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Related Music Theory Alchemy

Prince’s “Purple Rain” is a classic power ballad, rooted deeply in pop and rock genres. The chord progressions, with particular emphasis on the one given in Verse 3, underlines Prince’s lyricism and craft, showcasing his unique ability to blend seemingly simple chord progressions to evoke emotional and profound moods. The key of the song is G major.

“Sometimes It Snows In April” is commonly recognised as a hauntingly beautiful ballad that features gentle, intricate piano work and tender vocals. Musically, it explores a slightly complex harmonic structure that creates a profound emotive sound spectrum.

“Rocket Man” by Elton John and his long-time lyricist Bernie Taupin is a standout song in Elton John’s discography, well known for its memorable melody line and masterful chord progression that was very innovative for its time (1972). It showcases his trademark style of combining rock with various other genres such as folk.

Overall, the harmony in this song is quite rich and a clear example of Elton John’s ’70s songwriting style: using complex chords and a lot of borrowed chords from other keys that add extra color to the harmonic progression.

“Here Comes The Sun” by The Beatles uses a D Major scale. The song primarily comprises chords built on the tonic or root note (D), which lends a consistent, grounded feel. This reflects the lyrics’ mood—contentment, renewed optimism, and a sense of homecoming with the arrival of the sun.

“Buddy Holly” is a song by Weezer with an upbeat, pop-rock feel. It exists in the key of A major and showcases a recurring chord progression in its verse consisting of F#m, E/G#, and A.

Prince – Purple Rain – Verse 1

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Chord Progression

[‘G’, ‘Em’, ‘D’, ‘C’, ‘G’, ‘Em’, ‘D’, ‘G’]

Chord Progression Analysis

“`
G (I),
Em (vi),
D (V),
C (IV),
G (I),
Em (vi),
D (V),
G (I),
“`

Similar Chord Progressions

“Lights” by Journey
Chord progression:
“`
E (I),
B/D# (V/7),
C#m (vi),
A (IV),
E (I),
B/D# (V/7),
C#m (vi),
E (I)
“`

“With Or Without You” by U2
Chord progression:
“`
D (I),
A/B (V/7),
Bm (vi),
G (IV),
D (I),
A/B (V/7),
Bm (vi),
D (I)
“`

These songs have similar I-vi-V-IV progressions to “Purple Rain”. One can notice a trend of employing this progression in pop and rock songs, as it provides a reliable backbone that allows room for expressive variation in melody and rhythm.

Musical Analysis

The repetition of (I – vi – V – IV) and (I – vi – V – I) sequences automatically generates a sense of resolution and satisfaction, offering a pleasant “return home” for the ears. The D (V) chord drives home the resolution to the G (I) chord and the C (IV) introduces a slight variation before diving back into the cyclical progression.

This specific sequence sets a bittersweet atmosphere with the strategic use of minor chord (Em) against a major key backdrop (G major), creating tension and release within the chordal movement.

Overall Analysis

The song “Purple Rain” by Prince is a classic and showcases some interesting use of chord progressions. The key of the song is G major. The classic, popular music formula is present in the use of common chords like I, ii, IV, V which are all diatonic within the key. Noticeably, this song opts for a more simplistic, cyclical chord progression structure that emphasizes repetition of strong melodic lines.

Style Analysis

Prince takes fundamental methods from both rock and funk genres and melds them into a singular, distinctive style. His use of the I – vi – V – IV progression comes from the tradition of rock and pop music. Also typical for the pop and rock genres is the 4/4 time signature and the repetitive nature of the chord progression.

However, despite the fundamental structure, “Purple Rain,” also moves away from the typical pop song mold with its numerous guitar solos, dramatic synthesizers, string and choir arrangements – all contributing to the epic feel of the piece. The slightly unconventional arrangement lends the song a unique, enduring appeal, and served as his signature.

Chords in the Verse 1 section of Purple Rain by Prince are:

[‘G’, ‘Em’, ‘D’, ‘C’, ‘G’, ‘Em’, ‘D’, ‘G’]