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Related Music Theory Alchemy

“I Want To Hold Your Hand” by The Beatles is one of the band’s early hits noted for its crafty melodic hooks and harmonic structure attesting to their evolving musical sophistication. The chord progression of Verse 3 is a great reflection of this, using classic pop songwriting techniques such as the predominant use of I, IV and V chords along with a borrowed chord from another mode, that add to the emotional depth of the song.

With a Little Help from My Friends’ exists in a rich harmonic landscape typical of the Beatles. Here, we can see signature moves like mixing major/minor tonalities, borrowed chords, and unconventional harmonic progressions.

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“Honky Tonk Women” by the Rolling Stones is a classic rock track steeped in the blues tradition. The song is played in the key of G Major and primarily uses chords G, C, A, and D.

**Chorus

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The song “Jolene” by Dolly Parton sports a simple yet effective chord progression. The entire song is in the key of C major / A minor (they share the same key signature), with a clear preference for the darker minor tones over the light major tones. This song is a great example of the use of simple chord structures and progressions to evoke emotive sensations.

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The progression for the chorus of “Sometimes It Snows In April” by Prince exhibits a rich mixture of non- diatonic chords and borrowed chords. The tonal center of the song is A, but it doesn’t strictly follow a specific major or minor scale, creating an interesting blend of light and dark tonalities. This characteristic is a common feature in Prince’s works, showing his notable talent for blending the traditional with the unconventional.

The Beatles – I Want To Hold Your Hand – Chorus

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Chord Progression

[‘C’, ‘D’, ‘G’, ‘Em’, ‘C’, ‘D’, ‘B7’, ‘C’, ‘D’, ‘C’, ‘G’]

Chord Progression Analysis

The chorus of “I Want to Hold Your Hand” goes as follow, in the key of G major:

C Major (IV), D Major (V), G Major (I), E minor (vi), C Major (IV), D Major (V), B7 Dominant 7 (III7), C Major (IV), D Major (V), C Major (IV), G Major (I)

Please note that the B7 chord can be seen as a secondary dominant of the E minor chord.

“`Music Theory
Borrowed Chord: None
“`

Similar Chord Progressions

1. “Sam’s Town” by The Killers uses a similar IV-V-I progression, but in a more rock-influenced context. The progression in the key of B Major:
E Major (IV), F# Major (V), B Major (I), G#m (vi), E Major (IV), F# Major (V), D#7 (III7), F# Major (V)

2. “Just the Way You Are” by Bruno Mars also uses a similar IV-V-I progression, but in a more contemporary pop context. The progression in the key of F Major:
Bb Major (IV), C Major (V), F Major (I), Dm (vi), Bb Major (IV), C Major (V), A7 (III7), Bb Major (IV), C Major (V), Bb Major (IV), F Major (I)

This kind of progression is common in pop music due to the strong resolution of the IV-V-I movement, and the use of a secondary dominant to create extra harmonic interest. The Beatles’ impact on popular music can be clearly seen in these songs which incorporate this progression.

Musical Analysis

The chorus starts with a IV-V-I progression, quite a standard in pop music as it gives the effect of “returning home”, creating a resolution. This creates a feel of happiness and optimism, which complements the lyrical content of the song. Following the G Major, the progression moves to E minor adding a touch of melancholy then goes back to the IV-V progression, indicating a resolution. The B7 acts as a Dominant 7 of the iii chord, adding tension and preparing the listener for the return to the IV-V progression, and finally concluding at the “home” chord, G Major.

Overall Analysis

The song “I Want to Hold Your Hand” by The Beatles is cheerful and upbeat, with accessible melodies that catch the audience’s attention immediately. The rhythm is contagious and gives a happy atmosphere to the whole song. It is a perfect example of the early influences of rock ‘n’ roll on The Beatles, with a chord progression that is quite common in pop/rock music but showcases The Beatles’ ability to create fresh and unique melodic ideas.

Style Analysis

This left turn into minor key followed by the secondary dominant is a hallmark of Beatles music, showing their ability to add structural complexity and unpredictability within the confines of pop music. This also shows their early affinity for mixing major and minor keys to create distinct flavors.

Chords in the Chorus section of I Want To Hold Your Hand by The Beatles are:

[‘C’, ‘D’, ‘G’, ‘Em’, ‘C’, ‘D’, ‘B7’, ‘C’, ‘D’, ‘C’, ‘G’]