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The outro of ‘Hey Jude’ by The Beatles is a prime example of a repeated chord progression, specifically a repeated loop of D-C-G-D. This progression is repeated throughout the last significant section of the song, often referred to as the “na na na” section, essentially becoming a kind of mantra or chant that brings the song to a sustained and palpable resolution.

The song “Rocky Raccoon” by The Beatles features a intriguing chord progression typically employed in blues and folk music that creates a captivating storytelling-style musical framework. The verse using the provided chords weaves an interesting tale via major and minor fluctuations giving an emotional depth to the lyrics.

The chord progression in Kali Uchis’ “Loner” features a mix of major, minor, and augmented chords, which contributes to the song’s unique sound and emotional depth. The progression has an unconventional and intriguing quality, while still maintaining a sense of harmonic coherence.

“Time” by Pink Floyd is a progressive rock song from their iconic album, The Dark Side of the Moon (1973). The listed chords form the harmonic basis of the chorus section. The harmony is characterized by diatonic major seventh chords, interspersed with a few borrowed chords. The chorus features a fluctuating major/minor tonality, giving the song an emotional and contemplative feel.

The chord progression in the chorus of Beck’s “Think I’m In Love” is a fairly simple one that revolves around two key centers, Ab major and Eb major. The main chords used are based on the I-IV-V structure which is common in rock and pop music. It features a major I-IV relationship and an unexpected chord, F major, which adds some harmonic interest.

The Beatles – Hey Jude – Chorus

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Chord Progression

[‘D7’, ‘G’, ‘Bm’, ‘Em’, ‘G’, ‘A7’, ‘D’, ‘D7’, ‘G’, ‘Bm’, ‘Em’, ‘G’, ‘A7’, ‘D’]

Chord Progression Analysis

“`
D Dominant 7th (V7 of IV), G
major (IV),
B minor (vi),
E minor (ii),
G major (IV),
A dominant 7th (V7),
D major (I),
D dominant 7th (V7 of IV),
G major (IV),
B minor (vi),
E minor (ii),
G major (IV),
A dominant 7th (V7),
D major (I)
“`

Borrowed chords: [‘D7’, ‘A7’]

Similar Chord Progressions

The Rolling Stones’ anthem “You Can’t Always Get What You Want” deploys a similar progression.
Chords: [‘C’, ‘F’, ‘D’, ‘G’, ‘C’, ‘C’, ‘F’, ‘D’]
“`
C Major (I),
F Major (IV),
D minor (ii),
G major (V),
C Major (I),
C Major (I),
F Major (IV),
D minor (ii)
“`

Brian Wilson’s “God Only Knows” from the Beach Boys also uses this technique of mixing major and minor keys.
Chords: [‘A’, ‘F#m’, ‘Bm’, ‘G’, ‘Gm’, ‘D’, ‘E7’, ‘A’]
“`
A Major (I),
F# minor (vi),
B minor (ii),
G Major (IV of IV, borrowed chord),
G minor (iv of IV, borrowed chord),
D Major (IV), E dominant 7th (V7),
A Major (I)
“`
Borrowed Chords: [‘G’, ‘Gm’]

Musical Analysis

Notably, the tune frequently switches to the IV (four) chord of G major and the V7 (five-seven) of A dominant 7th, creating a unique major/minor interplay, common in many rock and folk songs.

Overall Analysis

“Hey Jude” goes through a clear progression, switching through the keys of D major, A major and G major. Like many Beatles songs, it cleverly varies between these keys in keeping with the melody and mood of the piece. The complexity of this progression is part of the song’s charm and helps exemplifies the band’s creative approach to composition.

Style Analysis

“Hey Jude” is known for its anthemic, singalong style, bolstered by the repetitive but emotionally resonant chord progression. The progression’s simple repetition and strong resolution (from the V7 to the I) lends the song a hopeful, uplifting atmosphere.

Chords in the Chorus section of Hey Jude by The Beatles are:

[‘D7’, ‘G’, ‘Bm’, ‘Em’, ‘G’, ‘A7’, ‘D’, ‘D7’, ‘G’, ‘Bm’, ‘Em’, ‘G’, ‘A7’, ‘D’]