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Related Music Theory Alchemy

The chord progression in the chorus of “Are We Still Friends” by Tyler, The Creator is a relatively simple yet effective progression that contains some characteristic elements of R&B and soul music. It includes a mixture of major and minor chords and a predominant use of dominant 7 chords (in this case, E7) to create a sense of tension and resolve within the progression. This progression is simple enough that it allows for the melody and lyrics to shine while still providing harmonic interest.

The verse 2 chord progression in Tyler, The Creator’s “Earfquake” is a mixture of diatonic and non-diatonic chords. The progression mainly features chords from the Bb Major key, with the D7 acting as a secondary dominant chord (V7/III). The progression has a smooth, jazzy feel that is typical of Tyler’s signature style.

The interlude of Weezer’s “Island in the Sun” is in the key of G Major, and features a four-chord progression that repeats itself twice (Em-Am-D-G). The sequence follows a vi-ii-V-I progression, which is a very common progression in pop and rock music.

“In My Life” is a song by The Beatles from the 1965 album Rubber Soul. It is written in the key of A Major, beloved for its introspective lyrics and harmonic structure. The chord progression is complex and contains several borrowed chords and secondary dominants, displaying an impressive use of tonality that is characteristic of the band’s sophisticated songwriting.

“Kashmir” by Led Zeppelin is a classic rock song that is well-known for its distinctive and mysterious sound. This interlude, in particular, creates a sense of tension and resolution through its simple but effective chord progression. The overall harmonic structure is built on a modal mixture, drawing from both the major and minor modes, which contributes to its unique atmosphere.

Tyler, The Creator – Are We Still Friends – Interlude

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Chord Progression

E, E7, A, Am

Chord Progression Analysis

“`
E Major (I) – E Dominant 7 (V7) – A Major (IV) – A minor (iv)
“`

Similar Chord Progressions

1. The Beatles – “Something” (1969)
Chord Progression:
“`
C Major (I) – C Major 7 (IMaj7) – C7 (V7/IV) – F Major (IV) – F minor (iv)
“`
2. Radiohead – “No Surprises” (1997)
Chord Progression:
“`
F Major (I) – G Major (II) – A minor (iii) – A flat Major (bVI) – G Major (II) – C Major (V)
“`

While these progressions are not exact replicas of the one used by Tyler, The Creator in “Are We Still Friends?”, they share similarities in their use of the dominant seventh chord, the subdominant major and minor chords, and their overall melodic and harmonic interest. This demonstrates how these harmonic techniques can be used across various genres and styles to create compelling chord progressions that engage the listener’s ear.

Musical Analysis

The progression starts with the tonic chord, E Major, which establishes the key of the piece. The E Dominant 7 chord then introduces a tritone interval (between the major third and the minor seventh) that creates tension and propels the progression forward. The A Major chord is the subdominant chord, which is traditionally a point of resolution in a chord progression. However, Tyler ends the progression with an A minor chord, which is borrowed from the parallel minor key (E minor). This borrowed chord adds a sense of surprise and melodic interest to the progression, giving it a more introspective and wistful quality.

Overall Analysis

The chord progression in the interlude of “Are We Still Friends?” by Tyler, The Creator is a simple yet effective progression that moves from the tonic chord to a dominant seventh, followed by a subdominant chord, and finally a minor subdominant chord. The progression creates an interesting shift in tonality that is common in jazz and soul music, which are styles that Tyler is known to incorporate into his work.

Style Analysis

The use of the dominant 7th chord and the borrowed minor iv chord gives the progression a jazzy, soulful quality that is reminiscent of the chord progressions used in jazz standards and R&B classics. Tyler, The Creator is known for incorporating various genres and styles into his music, particularly elements of jazz, soul, and R&B. This progression is an example of how he uses these harmonic techniques to create unique and emotionally charged moments in his songs.

Chords in the Interlude section of Are We Still Friends by Tyler, The Creator are:

E, E7, A, Am