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Related Music Theory Alchemy

The chorus maintains a feeling of resolution and tension by alternating between the IV (F major) and V (G major) chords, while the vi (A minor) to V/vi (E major) progression provides a smooth transition back to the IV chord (F major).

In terms of borrowed chords, the E Major is a borrowed chord.
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E major (V/vi)
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The chord progression from the bridge of Weezer’s “Buddy Holly” is in the key of A major. The progression presents a strong sense of tonality and features common rock/pop techniques, such as diatonic chord progressions, inversions, and the use of the minor subdominant.

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“Castles Made of Sand” by Jimi Hendrix is a psychedelic rock song characterized by various compositional techniques including chromaticism, borrowed chords, and unexpected chord progressions. The harmonic choices show Hendrix’s innovation as a songwriter, with influences of blues, rock, and jazz. The chord progression in Verse 3 mixes diatonic and non-diatonic chords, creating a sense of tension and release throughout the progression.

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“Sexx Laws” by Beck is a unique and interesting piece that combines elements of various musical styles including funk, rock, and pop. The chord progression found in Verse 3 is quite simple yet effective, creating a sense of tension and release.

“Hey You” by Pink Floyd is a progressive rock song from the concept album “The Wall.” The song is characterized by its atmospheric sound created through a combination of acoustic and electric guitars, haunting vocals, and a variety of effects. The chord progression of Verse 3 is interesting as it features a mix of diatonic chords, borrowed chords, and extensions such as the add9 chords that contribute to the song’s unique sound.

Weezer – California Kids – Verse 3

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Chord Progression

C, C/B, Am, G, F, G, C

Chord Progression Analysis

C (I) – C/B (I6) – Am (vi) – G (V) – F (IV) – G (V) – C (I)

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Borrowed Chords: None in this progression
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Similar Chord Progressions

1. The Beatles – “Let it Be”
Chord progression: C (I) – G (V) – Am (vi) – F (IV) – C (I) – G (V) – F (IV) – C (I)
2. Oasis – “Wonderwall”
Chord progression: C (IV, in the original key of G Major) – Em7 (vi) – G (I) – D (V)

Please note that the above similar chord progressions are not in the C major key but share a resemblance in terms of common chord movements and structure to the one in “California Kids.”

Musical Analysis

The progression starts with the tonic chord C (I) and transitions to C/B (I6), which features the same C major chord but with a B in the bass. This chromatic bass motion adds a smooth transition to the next chord, Am (vi). Following the vi chord, the piece progresses to G (V), leading to a strong IV – V – I movement with F (IV) and G (V) before resolving back to the tonic, C (I). This resolution provides a sense of closure while maintaining forward momentum through the verse.

Overall Analysis

The chord progression of the Verse 3 in the song “California Kids” by Weezer features a blend of diatonic and chromatic chords in the key of C major, exhibiting a classic pop-rock feel with some variations in the chord structure. The progression also showcases the use of chromatic bass motion to add harmonic interest.

Style Analysis

The chord progression used in “California Kids” is indicative of Weezer’s pop-rock and power pop style. The progression combines simple diatonic chords with chromatic bass motion and traditional harmonic cadences, making it catchy and memorable. The use of common pop-rock chord progressions (IV – V – I, I – vi) and the smooth bass motion allows for a strong melodic framework and accessible harmonies that resonate with listeners.

Chords in the Verse 3 section of California Kids by Weezer are:

C, C/B, Am, G, F, G, C