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Related Music Theory Alchemy

“Here Comes The Sun” by The Beatles, composed by George Harrison, features a complex and stylistically unique chord progression. The song is primarily in the key of D major, with elements of modal interchange (also known as borrowed chords) from both the parallel minor key (D minor) and other modes, including the Mixolydian mode.

“All You Need Is Love” is in the key of G major. The song primarily uses the chords within the key signature and has a relatively simple harmonic structure. However, the song does utilize a few distinct chord choices that contribute to its unique sonic character. The song applies modal interchange with an inclusion of A minor from the G Mixolydian mode and the D7 and D6 which evoke a hint of the D Mixolydian mode.

The chord progression in the verse of “When You Die” by MGMT can be analyzed as a blend of traditional diatonic harmony and chromaticism. The song is in the key of G major with elements of modal interchange and a brief modulation to the relative minor key, E minor. The progression features a mix of both major and minor chords and gives the piece a sense of melancholy and uncertainty.

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“Paint It, Black” by The Rolling Stones is arranged in a minor key, specifically E minor. The verse chord progression of the song exhibits a fairly common pattern in 60’s rock and pop music, incorporating the use of both diatonic chords and borrowed chords from the parallel major key.

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“Can You Feel The Love Tonight” by Elton John is a heart-touching love song that carries a smooth flowing blend of pop and soft rock, showing Elton John’s inclination to use diatonic (major and minor) chords, 7th chords and inversions. The song, largely stays in its home key of C major, has an interesting chord progression that shifts between the tonic, subdominant, and dominant. Internally, there are multiple secondary dominant chords and borrowing from the parallel minor, providing color and contrast.

The Beatles – Here Comes The Sun – Verse 1

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Chord Progression

[‘D’, ‘Dsus2’, ‘D’, ‘G’, ‘A7’, ‘A7sus4’, ‘D’, ‘Dsus4’, ‘D’, ‘G’, ‘A7’, ‘A7sus4’]

Chord Progression Analysis

Here’s the chord breakdown:

– D Major (I)
– Dsus2 (Isus2)
– D Major (I)
– G Major (IV)
– A7 (V7)
– A7sus4 (V7sus4)
– D Major (I)
– Dsus4 (Isus4)
– D Major (I)
– G Major (IV)
– A7 (V7)
– A7sus4 (V7sus4)

The Dsus2 and Dsus4 chords are primarily used as embellishing chords, giving a fresh twist to the music. They add a layer of intrigue and emphasize the change that’s being sung about. The A7sus4 acts as a colorful way to set up tension and resolution in the progression.

Similar Chord Progressions

The progression in “Here Comes The Sun” echoes other pieces by The Beatles and many artists in pop and folk music. An example is “Don’t Look Back in Anger” by Oasis:

Verse: [‘C’, ‘F’, ‘C’, ‘G’, ‘Am’, ‘E7sus4’, ‘Am7’, ‘G’] translates to:

– C Major (I)
– F Major (IV)
– C Major (I)
– G Major (V)
– A minor (vi)
– E7sus4 (iii7sus4)
– A minor7 (vi7)
– G Major (V)

This progression similarly uses major and suspended chords to lend tension, color, and movement to the music. The sus4 chords are characteristic to Oasis’ sound and commonly found in pop, rock and country music. The use of minor chords and sevenths makes the progression less predictable and more emotionally varied compared to Here Comes The Sun.

Musical Analysis

The song employs hooks using Dsus2 and Dsus4 to create a melodic drive in the repeating motif. The IV (G Major) and V7 (A7) chords give a traditional sense of tension and release, providing motion to the music. The use of A7sus4 before transitioning to the core D Major reinforces the movement in the composition.

Overall Analysis

“Here Comes The Sun” by The Beatles uses a D Major scale. The song primarily comprises chords built on the tonic or root note (D), which lends a consistent, grounded feel. This reflects the lyrics’ mood—contentment, renewed optimism, and a sense of homecoming with the arrival of the sun.

Style Analysis

“Here Comes The Sun” exemplifies the Beatles’ imaginative mix of traditional and improvisational style elements. In this case, it uses predominantly major and suspended chords in a fresh, ingenious combination. This compositional approach, using simple harmonies with slight variations (like suspensions), lends an upbeat and reaffirming character to the piece, which goes with the context of the lyrics.

Chords in the Verse 1 section of Here Comes The Sun by The Beatles are:

[‘D’, ‘Dsus2’, ‘D’, ‘G’, ‘A7’, ‘A7sus4’, ‘D’, ‘Dsus4’, ‘D’, ‘G’, ‘A7’, ‘A7sus4’]