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Related Music Theory Alchemy

“Honky Tonk Women” is a classic blues-infused rock and roll track, like many songs by The Rolling Stones. The guitar riffs and solo (though not discussed here) clearly show blues influence in their use of the pentatonic scale and common blues licks.

The chord progression used for verse 2 is a typical example of a classic rock chord progression, with a key center around G, utilizing the dominant chords of the key in a I-IV-I-V-IV-I-IV-I progression.

“Heartbreaker” by The Rolling Stones is a classic rock song that utilizes a chord progression that is stereotypical of the genre. The verse and chorus unfold in the key of E minor, with the verse using primarily a cycle of Em7 and Am7. In terms of musical mood and expressivity, the progression conveys a melancholic yet energetic feeling, which is characteristic of the rock genre.

“Penny Lane” by The Beatles is a pop rock song released in 1967. Musically, the track displays characteristics of the “Baroque pop” style combine with psychedelic pop. The composition is multifaceted with complex chord progressions inspired by classical music, as well as elements of the British music hall style, specifically brass band influences throughout.

“Everything In Its Right Place” by Radiohead is a harmonically adventurous piece with an unconventional structure that features a mixture of modal and borrowed chords. The piece has an impressionistic quality influenced by classical lineage, while also regularly employing electronic and synthesized sounds.

The chord progression in the verse of Beck’s “Paper Tiger” can be considered a combination of common and non-diatonic chords. The progression moves from a major chord to its dominant 7th and then resolves to the relative minor. Stylistically, this progression is used in rock, pop, and jazz music to create tension and resolution while maintaining a sense of movement or flow.

The Rolling Stones – Honky Tonk Women – Verse 1

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Chord Progression

[‘G’, ‘C’, ‘G’, ‘A’, ‘D’, ‘G’, ‘C’, ‘G’, ‘D’, ‘G’]

Chord Progression Analysis

G Major (I)
C Major (IV)
G Major (I)
A Major (II – Borrowed chord)
D Major (V)
G Major (I)
C Major (IV)
G Major (I)
D Major (V)
G Major (I)

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The A Major chord here is borrowed and not native to the key of G Major.
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Similar Chord Progressions

1. “Sweet Home Alabama” by Lynyrd Skynyrd also features a I-IV-V progression but in the key of D major.
D Major (I)
C Major (bVII – Borrowed)
G Major (IV)

2. “I Still Haven’t Found What I’m Looking For” by U2 has a similar chord progression in the key of D major.
D Major (I)
G Major (IV)
A Major (V)
B minor (vi)

3. “Hey, Soul Sister” by Train has a similar chord progression but shifted to a different key (E major).
E Major (I)
B Major (V)
C# minor (vi)
A Major (IV)

Musical Analysis

Musically, the use of both the IV (C) chord and the V(D) chord in the progression gives the song a resolved feel. The progression starts and ends with I (G), giving it a cyclic feel. The introduction of the borrowed II (A) chord gives the song a mixolydian feel momentarily, attributing to its slightly unconventional rock ‘n’ roll progression.

Overall Analysis

“Honky Tonk Women” by The Rolling Stones is a classic rock song heavily influenced by country and blues. The song is characterized by both major and minor chords, primarily G, C, A, and D. The song is in the key of G major from the verse 1 progression you provided, and it has elements of both I-IV-V and I-V-vi-IV.

Verse 1

Style Analysis

“Honky Tonk Women” incorporates elements from both country & blues genres into a rock ‘n’ roll framework. It features the I-IV-V progression common in blues, and the borrowed II chord is a feature associated with country music. This gives the song a kind of raw, gritty feel that is characteristic of The Rolling Stones’ style.

Chords in the Verse 1 section of Honky Tonk Women by The Rolling Stones are:

[‘G’, ‘C’, ‘G’, ‘A’, ‘D’, ‘G’, ‘C’, ‘G’, ‘D’, ‘G’]