Music Theory Alchemy

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“Hey Jude” goes through a clear progression, switching through the keys of D major, A major and G major. Like many Beatles songs, it cleverly varies between these keys in keeping with the melody and mood of the piece. The complexity of this progression is part of the song’s charm and helps exemplifies the band’s creative approach to composition.

“The Long And Winding Road” is in the key of D major. The chords are quite typical of pop music, however, The Beatles use of extensions and suspensions provide a unique complexity to the progression. The song dabbles in modal interchange as it borrows chords from parallel minor, a popular Beatles technique.

“Two Weeks” by Grizzly Bear exhibits a common pop chord progression and harmonic rhythm. The chords are primarily in root position, which contributes to the song’s straightforward and accessible sound. Stylistically, the track shows the band’s indie-rock influences and features a prominent piano part that drives the harmony.

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“You Can’t Always Get What You Want” by The Rolling Stones is built around major tonality and uses direct and simple progressions. It also features what are known as additive chords (Gadd9) – chords to which notes are added beyond the common triad. The song commences in the key of G Major, indicated by the G, Gadd9, and C chords. These chords progress in an almost continual cyclical pattern across the verses. Here, the dominant chord (D) in the key of G Major is absent, which grants a tonal ambiguity to the song. Interestingly, the song takes a departure into a different key later on which will not be included in this analysis as it pertains to the Verse only.

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“I Sat By The Ocean” by Queens of the Stone Age employs multiple chords which creates a complex and engaging harmony in the verse. The song is in the key G# major and it uses multiple borrowed chords from other keys. It’s worth noting that Queens of the Stone Age has a distinct sound that incorporates elements of stoner rock, heavy metal, and alternative rock into their material. Sizeable use of power chords that gives the song its heavy rock feel.

The Beatles – Hey Jude – Verse

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Chord Progression

[‘D’, ‘A’, ‘A7’, ‘D’, ‘G’, ‘D’, ‘A’, ‘A7’, ‘D’]

Chord Progression Analysis

“`
D (I)
A (V)
A7 (V7)
D (I)
G (IV)
D (I)
A (V)
A7 (V7)
D (I)
“`

This is a fairly typical pop/rock progression that loosely follows a I-V-IV-I pattern. However, this pattern is made more complex with the use of the V7 (A7 in this case) to add tension and depth.

Similar Chord Progressions

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Musical Analysis

“Hey Jude” is a poignant and touching composition. Musically, the initial part of the progression is designed to create a strong emotional bond with the listener. The song begins on the tonic chord (D), moves to the dominant (A), adds a seventh for tension (A7), then resolves back to the tonic (D). This is followed by a move to the subdominant (G), before returning to the tonic (D) and repeating the sequence. This simple yet effective progression helps create the song’s distinctive emotional landscape. Furthermore, the frequent return to the tonic chord (D) creates a sense of stability and resolution, underscoring the song’s overall comforting feel.

Overall Analysis

“Hey Jude,” by The Beatles, is an iconic song. The chord progression is in the key of D major and it follows a sort of Variation on I-V-IV-I progression of many pop and rock songs. However, what makes this song extremely unique is its out-of-the-box structure and the experimental use of borrowed cords – it shows The Beatles’ fondness for combining elements of pop, rock and classical music and results in an emotional, powerful progression that resonates strongly with listeners.

Style Analysis

In terms of style, “Hey Jude” is quintessentially Beatles. Its creative harmonic progressions, use of borrowed chords, and blending of rock, pop, and classical elements is characteristic of their late-period work. Additionally, the song’s unconventional structure (lacking a traditional verse-chorus-bridge format) and its extended “na-na-na” coda also mark it as a standout example of The Beatles’ innovative approach to songwriting.

Chords in the Verse section of Hey Jude by The Beatles are:

[‘D’, ‘A’, ‘A7’, ‘D’, ‘G’, ‘D’, ‘A’, ‘A7’, ‘D’]