighted in this song.
What are the chords in: Oasis – Dont Look Back In Anger – Chorus?
[‘C’, ‘G’, ‘Am’, ‘E7’, ‘F’, ‘G’, ‘C’, ‘Am’, ‘G’, ‘C’, ‘G’, ‘Am’, ‘E7’, ‘F’, ‘G’, ‘C’, ‘Am’, ‘G’, ‘C’, ‘G’, ‘Am’, ‘E7’, ‘F’, ‘G’, ‘C’, ‘Am’, ‘G’, ‘C’, ‘G’, ‘Am’, ‘F’, ‘Fm6’, ‘C’, ‘G’, ‘Am’, ‘E7’, ‘F’, ‘Fm6’, ‘C’]
