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Related Music Theory Alchemy

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“Don’t Look Back In Anger” uses simple yet effective chord progressions common in pop/rock music. It incorporates both major and minor chords, showing some classic pop sensibilities. The song is situated in the key of C Major. Embedded within this progression are instances of borrowed chords – the E7 for instance, is a secondary dominant, often used to inject a bit of tension and to give strong resolution leading into the next chord.

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“Wonderwall” by Oasis is in the key of G major and features an effective and memorable chord progression that repeats throughout the song. The progression falls into the indie rock and Britpop genres, highlighting simple, strong harmonies, and incorporates a repeated sequence of Em–G-D–A7sus4 throughout its composition with occasional deviations.

The pre-chorus of Weezer’s “If You’re Wondering If I Want You To (I Want You To)” features a simple yet effective chord progression primarily centered around the D major chord. The piece overall follows a pop-rock, alternative musical style consistent with the typical sound of Weezer.

The song “Closer” by Nine Inch Nails is in the key of B major. The primary chords used throughout the song are: B major (I), C# major (II), G major (bVI), E major (IV), F# major (V), and C (bII). The chords progression is unconventional when compared to traditional music theory. This unconventional use of chords and progressions creates a unique and distinct sound that characterizes the song.

Chord Analysis (Pre-Chorus):

The chord progression in the pre-chorus, which is also found in the verse, would be:
B major (I) – C# major (II) – B major (I) – C# major (II) – B major (I) – C# major (II) – B major (I) – C# major (II) – G major (bVI) – B major (I) – C# major (II) – B major (I) – C# major (II) – B major (I) – C# major (II) – B major (I) – C# major (II) – G major (bVI) – B major (I) – C# major (II) – B major (I) – C# major (II) – B major (I) – C# major (II) – B major (I) – C# major (II) – G major (bVI) – B major (I) – C# major (II) – B major (I) – C# major (II) – B major (I) – C# major (II)

Borrowed Chord:

G major (bVI) is a borrowed chord from B minor, the parallel minor of B major in this song.

“Somewhere Only We Know” by Keane uses a handful of straightforward major and minor chords which contribute to a pop, atmospheric, and emotive sound indicative of the band’s alternative rock aesthetic. The chord progression of the pre-chorus is fairly common and creates a cyclical and slightly unsettled feel that fits well with the song’s lyrical themes of uncertainty and longing for return.

Oasis – Dont Look Back In Anger – Pre-Chorus

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Chord Progression

[‘F’, ‘Fm6’, ‘C’, ‘F’, ‘Fm6’, ‘C’, ‘F’, ‘Fm6’, ‘C’, ‘G’, ‘E7/G#’, ‘Am’, ‘G’, ‘F’, ‘G’]

Chord Progression Analysis

“`F (IV), Fm6 (iv), C (I),
F (IV), Fm6 (iv), C (I),
F (IV), Fm6 (iv), C (I),
G (V), E7/G# (V/vi), Am (vi),
G (V), F (IV), G (V)“`

The Fm6 is a borrowed chord from the parallel minor, i.e., C minor, adding complexity to this progression.

Similar Chord Progressions

1. “Creep” by Radiohead: G (I), B (III), C (IV), Cm (iv)
2. “While My Guitar Gently Weeps” by The Beatles: Am (i), Am/G (i), Am/F# (i), Am/F (i), Am (i), Am/G (i), D9 (IV), G (♭VII)

Both of these songs use a similar IV-iv-I change. The latter song also uses a borrowed chord from the parallel minor.

Musical Analysis

The pre-chorus plays with a particular melancholic feel by borrowing the Fm6 (iv) from the parallel minor. This change from IV to iv, followed by the I chord, creates a sorrowful, longing effect, which has a strong impact on listeners. The change from G (V), E7/G# (V/vi) to Am (vi) is a standard cadence, but it’s slightly modified by the inclusion of a secondary dominant for Am (E7).

Overall Analysis

“Don’t Look Back in Anger” by Oasis, a popular rock ballad, is characterized by its melancholic chord progressions. Its key is major, specifically C Major, but it involves a frequent use of borrowed chords for a touch of bitterness, matching the poignant lyrics.

Style Analysis

The mixture of major and minor chords and the use of borrowed chords are typical for Oasis’ style and for Britpop/rock in general, lending a melancholic or nostalgic atmosphere to the song. The IV-iv-I move is a common “pop” progression variant seen in many other songs.

Chords in the Pre-chorus section of Dont Look Back In Anger by Oasis are:

[‘F’, ‘Fm6’, ‘C’, ‘F’, ‘Fm6’, ‘C’, ‘F’, ‘Fm6’, ‘C’, ‘G’, ‘E7/G#’, ‘Am’, ‘G’, ‘F’, ‘G’]