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The overall chord progression of “A Hard Days Night” by The Beatles fluctuates between major and minor keys which adds a level of emotional complexity to the song. The use of borrowed chords and unique transitions makes it a noteworthy piece in the realm of 20th-century popular music.
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The song is in the key of A Major and it makes some interesting use of borrowed chords and modulations. The arrangement of the song is fairly typical rock/pop with a verse-chorus-bridge structure. The bridge utilizes a modulation to the relative minor key, F# minor.
“Here Comes The Sun” by The Beatles uses a D Major scale. The song primarily comprises chords built on the tonic or root note (D), which lends a consistent, grounded feel. This reflects the lyrics’ mood—contentment, renewed optimism, and a sense of homecoming with the arrival of the sun.
The chord progression in the verse of “Telepatia” by Kali Uchis showcases a mix of diatonic and chromatic harmony. The progression is built around the key of G Major and has a strong Latin and jazz-influenced sound. The use of extended chords like Gmaj7 and Em9 adds depth and sophistication to the harmony, while the non-diatonic B7 contributes to the tension and resolution.
“Purple Haze” by Jimi Hendrix is a classic rock song centered around the blues and psychedelic rock styles. The verse features an interesting and unconventional chord progression, which adds to the distinctive sound of the piece. The verse progression itself consists of four chords: E7#9, G, A, and E.
The chord progression of “Because” by The Beatles demonstrates the band’s profound exploration of harmony. The song starts in the key of C# minor, revolves around this key, and includes various modulations and tonicizations to explore chords beyond the key. It heavily employs secondary dominants and borrowed chords, particularly the diminished 7th chords, which is not uncommon in Beatles’s songs. The chord progression has a dreamy and fluid flow due to these harmonic explorations.
The song constantly oscillates around C#m, which is the presumed root key. Harmonically, the 8-bar verse progression involves the frequent use of borrowed chords, as well as secondary dominants, which are frequently used in the Beatles’ compositions, to provide a colorful and subtle tension.
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