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“Purple Haze” by Jimi Hendrix is a classic and influential rock song released in 1967. The chord progression featured in Verse 3 of this song has a bluesy, psychedelic sound that typifies Hendrix’s style. The use of the E7#9 chord, also known as the “Hendrix chord,” adds a sense of tension and dissonance, which contributes to the edgy and innovative nature of the song.

The Wind Cries Mary by Jimi Hendrix is a classic rock ballad written in the key of F major, based around a somewhat simple, yet effective, chord progression. There are a few borrowed chords and modulations that add to the harmonic complexity and characteristic guitar work by Hendrix. The song’s structure consists of a verse, followed by a brief pre-chorus, and a chorus before repeating.

“I Want To Hold Your Hand” by The Beatles is an excellent example of their innovative approach to harmony and chord progression. This song, written in the key of G major, features a common I-V-vi-III progression in the verses. It notably uses borrowed ‘B’ major and ‘B7’ chords from the parallel minor scale.

The song “Don’t Let the Sun Go Down on Me” by Elton John is brilliantly harmonized, showcasing the great musical arrangement skills of John at his best. Primarily, the song is based in the key of C Major and uses a variety of moving bass lines over mostly diatonic chords in the verses and choruses. There are some key modulations and borrowed chords that give the harmony a rich and complex quality which sets it apart from many contemporary pop songs.

Verse

“All My Loving” by the Beatles is a great example of their early ’60s pop style. This song’s verse chord progression is in the key of D Major with a mix of minor chords and 7th chords that add to the emotional intensity of the song. The composition blends pop simplicity with complex harmony, encapsulating the Beatles’ innovative songwriting.

Jimi Hendrix – Purple Haze – Verse 1

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Chord Progression

E7#9, G, A, E

Chord Progression Analysis

E7#9 (I7#9) – G (bIII) – A (IV) – E (I)

“`E7#9 is a borrowed chord from the parallel minor (E minor)“`

Similar Chord Progressions

1. “All Along the Watchtower” – Jimi Hendrix
Dm7 (i7) – Fmaj7 (#IIIΔ7) – G7 (IV7) – Dm (i)

2. “Sunshine of Your Love” – Cream
D7 (I7) – G (IV) – Ab (bV) – G (IV) – D (I)

3. “Black Magic Woman” – Santana
Dm7 (i7) – Gm7 (iv7) – Dm7 (i7) – Am7 (v7)

4. “Hey Joe” – Jimi Hendrix
C (I) – G (V) – D (II) – A (VI) – E (III)

Musical Analysis

The chord progression has a strong blues influence, especially evident in the use of the dominant 7#9 chord, also known as the “Hendrix Chord.” This chord creates tension and dissonance, giving the song a distinctively bluesy and psychedelic sound. The non-diatonic G major chord (bIII) adds a sense of chromaticism and unpredictability. The progression then resolves to the more traditional IV (A major) and I (E major) chords, giving it a sort of “blues-rock” feel. This combination creates a unique and memorable sound.

Overall Analysis

“Purple Haze” by Jimi Hendrix is a classic rock song centered around the blues and psychedelic rock styles. The verse features an interesting and unconventional chord progression, which adds to the distinctive sound of the piece. The verse progression itself consists of four chords: E7#9, G, A, and E.

Style Analysis

The style of “Purple Haze” is heavily influenced by blues, but with Hendrix’s unique twist. He incorporates innovative guitar techniques, such as heavy use of distorted guitar tones, feedback, and extensive use of the whammy bar. These elements give the song its raw and aggressive feel, while also adding a psychedelic edge. Overall, this is an excellent example of the blending of blues, rock, and psychedelic styles characteristic of Hendrix’s music.

Chords in the Verse 1 section of Purple Haze by Jimi Hendrix are:

E7#9, G, A, E