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Related Music Theory Alchemy

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The Beatles were known for their innovative use of musical elements, and this can be seen in “I Want To Hold Your Hand”. The song is largely in the key of G major, but it also has some borrowed chords from other keys. This variety creates a unique listening experience that keeps the song fresh.

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With a Little Help from My Friends’ exists in a rich harmonic landscape typical of the Beatles. Here, we can see signature moves like mixing major/minor tonalities, borrowed chords, and unconventional harmonic progressions.

“Goodbye Blue Sky” is a song by Pink Floyd from their 1979 album, “The Wall.” It is known for its haunting, ethereal quality, achieved through the use of predominantly minor chords, lush harmonies, and a slow, atmospheric tempo. The song’s lyrics and melancholic mood reflect feelings of loss and desolation.

“Bullet With Butterfly Wings” by The Smashing Pumpkins is an alternative rock song released in 1995. The song is in the key of E minor and primarily uses power chords derived from the E minor scale throughout the song. Power chords or ‘5’ chords, like B5 or G5, don’t have a major or minor quality and are often used in rock music for their strong and neutral sound. The song also applies modal mixture (borrowing chords from parallel keys) for color and tension.

“I Guess That’s Why They Call it the Blues” is a well-known hit by Elton John from the album “Too Low for Zero” released in 1983. The song is a blend of pop, rock and blues styles and showcases Elton John’s proficiency in blending different music genres. The verse uses a straightforward I-V-vi-IV progression which is a common progression in pop music.

The Chorus’s

The Beatles – I Want To Hold Your Hand – Chorus

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Chord Progression

[‘C’, ‘D’, ‘G’, ‘Em’, ‘C’, ‘D’, ‘B7’, ‘C’, ‘D’, ‘C’, ‘G’]

Chord Progression Analysis

The chorus of “I Want to Hold Your Hand” goes as follow, in the key of G major:

C Major (IV), D Major (V), G Major (I), E minor (vi), C Major (IV), D Major (V), B7 Dominant 7 (III7), C Major (IV), D Major (V), C Major (IV), G Major (I)

Please note that the B7 chord can be seen as a secondary dominant of the E minor chord.

“`Music Theory
Borrowed Chord: None
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Similar Chord Progressions

1. “Sam’s Town” by The Killers uses a similar IV-V-I progression, but in a more rock-influenced context. The progression in the key of B Major:
E Major (IV), F# Major (V), B Major (I), G#m (vi), E Major (IV), F# Major (V), D#7 (III7), F# Major (V)

2. “Just the Way You Are” by Bruno Mars also uses a similar IV-V-I progression, but in a more contemporary pop context. The progression in the key of F Major:
Bb Major (IV), C Major (V), F Major (I), Dm (vi), Bb Major (IV), C Major (V), A7 (III7), Bb Major (IV), C Major (V), Bb Major (IV), F Major (I)

This kind of progression is common in pop music due to the strong resolution of the IV-V-I movement, and the use of a secondary dominant to create extra harmonic interest. The Beatles’ impact on popular music can be clearly seen in these songs which incorporate this progression.

Musical Analysis

The chorus starts with a IV-V-I progression, quite a standard in pop music as it gives the effect of “returning home”, creating a resolution. This creates a feel of happiness and optimism, which complements the lyrical content of the song. Following the G Major, the progression moves to E minor adding a touch of melancholy then goes back to the IV-V progression, indicating a resolution. The B7 acts as a Dominant 7 of the iii chord, adding tension and preparing the listener for the return to the IV-V progression, and finally concluding at the “home” chord, G Major.

Overall Analysis

The song “I Want to Hold Your Hand” by The Beatles is cheerful and upbeat, with accessible melodies that catch the audience’s attention immediately. The rhythm is contagious and gives a happy atmosphere to the whole song. It is a perfect example of the early influences of rock ‘n’ roll on The Beatles, with a chord progression that is quite common in pop/rock music but showcases The Beatles’ ability to create fresh and unique melodic ideas.

Style Analysis

This left turn into minor key followed by the secondary dominant is a hallmark of Beatles music, showing their ability to add structural complexity and unpredictability within the confines of pop music. This also shows their early affinity for mixing major and minor keys to create distinct flavors.

Chords in the Chorus section of I Want To Hold Your Hand by The Beatles are:

[‘C’, ‘D’, ‘G’, ‘Em’, ‘C’, ‘D’, ‘B7’, ‘C’, ‘D’, ‘C’, ‘G’]