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Related Music Theory Alchemy

“Dead Flowers” by The Rolling Stones, from their album “Sticky Fingers” (1971), features a fairly straightforward repetitive chord progression of D, A, G, D in the verse. The key here is D Major. This common progression falls into a I-V-IV-I pattern known as a “plagal cadence”. It’s a progression which consists of a major key followed by its dominant (V), then its subdominant (IV), taking us back to the tonic (I).

“Wild Horses” by the Rolling Stones is performed in the key of G major. However, the initial chord progression beginning on B minor gives it a modal feel, specifically borrowing chords from G Lydian mode (IV of D Major). It’s an interesting mixture of folky rock with a touch of the blues, and the chord progression is largely based around the typical I-IV-V progression found in many rock songs, but with many deviations and additions.

Key: G Major

The chord progression in Tyler, The Creator’s “See You Again” can be characterized as a mixture of jazz harmonies and pop sensibilities. The verse progression features major and minor seventh chords, a few borrowed chords, and a prominent chromatic movement.

Chord progression analysis (including borrowed chords)
1. F#maj7 (I)
2. F#maj7/B (I6)
3. Fmaj7 (bImaj7 – borrowed chord)
4. G#m7 (iii7)
5. D7#5 (VI7#5 – borrowed chord)
6. F#maj7 (I)
7. F#maj7/B (I6)
8. Fmaj7 (bImaj7 – borrowed chord)
9. G#m7 (iii7)
10. D7#5 (VI7#5 – borrowed chord)

The chord progression starts with the tonic F#maj7 and moves through a first inversion of the same chord (F#maj7/B) before introducing borrowed chords (Fmaj7 and D7#5) from the parallel minor key, creating tension and color. The G#m7 is a diatonic iii7 chord, adding to the jazzy feel of the song.

Elton John’s melody for “Your Song” is an elegant example of varied harmonization and creative chord usage. The verse chord progression is in the key of D Major, but employs the use of borrowed chords and modulation for enhancing musical flavour and interest.

“House of the Rising Sun” by The Animals features a repeating chord progression in a minor key that gives the song a haunting, melancholic feel. This progression moves through the circle of fifths, features borrowed chords from its relative major key and has a strong resolution from the dominant to the tonic.

The Rolling Stones – Dead Flowers – Verse 1

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Chord Progression

[‘D’, ‘A’, ‘G’, ‘D’, ‘D’, ‘A’, ‘G’, ‘D’, ‘D’, ‘A’, ‘G’, ‘D’, ‘D’, ‘A’, ‘G’, ‘D’]

Chord Progression Analysis

Here is the breakdown of the chord progression in verse 1:

D Major (I)
A Major (V)
G Major (IV)
D Major (I)

The progression repeats this four-chord phrase four times within the verse. This is a pretty standard progression in many popular music genres.

Here is the borrowed chord listing in a coded block for this part of the song:
“`
No borrowed chords in this section.
“`

Similar Chord Progressions

Similar three-chord progressions (I, V, IV) can be found in countless songs. Notably:

– “Sweet Home Alabama” by Lynyrd Skynyrd: D Major (I), C Major (bVII), G Major (IV).
– “Louie Louie” by The Kingsmen: A Major (I), D Major (IV), E Major (V).

Instead of fully resolving back to the I after the IV, Lynyrd Skynyrd’s “Sweet Home Alabama” begins its progression again at the I, like “Dead Flowers.” “Louie Louie,” meanwhile, resolves to the V, which prolongs the sense of musical tension.

It’s worth noting that while these progressions are similar in chord formula, they each have distinct feels due largely to rhythm, melody, production, lyrics, and other musical elements. These songs sound distinct despite their harmonic similarities. This is a testament to the variety and depth that can be achieved with simple harmonic structures in music.

Musical Analysis

The chord progression within this song is not just standard, but rather archetypical. The D Major (I) to A Major (V) represents a perfect cadence, offering a sense of finality and resolution. The move from A Major (V) to G Major (IV) is a progression from dominant to subdominant, suggesting a continuation. The return to D Major (I) completes the progression and resets for the following phrase, making these four measures a complete musical thought.

Overall Analysis

Dead Flowers by The Rolling Stones is a classic track that exhibits some very traditional aspects of popular music and blues-based rock. The song is in D major and follows a fairly standard chord progression, using only three chords (D, A, and G), which make up four-measure phrases that are repeated throughout this part of the song.

Style Analysis

The Rolling Stones are known for their blues-inspired rock, and that certainly shines through in this chord progression. Many blues progressions commonly cycle through the I, IV, and V chords, in similar patterns, though often with the addition of seventh chords. As for “Dead Flowers,” despite its simplicity, the progression has a very distinct sense of direction and resolution, adding to its catchy nature.

Chords in the Verse 1 section of Dead Flowers by The Rolling Stones are:

[‘D’, ‘A’, ‘G’, ‘D’, ‘D’, ‘A’, ‘G’, ‘D’, ‘D’, ‘A’, ‘G’, ‘D’, ‘D’, ‘A’, ‘G’, ‘D’]