Search

Related Music Theory Alchemy

“While My Guitar Gently Weeps” by The Beatles is in the minor mode and its chord progression showcases rich harmonic content and unexpected key changes, common to The Beatles’ music. Harmonically, it features an interesting mixture of chords from the parallel major and minor keys, which is indicative of modal interchange, a key characteristic of The Beatles’ songwriting.

“All You Need Is Love” is in the key of G major. The song primarily uses the chords within the key signature and has a relatively simple harmonic structure. However, the song does utilize a few distinct chord choices that contribute to its unique sonic character. The song applies modal interchange with an inclusion of A minor from the G Mixolydian mode and the D7 and D6 which evoke a hint of the D Mixolydian mode.

“Purple Haze” by Jimi Hendrix is a classic rock song centered around the blues and psychedelic rock styles. The verse features an interesting and unconventional chord progression, which adds to the distinctive sound of the piece. The verse progression itself consists of four chords: E7#9, G, A, and E.

“Roads” by Portishead is set in the key of Am, also known as A minor. In the verse, there is an interesting use of the flat major 7 (Fmaj7) chord. This chord is not typically found within the natural minor key but is considered a borrowed chord from the A major key. Thus, this use of said borrowed chord and its resolution to the E7 dominants gives the song a unique feel, contributing to its mesmerizing and emotive ambience. Portishead tends to blend the use of A minor and A Dorian modality in their music, especially apparent in this composition.

“Hey You” by Pink Floyd is a prog-rock song featured on their iconic album, “The Wall.” Its chord progression showcases a unique blend of chords that creates a sense of yearning and emotional intensity. The use of borrowed chords from parallel keys enhances the song’s emotive quality, and the overall structure shows a level of harmonic sophistication typical of Pink Floyd’s work.

The Beatles – While My Guitar Gently Weeps – Verse 1

Add To Favorites Remove From Favorites

Chord Progression

[‘Am’, ‘Am/G’, ‘F#m7b5’, ‘Fmaj7’, ‘Am’, ‘G’, ‘D’, ‘Dsus4’, ‘D’, ‘Dsus2’, ‘D’, ‘Esus4’, ‘E’, ‘Am’, ‘Am/G’, ‘F#m7b5’, ‘Fmaj7’, ‘Am’, ‘G’, ‘C’, ‘E’]

Chord Progression Analysis

In musical analysis of ‘While My Guitar Gently Weeps’ Verse 1, the chord progression goes as follows:

Am (i), Am/G (i with G in bass), F#m7b5 (vi half diminished), Fmaj7 (VI), Am (i), G (bVII – borrowed from parallel key Am mixolydian), D (IV of relative major), Dsus4 (IVsus4 of relative major), D (IV of relative major), Dsus2 (IVsus2 of relative major), D (IV of relative major), Esus4 (V of parallel major), E (V of parallel major), Am (i), Am/G (i with G in bass), F#m7b5 (vi half diminished), Fmaj7 (VI), Am (i), G (bVII – borrowed from parallel key Am mixolydian), C (III of parallel major), E (V of parallel major).

“`
Borrowed Chords: G (bVII – borrowed from parallel key Am mixolydian)
“`

Similar Chord Progressions

The chord progression bears some similarity to the style found in songs like “Stairway to Heaven” by Led Zeppelin, or “Something” by The Beatles themselves, showcasing a mixture of major, minor, and suspended chords creating a rich harmonic progression. Also, “Yesterday” from The Beatles uses similar chord progressions including borrowing parallel major and minor chords.

Here is the chord progression in Stairway to Heaven’s verse:

Aminor (i) – Gsharp diminished (vii dim) – Gmajor (bVII) – Fmajor (VI) – Aminor (i) – Amajor (I of parallel major) – Cmajor/D (VII with D in bass) – D/F# (IV of relative major)

Likewise, in “Something”, a Beatles classic showcases a mixture of major, minor, and suspended chords in its verse:

C (I) – Cmaj7 (Imaj7) – C7 (I7) – F (IV) – D7 (II7 – secondary dominant) – G (V) – Am (vi) – Am/G (vi with G in bass) – Am/F# (vi with F# in bass) – F (IV).

Musical Analysis

What stands out in this song is Harrison’s wide use of borrowed chords and secondary dominants, creating an interesting tonal color and musical depth. A clear demonstration of modal interchange, the song uniquely moves from Am (natural minor focused) to D (Dorian mode focused) and also manipulates the harmonic rhythm extensively for emotional effect. The transition between sus4 and sus2 on the D chord creates additional tension leading to resolution.

Overall Analysis

“While My Guitar Gently Weeps” is in the key of A minor and quite uniquely, the song borrows chords from parallel major and minor keys, as well as from modes like mixolydian. It is one of George Harrison’s contributions to the Beatles and showcases sophisticated harmonic techniques and an intricate chordal design, reflecting deeply on the influence of Eastern music and philosophies on his songwriting.

Style Analysis

“While My Guitar Gently Weeps” is marked with melancholy – a sensation further enhanced by the varied and unusual chord choices which bring a sense of pathos to the composition. It showcases George’s unique usage of modal interchange, extended harmonies, and diatonic substitution, thereby depicting a groundbreaking depth in popular music of the time.

Chords in the Verse 1 section of While My Guitar Gently Weeps by The Beatles are:

[‘Am’, ‘Am/G’, ‘F#m7b5’, ‘Fmaj7’, ‘Am’, ‘G’, ‘D’, ‘Dsus4’, ‘D’, ‘Dsus2’, ‘D’, ‘Esus4’, ‘E’, ‘Am’, ‘Am/G’, ‘F#m7b5’, ‘Fmaj7’, ‘Am’, ‘G’, ‘C’, ‘E’]