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“Hey You” by Pink Floyd is a prog-rock song featured on their iconic album, “The Wall.” Its chord progression showcases a unique blend of chords that creates a sense of yearning and emotional intensity. The use of borrowed chords from parallel keys enhances the song’s emotive quality, and the overall structure shows a level of harmonic sophistication typical of Pink Floyd’s work.

The chord progression in the bridge of “Hey You” by Pink Floyd is a relatively simple progression that revolves around the C Major and G Major chords, with brief appearances of D Major and E minor add9 chords. The piece showcases Pink Floyd’s signature progressive rock style, with steady changes between chords and a sense of tension and release.

“Paint It, Black” is in E minor key, with verse 3 having an exciting harmonic progression: Em – B – Em – B – Em – D – G – D – Em – Em – D – G – D – A – B. The chord progression suggests that the Rolling Stones utilise borrowed chords to impose an air of ambiguity that reflects the song’s lyrical themes. Additionally, this song is a blend of rock and raga rock style and exemplifies the Stones’ 1960s exploration into psychedelia and Eastern musical styles.

“Whole Lotta Love” by Led Zeppelin is a hard rock song that was released in 1969. The song features a famous guitar riff with a simple, blues-influenced chord progression. That guitar riff is based on the D and E chords and can be heard throughout the main part of the song. The verse consists of the same primary chords as the riff, with slight variations in the E chord during the iconic “You need cooling” vocal part. The overall harmonic structure of the song with its repeating chords D and E gives it a strong I-V dynamic while staying in the D Mixolydian mode. Additionally, the guitar riff borrows elements of other blues progressions, creating a distinguished sound.

The Beatles’ “Rocky Raccoon” incorporates a repeating sequence of predominantly seventh chords, displaying a mix of minor, dominant, and sustained chords within the and C Major/A minor keys. This diversity contributes to the song’s unique harmony, and given its context in a folk rock style, the progression exudes a rustic, storytelling personality.

Pink Floyd – Hey You – Verse 3

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Chord Progression

Emadd9, Bm, Emadd9, Bm, D, G, D, C, Bm, Am, Emadd9

Chord Progression Analysis

– Emadd9 (iadd9)
– Bm (v)
– Emadd9 (iadd9)
– Bm (v)
– D (VII)
– G (III)
– D (VII)
– C (VI)
– Bm (v)
– Am (`iv`)
– Emadd9 (iadd9)

Similar Chord Progressions

1. “Stairway to Heaven” by Led Zeppelin: Am (i), G (VII), F (`VI`), Am (i), C (III), D (IV), Fmaj7 (`VI^7`), Am (i)
2. “Blackbird” by The Beatles: G (III), Em (i), C (VI), G/B (III`64`), A (`VII`), D (VII), G+ (chromatic passing chord), `A^(-7)↘`, Em7 (i7)

In these examples, both songs feature chord progressions that blend diatonic chords and borrowed chords, creating a sense of depth and evoking emotions that are a hallmark of great songwriting. Additionally, the use of extensions, such as add9 and maj7 chords, contributes to the overall mood and complexity of the music, as seen in “Hey You” by Pink Floyd.

Musical Analysis

The verse starts with an Emadd9 chord as the tonic, giving a sense of minor tonality while adding color with the added 9th. This immediately sets a moody atmosphere. The progression moves to a Bm chord, which is the v chord in E minor. The alternation between Emadd9 and Bm creates a sense of yearning and tension.

The next chord is D major (VII), which is a borrowed chord from E Mixolydian and has a strong pull to the G major (III) chord that follows. This adds some brightness to the progression. Following G major is a return to the D major (VII) chord and a transition to the C major (VI) chord, which gives a sense of a plagal cadence, often found in pop and rock music.

After that, the progression moves to Bm (v) and Am (`iv`), which is a borrowed chord from the E Phrygian scale. This adds some darkness and intrigue to the progression, enhancing the overall moodiness. Finally, the progression resolves back to the Emadd9 (iadd9) chord, giving a sense of closure while still maintaining a lingering tension due to the added 9th.

Overall Analysis

“Hey You” by Pink Floyd is a progressive rock song from the concept album “The Wall.” The song is characterized by its atmospheric sound created through a combination of acoustic and electric guitars, haunting vocals, and a variety of effects. The chord progression of Verse 3 is interesting as it features a mix of diatonic chords, borrowed chords, and extensions such as the add9 chords that contribute to the song’s unique sound.

Style Analysis

“Hey You” exemplifies Pink Floyd’s unique approach to progressive rock, which often involves blending minor tonalities with added note chords to create an emotive atmosphere. The use of borrowed chords, such as the D major and Am chords, adds interest and emphasizes the unconventional nature of the music, which is a defining feature of progressive rock.

Chords in the Verse 3 section of Hey You by Pink Floyd are:

Emadd9, Bm, Emadd9, Bm, D, G, D, C, Bm, Am, Emadd9