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The chord progression in the bridge of “Hey You” by Pink Floyd is a relatively simple progression that revolves around the C Major and G Major chords, with brief appearances of D Major and E minor add9 chords. The piece showcases Pink Floyd’s signature progressive rock style, with steady changes between chords and a sense of tension and release.

“Time” by Pink Floyd is a progressive rock piece characterized by its reflective lyrics, syncopated rhythms, and distinctive use of chromaticism and modality. This chord progression takes place in the third verse of the song, where the harmonic structure is more complex and features borrowed chords, creating a sense of tension and resolution, reflecting the lyrics and conveying emotions of nostalgia and regret.

The song “The Outsider” by A Perfect Circle frequently uses the chord progression [‘B’, ‘B’, ‘A’, ‘E’] in the key of E major. When viewing the chords through the lens of E major we can identify the chord progression as ii, ii, V, I. Furthermore, It shows some interesting harmonic decisions throughout. Most notably, the band makes use of borrowed chords which are chords taken from the parallel minor (in this case E minor). Here, the borrowed chords include A major and C major.

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Feels Like We Only Go Backwards by Tame Impala uses very interesting chord progressions that convey a feeling of constant motion. The song is primarily in the key of F Major, as revealed by the majority of the chords (F, C, Gm). However, the chord progression in the verse introduces Dm and Cmaj7/G, showing some clever use of modal interchange, also known as borrowed chords.

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The chord progression in Verse 1 of “My Name Is Jonas” by Weezer is in the key of C Major. The progression is quite simple and common, but it includes an interesting borrowed chord to provide extra color. This can be described as a mix of pop and rock idioms.

Chord Progression Analysis (with full chord names and Roman numerals):

C Major (I) – G Major (V) – A minor (vi) – F Major (IV)

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Borrowed Chord: None in this progression
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Pink Floyd – Hey You – Verse 1

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Chord Progression

Emadd9, Bm, Emadd9, Bm, D, G, D, C, Bm, Am, Em, Dm

Chord Progression Analysis

The full chord names and their Roman numerals are as follows:
`Emadd9 (i) – Bm (v) – Emadd9 (i) – Bm (v) – D (VII) – G (III) – D (VII) – C (VI) – Bm (v) – Am (iv) – Em (i) – Dm (iio)`

Similar Chord Progressions

1. Radiohead’s “Paranoid Android”: `Am (i) – E (V) – C (III) – G (VII)`
2. Yes’s “And You and I”: `Dmaj7 (I) – C#m7 (viiø7) – F#m7 (iii) – Gmaj7 (IV)`
3. King Crimson’s “Epitaph”: `E (I) – D (bVII) – A (IV) – C (bVI)`

While these chord progressions may differ in their specific sequences and chromatic choices, they all showcase the use of borrowed chords, modal interchange, and harmonic tension to create the signature sound found in progressive rock like in Pink Floyd’s “Hey You.”

Musical Analysis

The verse progression in “Hey You” begins with the tonic chord, Emadd9, followed by the dominant minor, Bm. This sets a somber, dark mood for the song and represents a typical i-v alternation commonly found in minor keys. The chords D and G function as borrowed chords, which are chords taken from the parallel major key to provide contrast and color. The progression moves from the VII major chord (D) to the relative major chord (C) before returning to the v chord (Bm). The cycle then concludes with an interesting resolution from Am (iv, borrowed from its parallel key) to Dm (iio), which transitions back into the Emadd9 that starts the progression anew.

Overall Analysis

“Hey You” by Pink Floyd is a prog-rock song featured on their iconic album, “The Wall.” Its chord progression showcases a unique blend of chords that creates a sense of yearning and emotional intensity. The use of borrowed chords from parallel keys enhances the song’s emotive quality, and the overall structure shows a level of harmonic sophistication typical of Pink Floyd’s work.

Style Analysis

The chord progression in “Hey You” showcases the band’s penchant for generating emotive, tension-filled progressions. The use of borrowed chords adds a layer of tonal ambiguity, a hallmark of progressive rock that Pink Floyd helped pioneer. These musical elements, combined with the song’s introspective lyrics and complex, layered arrangements, contribute to the overall prog-rock sound and aesthetic.

Chords in the Verse 1 section of Hey You by Pink Floyd are:

Emadd9, Bm, Emadd9, Bm, D, G, D, C, Bm, Am, Em, Dm