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Related Music Theory Alchemy

The song constantly oscillates around C#m, which is the presumed root key. Harmonically, the 8-bar verse progression involves the frequent use of borrowed chords, as well as secondary dominants, which are frequently used in the Beatles’ compositions, to provide a colorful and subtle tension.

“Hey Jude,” by The Beatles, is an iconic song. The chord progression is in the key of D major and it follows a sort of Variation on I-V-IV-I progression of many pop and rock songs. However, what makes this song extremely unique is its out-of-the-box structure and the experimental use of borrowed cords – it shows The Beatles’ fondness for combining elements of pop, rock and classical music and results in an emotional, powerful progression that resonates strongly with listeners.

The song “Don’t Let the Sun Go Down on Me” by Elton John is brilliantly harmonized, showcasing the great musical arrangement skills of John at his best. Primarily, the song is based in the key of C Major and uses a variety of moving bass lines over mostly diatonic chords in the verses and choruses. There are some key modulations and borrowed chords that give the harmony a rich and complex quality which sets it apart from many contemporary pop songs.

Verse

Dead Flowers by The Rolling Stones is a classic track that exhibits some very traditional aspects of popular music and blues-based rock. The song is in D major and follows a fairly standard chord progression, using only three chords (D, A, and G), which make up four-measure phrases that are repeated throughout this part of the song.

The Beatles – Because – Verse 1

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Chord Progression

[‘C#m’, ‘C#m’, ‘D#m7b5’, ‘G#7/D#’, ‘A’, ‘C#m’, ‘A9’, ‘A13’, ‘D’, ‘Ddim7’]

Chord Progression Analysis

Because’ chords are as follows:
C# Minor (‘i’)
C# Minor (‘i’)
D#m7b5 (‘iiø7th’)
G#7/D# (‘V7/ii’)
A major (‘VI’)
C#m (‘i’)
A9 (‘VI9’)
A13 (‘VI13’)
D major (‘bVII’)
Ddim7 (‘viio’)

“`shell
Borrowed chords: D major (‘bVII’ from parallel major), Ddim7 (‘viio’ from relative major)
“`

Similar Chord Progressions

While it’s hard to find identical chord progressions due to the Beatles’ unique complexity, similar exploration of harmony can be found in various pieces by other artists who also explored the boundary of conventional pop songwriting. An example is the Beach Boys’ “God Only Knows”, which uses many secondary dominants and borrowed chords as well.

Chords in “God Only Knows” are as follows: A (‘I’), E/G# (‘V6’), F#m7 (‘vi7’), D9/A (‘IV9/6’), G7/F (‘bVII7/4’), Am7 (‘v7’, borrowed from parallel minor), D13/A (‘IV13/6’), E7/G# (‘V7/6’), C#m7 (‘iii7’), F#13/B (‘vi13/6’), B7/Ab (‘V7/2’), Emaj7 (‘VII7’, borrowed from lydian).

Musical Analysis

The G#7/D# is a secondary dominant leading to the A major, treating A major as if it were the tonic momentarily (tonicization). The A9 and A13 further embellish the A major chord, adding complexity and color to the harmony. The D major introduces a brief modulation to the parallel major key, before leading to the Ddim7, which acts as a leading tone to the tonic chord, C#m.

Overall Analysis

The chord progression of “Because” by The Beatles demonstrates the band’s profound exploration of harmony. The song starts in the key of C# minor, revolves around this key, and includes various modulations and tonicizations to explore chords beyond the key. It heavily employs secondary dominants and borrowed chords, particularly the diminished 7th chords, which is not uncommon in Beatles’s songs. The chord progression has a dreamy and fluid flow due to these harmonic explorations.

Style Analysis

The Beatles, specifically George Martin and Paul McCartney, were well-known for their use of more complex harmonies beyond simple pop structures. “Because” embodies their late style, heavily influenced by classical music (especially Baroque and Romantic periods). The use of complex harmony throughout this song is distinct, utilizing secondary dominants, borrowed chords, and diminished seventh chords, adding an intricate depth and fluidity to their songwriting.

Chords in the Verse 1 section of Because by The Beatles are:

[‘C#m’, ‘C#m’, ‘D#m7b5’, ‘G#7/D#’, ‘A’, ‘C#m’, ‘A9’, ‘A13’, ‘D’, ‘Ddim7’]