The “Glory Box” by Portishead chorus progression is based in D minor and moves between this primary D minor chord and three other chords: Dm/C, Bm7b5, and Bbmaj7. The Dm/C chord is the same as the D minor, but with a different note in the bass (C). The Bm7b5 is a half-diminished chord. The Bbmaj7 is major seventh chord.
“Roads” by Portishead is set in the key of Am, also known as A minor. In the verse, there is an interesting use of the flat major 7 (Fmaj7) chord. This chord is not typically found within the natural minor key but is considered a borrowed chord from the A major key. Thus, this use of said borrowed chord and its resolution to the E7 dominants gives the song a unique feel, contributing to its mesmerizing and emotive ambience. Portishead tends to blend the use of A minor and A Dorian modality in their music, especially apparent in this composition.
The song “Roads” by Portishead features a haunting yet melodic chord progression reminiscent of the minor key-oriented pop/rock of the 90’s. It combines chords from the key of A minor along with a borrowed chord from the parallel major key to create a moody, atmospheric soundscape typical of the trip-hop genre.
“All My Loving” by the Beatles is a great example of their early ’60s pop style. This song’s verse chord progression is in the key of D Major with a mix of minor chords and 7th chords that add to the emotional intensity of the song. The composition blends pop simplicity with complex harmony, encapsulating the Beatles’ innovative songwriting.
“The Rip” by Portishead is a classic example of the Trip-hop genre. It features simple, yet effective harmonic progressions that offer a melancholic tone which is widely utilized in this genre. The distinctiveness of this particular chord progression lies on its subtle shifting between minor and major tonalities, as well as its use of borrowed chords.
Verse 1
“Roads” by Portishead is set in the key of Am, also known as A minor. In the verse, there is an interesting use of the flat major 7 (Fmaj7) chord. This chord is not typically found within the natural minor key but is considered a borrowed chord from the A major key. Thus, this use of said borrowed chord and its resolution to the E7 dominants gives the song a unique feel, contributing to its mesmerizing and emotive ambience. Portishead tends to blend the use of A minor and A Dorian modality in their music, especially apparent in this composition.
The song “Roads” by Portishead features a haunting yet melodic chord progression reminiscent of the minor key-oriented pop/rock of the 90’s. It combines chords from the key of A minor along with a borrowed chord from the parallel major key to create a moody, atmospheric soundscape typical of the trip-hop genre.
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