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Related Music Theory Alchemy

The chord progression appears to be in the key of Bb Major, and showcases various diatonic chords along with a few borrowed chords. This progression is characterized by a blend of smooth and rich harmony, primarily due to the use of 7th chords and suspensions. The introduction of the dominant B7 chord adds interest, making the progression more unpredictable and complex.

The piece “See You Again,” written by Tyler, The Creator, features a harmonically rich and somewhat unexpected chord progression. It steps away from traditional diatonic harmony, and instead experiments with the use of borrowed chords, particularly through the incorporation of the F#(b5) chord. This results in a unique and distinctive sound to the piece, as it mixes a sense of tension and resolution through the progression.

“Hurt”, written by Nine Inch Nails, exudes melancholy and despair through a slow progression that weaves intricate melodies between the chords. The tonality is primarily in B minor, but introduces D, E, A, and G chords throughout, indicating some mode mixture or borrowed chord use.

The chord progression of MGMT’s “Electric Feel” outro is in E Minor, and it features a combination of diatonic chords and a borrowed chord from the parallel major key. The progression creates a sense of tension and resolution, giving the outro a captivating and memorable quality. The song itself is a psychedelic, funk-infused electro-pop track, which enhances the trippy, mesmerizing vibe of the progression.

The chord progression in the famous outro of Queen’s ‘Bohemian Rhapsody’ illustrates the eccentricity Queen was known for throughout their discography. This section consists of bold modulations, chromatic chord progressions, and borrowed chords, showing off Freddie Mercury’s compositional sophistication and creativity. It’s evident that Mercury’s influence for this song came from various musical genres, including progressive rock, classical, and operatic music.

Tyler, The Creator – Earfquake – Outro

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Chord Progression

Bbmaj7, Am7, Bbmaj7, Am7, Bbmaj7, Am7, Bbmaj7

Chord Progression Analysis

B-flat Major 7 (I), A minor 7 (viiø/III), B-flat Major 7 (I), A minor 7 (viiø/III), B-flat Major 7 (I), A minor 7 (viiø/III), B-flat Major 7 (I)
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A minor 7 is a borrowed chord from the parallel minor key (B-flat minor)
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Similar Chord Progressions

1. D’Angelo – “Untitled (How Does It Feel)”
Chord Progression: Cmaj7 (I), Gmaj7 (V), Fmaj7 (IV), Emin7 (iii), Dmin7 (ii), G7 (V7)

2. Erykah Badu – “On & On”
Chord Progression: Am7 (i), Em7 (v), Fmaj7 (VI), Gmaj7 (VII)

These examples feature similar use of major 7th and minor 7th chords, contributing to a similar Neo-Soul/R&B atmosphere. They also utilize borrowed chords or modulations to different keys, offering rich harmonic textures, and emotional depth.

Musical Analysis

The I chord (Bbmaj7) establishes the tonal center of the piece, which is B-flat Major. The viiø/III chord (Am7) can be considered a borrowed chord, as mentioned above. Borrowing a chord from parallel minor keys can introduce interesting harmonies and color to the progression, making it more dramatic and emotional. In this case, the Am7 generates suspense as it transitions back to the Bbmaj7, contributing to the emotional impact of the music.

Overall Analysis

The chord progression in the outro of “Earfquake” by Tyler, The Creator is relatively simple and repetitive, featuring a constant alternation between Bbmaj7 and Am7 chords. This back-and-forth between the two chords creates a sense of tension and release that contributes to the dreamy and emotional atmosphere characteristic of the song.

Style Analysis

In terms of style, the chord progression can be associated with Neo-Soul and R&B genres, which often utilize 7th chords and borrowed chords to create a smooth, sophisticated sound. The dreamy, emotional quality of the progression is further enhanced by the use of major 7th chords, as they tend to have a warm, lush timbre.

Chords in the Outro section of Earfquake by Tyler, The Creator are:

Bbmaj7, Am7, Bbmaj7, Am7, Bbmaj7, Am7, Bbmaj7