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“While My Guitar Gently Weeps” by The Beatles is in the minor mode and its chord progression showcases rich harmonic content and unexpected key changes, common to The Beatles’ music. Harmonically, it features an interesting mixture of chords from the parallel major and minor keys, which is indicative of modal interchange, a key characteristic of The Beatles’ songwriting.

“The Long And Winding Road” is in the key of D major. The chords are quite typical of pop music, however, The Beatles use of extensions and suspensions provide a unique complexity to the progression. The song dabbles in modal interchange as it borrows chords from parallel minor, a popular Beatles technique.

The chord progression in the verse of “Telepatia” by Kali Uchis showcases a mix of diatonic and chromatic harmony. The progression is built around the key of G Major and has a strong Latin and jazz-influenced sound. The use of extended chords like Gmaj7 and Em9 adds depth and sophistication to the harmony, while the non-diatonic B7 contributes to the tension and resolution.

The verse of “Megalomania” by Muse is characterized by distinctive harmonic progressions, dynamic contrasts, and notable melodic lines that are typical of the band’s alternative rock style. Throughout this verse, Muse uses common harmonic devices such as secondary dominants, diatonic and chromatic mediants, borrowed chords from parallel keys, and deceptive cadences to create a sense of tension and forward momentum.

“Can You Feel The Love Tonight” by Elton John is a heart-touching love song that carries a smooth flowing blend of pop and soft rock, showing Elton John’s inclination to use diatonic (major and minor) chords, 7th chords and inversions. The song, largely stays in its home key of C major, has an interesting chord progression that shifts between the tonic, subdominant, and dominant. Internally, there are multiple secondary dominant chords and borrowing from the parallel minor, providing color and contrast.

The Beatles – While My Guitar Gently Weeps – Verse 1

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Chord Progression

[‘Am’, ‘Am/G’, ‘F#m7b5’, ‘Fmaj7’, ‘Am’, ‘G’, ‘D’, ‘Dsus4’, ‘D’, ‘Dsus2’, ‘D’, ‘Esus4’, ‘E’, ‘Am’, ‘Am/G’, ‘F#m7b5’, ‘Fmaj7’, ‘Am’, ‘G’, ‘C’, ‘E’]

Chord Progression Analysis

In musical analysis of ‘While My Guitar Gently Weeps’ Verse 1, the chord progression goes as follows:

Am (i), Am/G (i with G in bass), F#m7b5 (vi half diminished), Fmaj7 (VI), Am (i), G (bVII – borrowed from parallel key Am mixolydian), D (IV of relative major), Dsus4 (IVsus4 of relative major), D (IV of relative major), Dsus2 (IVsus2 of relative major), D (IV of relative major), Esus4 (V of parallel major), E (V of parallel major), Am (i), Am/G (i with G in bass), F#m7b5 (vi half diminished), Fmaj7 (VI), Am (i), G (bVII – borrowed from parallel key Am mixolydian), C (III of parallel major), E (V of parallel major).

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Borrowed Chords: G (bVII – borrowed from parallel key Am mixolydian)
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Similar Chord Progressions

The chord progression bears some similarity to the style found in songs like “Stairway to Heaven” by Led Zeppelin, or “Something” by The Beatles themselves, showcasing a mixture of major, minor, and suspended chords creating a rich harmonic progression. Also, “Yesterday” from The Beatles uses similar chord progressions including borrowing parallel major and minor chords.

Here is the chord progression in Stairway to Heaven’s verse:

Aminor (i) – Gsharp diminished (vii dim) – Gmajor (bVII) – Fmajor (VI) – Aminor (i) – Amajor (I of parallel major) – Cmajor/D (VII with D in bass) – D/F# (IV of relative major)

Likewise, in “Something”, a Beatles classic showcases a mixture of major, minor, and suspended chords in its verse:

C (I) – Cmaj7 (Imaj7) – C7 (I7) – F (IV) – D7 (II7 – secondary dominant) – G (V) – Am (vi) – Am/G (vi with G in bass) – Am/F# (vi with F# in bass) – F (IV).

Musical Analysis

What stands out in this song is Harrison’s wide use of borrowed chords and secondary dominants, creating an interesting tonal color and musical depth. A clear demonstration of modal interchange, the song uniquely moves from Am (natural minor focused) to D (Dorian mode focused) and also manipulates the harmonic rhythm extensively for emotional effect. The transition between sus4 and sus2 on the D chord creates additional tension leading to resolution.

Overall Analysis

“While My Guitar Gently Weeps” is in the key of A minor and quite uniquely, the song borrows chords from parallel major and minor keys, as well as from modes like mixolydian. It is one of George Harrison’s contributions to the Beatles and showcases sophisticated harmonic techniques and an intricate chordal design, reflecting deeply on the influence of Eastern music and philosophies on his songwriting.

Style Analysis

“While My Guitar Gently Weeps” is marked with melancholy – a sensation further enhanced by the varied and unusual chord choices which bring a sense of pathos to the composition. It showcases George’s unique usage of modal interchange, extended harmonies, and diatonic substitution, thereby depicting a groundbreaking depth in popular music of the time.

Chords in the Verse 1 section of While My Guitar Gently Weeps by The Beatles are:

[‘Am’, ‘Am/G’, ‘F#m7b5’, ‘Fmaj7’, ‘Am’, ‘G’, ‘D’, ‘Dsus4’, ‘D’, ‘Dsus2’, ‘D’, ‘Esus4’, ‘E’, ‘Am’, ‘Am/G’, ‘F#m7b5’, ‘Fmaj7’, ‘Am’, ‘G’, ‘C’, ‘E’]