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Related Music Theory Alchemy

The post-chorus chord progression for “Gone Gone” by Tyler, The Creator is a diverse and intriguing progression that blends elements of pop, hip-hop, and jazz. The progression shows Tyler’s innovative approach to harmony and demonstrates his love for unique chord progressions that evoke strong emotions.

The chord progression in the outro of Tyler, The Creator’s “See You Again” displays a mix of diatonic and borrowed chords within the key of F# major. This progression creates a smooth and somewhat jazzy feel in the music, with the inclusion of a few unexpected chords that add tension and propel the music forward.

The interlude of Weezer’s “Island in the Sun” is in the key of G Major, and features a four-chord progression that repeats itself twice (Em-Am-D-G). The sequence follows a vi-ii-V-I progression, which is a very common progression in pop and rock music.

The song “Gravity” by A Perfect Circle is principally in the key signature of C# minor, which is categorically a minor scale. The primary chords used throughout the song are C#m, F#, and G#m, with the addition of E occasionally. The overall chord progression is quite consistent, with alternative lose touch of the conventional nature of chord progressions in pop and rock music.

The song “A Day in the Life” by the Beatles is known for its unique and striking musical features. The chord progression in the interlude, in particular, represents an example of the Beatles’ innovative approach to harmonic structure and tonal movement. This section is essentially a sequence of dominant-seventh chords that each resolve to the note a fifth below, a common harmonic progression known as the circle of fifths. The interlude features a prominent orchestral crescendo and transition that are hallmarks of the Beatles’ experimental approach to the use of orchestral instruments in rock music.

Tyler, The Creator – Gone Gone – Interlude

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Chord Progression

D, A, C, G, B, Gb, A, E

Chord Progression Analysis

D Major (I), A Major (V), C Major (♭VII), G Major (IV), B Major (VI), G♭ Major (♭III), A Major (V), E Major (II)

Borrowed Chord:
`G♭ Major (♭III)`

Similar Chord Progressions

While it is challenging to find an exact match for this unique chord progression by Tyler, The Creator, some artists have employed chord progressions that share similarities in terms of the unique mix of expected and unexpected chord movements. One such example is “Paranoid Android” by Radiohead:

C Minor (i), E♭ Major (III), B♭ Major (V), A♭ Major (IV), G Major (♭III), E♭ Major (III), B♭ Major (V)

Another example is “Polythene Pam” by The Beatles:

E Major (I), G Major (♭III), A Major (IV), B Major (V), C Major (♭VI), A Major (IV)

Musical Analysis

This chord progression begins with a D Major chord, which establishes D as the tonal center. It then moves to A Major, which is the V chord of D, a very common and stable movement. Next comes C Major, which is the ♭VII chord, a frequently used borrowed chord in popular music. After that, the progression moves to G Major, the IV chord, another quite common movement.

The progression takes an exciting turn here, moving to B Major as the VI chord. This transition lifts the sound and adds a sense of brightness to the music. The following chord, G♭ Major, is a borrowed chord and is particularly unusual, as it is the ♭III in the key of D. It adds an unexpected and unique twist to the progression, and is quite rare in popular music. The progression then returns to A Major, the V chord, before ending on E Major, the II chord, which gives a sense of unpredictability and openness.

Overall Analysis

The given chord progression for the interlude of “Gone Gone” by Tyler, The Creator appears to deviate from common patterns found in popular music. The progression consists of eight unique chords, which could create an interesting and complex sound.

Style Analysis

Tyler, The Creator is known for his experimental and genre-blending approach to music, and the chord progression in this interlude is no exception. The combination of common movements with unexpected chord choices, like the G♭ Major, gives the interlude an innovative and unique feel that sets it apart from traditional song structures. It could be said that this chord progression is a reflection of Tyler’s creativity and bold musical choices.

Chords in the Interlude section of Gone Gone by Tyler, The Creator are:

D, A, C, G, B, Gb, A, E