Tyler, The Creator – Gone Gone – Bridge
Gone Gone < All Analyses
Chord Progression
Bb, Dm, Gm, Ab, Bb, F, Gm, Ab, Bb, F, Gm, Ab, Bb, F
Chord Progression Analysis
Bb Major (IV), Dm (vi), Gm (ii), Ab Major (bIII, borrowed), Bb Major (IV), F Major (I), Gm (ii), Ab Major (bIII, borrowed), Bb Major (IV), F Major (I), Gm (ii), Ab Major (bIII, borrowed), Bb Major (IV), F Major (I)
“`’Ab Major (bIII, borrowed)’“`
Similar Chord Progressions
1. Radiohead – “Paranoid Android” (F#m, B, A, E, G, C#m, Bm, E)
2. Stevie Wonder – “Sir Duke” (Bb, Gm7, Fm7, E, Eb7, Eb, Ab, Bb7)
3. Frank Ocean – “Pink Matter” (Bmaj7, A#m7b5, D#m7, A#7b9, Amaj7, G#aug, C#m7)
The above examples show artists using the technique of borrowed chords and unconventional chord progressions. In each example, you’ll find elements of modal interchange, chromaticism, and diverse harmonic structures that create a sense of tension and originality, similar to Tyler, The Creator’s “Gone, Gone.”
Musical Analysis
The bridge section employs a technique called “mode mixture” or “modal interchange,” which involves the use of chords borrowed from the parallel minor key (F minor in this case). The Ab Major chord, noted as bIII, is borrowed from F minor and is used three times throughout the progression, lending a sense of harmonic tension and surprise.
The progression also follows a cyclical pattern, starting from Bb Major and moving through Dm, Gm, and Ab Major before returning to the Bb Major chord. This cyclical pattern, combined with the alternation between diatonic and borrowed chords, creates a sense of forward momentum and interest that makes the bridge stand out within the song.
Overall Analysis
The chord progression in the bridge of “Gone, Gone” by Tyler, The Creator can be described as a combination of diatonic and borrowed chords from the parallel minor key. The key of the song is F major, and the progression combines elements of pop, R&B, and jazz, creating a distinctive harmonic sound.
Style Analysis
Tyler, The Creator’s unique musical style blends elements of various genres, including pop, alternative R&B, hip-hop, and jazz. The harmonic language in “Gone, Gone” showcases his penchant for using unconventional and unexpected chord progressions. The presence of the bIII borrowed chord and the cyclical pattern of the progression is influenced by jazz-influenced artists such as Stevie Wonder, Frank Ocean, and Thundercat.
What are the chords in: Tyler, The Creator – Gone Gone – Bridge?
Bb, Dm, Gm, Ab, Bb, F, Gm, Ab, Bb, F, Gm, Ab, Bb, F
