Music Theory Alchemy

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“I Want To Hold Your Hand” by The Beatles is one of the band’s early hits noted for its crafty melodic hooks and harmonic structure attesting to their evolving musical sophistication. The chord progression of Verse 3 is a great reflection of this, using classic pop songwriting techniques such as the predominant use of I, IV and V chords along with a borrowed chord from another mode, that add to the emotional depth of the song.

“Penny Lane” by The Beatles is an eclectic and elegant piece of music evident in its rhythm, harmony, melody, and lyrics. It is predominantly in the key of A Major, but it has several key changes and introduces chords that are non-diatonic, giving it a progressive and unexpected feel.

This is a beautiful chorus from “Rocket Man,” a song by Elton John. The overall vibe of the song is nostalgic and melancholy, largely due to the combination of key changes, chord progression, and Elton John’s vocal melody. The song appears to be in the key of G major.

“Iris” by the Goo Goo Dolls is well-known for its unique tuning and chords which adds a certain tenderness and emotional depth to the song. The song is in D Major and utilizes a repeated chord progression that is relatively simple but effective.

“Time” by Pink Floyd is a progressive rock song from their iconic album, The Dark Side of the Moon (1973). The listed chords form the harmonic basis of the chorus section. The harmony is characterized by diatonic major seventh chords, interspersed with a few borrowed chords. The chorus features a fluctuating major/minor tonality, giving the song an emotional and contemplative feel.

The Beatles – I Want To Hold Your Hand – Chorus

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Chord Progression

[‘C’, ‘D’, ‘G’, ‘Em’, ‘C’, ‘D’, ‘B7’, ‘C’, ‘D’, ‘C’, ‘G’]

Chord Progression Analysis

The chorus of “I Want to Hold Your Hand” goes as follow, in the key of G major:

C Major (IV), D Major (V), G Major (I), E minor (vi), C Major (IV), D Major (V), B7 Dominant 7 (III7), C Major (IV), D Major (V), C Major (IV), G Major (I)

Please note that the B7 chord can be seen as a secondary dominant of the E minor chord.

“`Music Theory
Borrowed Chord: None
“`

Similar Chord Progressions

1. “Sam’s Town” by The Killers uses a similar IV-V-I progression, but in a more rock-influenced context. The progression in the key of B Major:
E Major (IV), F# Major (V), B Major (I), G#m (vi), E Major (IV), F# Major (V), D#7 (III7), F# Major (V)

2. “Just the Way You Are” by Bruno Mars also uses a similar IV-V-I progression, but in a more contemporary pop context. The progression in the key of F Major:
Bb Major (IV), C Major (V), F Major (I), Dm (vi), Bb Major (IV), C Major (V), A7 (III7), Bb Major (IV), C Major (V), Bb Major (IV), F Major (I)

This kind of progression is common in pop music due to the strong resolution of the IV-V-I movement, and the use of a secondary dominant to create extra harmonic interest. The Beatles’ impact on popular music can be clearly seen in these songs which incorporate this progression.

Musical Analysis

The chorus starts with a IV-V-I progression, quite a standard in pop music as it gives the effect of “returning home”, creating a resolution. This creates a feel of happiness and optimism, which complements the lyrical content of the song. Following the G Major, the progression moves to E minor adding a touch of melancholy then goes back to the IV-V progression, indicating a resolution. The B7 acts as a Dominant 7 of the iii chord, adding tension and preparing the listener for the return to the IV-V progression, and finally concluding at the “home” chord, G Major.

Overall Analysis

The song “I Want to Hold Your Hand” by The Beatles is cheerful and upbeat, with accessible melodies that catch the audience’s attention immediately. The rhythm is contagious and gives a happy atmosphere to the whole song. It is a perfect example of the early influences of rock ‘n’ roll on The Beatles, with a chord progression that is quite common in pop/rock music but showcases The Beatles’ ability to create fresh and unique melodic ideas.

Style Analysis

This left turn into minor key followed by the secondary dominant is a hallmark of Beatles music, showing their ability to add structural complexity and unpredictability within the confines of pop music. This also shows their early affinity for mixing major and minor keys to create distinct flavors.

Chords in the Chorus section of I Want To Hold Your Hand by The Beatles are:

[‘C’, ‘D’, ‘G’, ‘Em’, ‘C’, ‘D’, ‘B7’, ‘C’, ‘D’, ‘C’, ‘G’]