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Related Music Theory Alchemy

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“Honky Tonk Women” by the Rolling Stones is a classic rock track steeped in the blues tradition. The song is played in the key of G Major and primarily uses chords G, C, A, and D.

**Chorus

“Dead Flowers” by The Rolling Stones, from their album “Sticky Fingers” (1971), features a fairly straightforward repetitive chord progression of D, A, G, D in the verse. The key here is D Major. This common progression falls into a I-V-IV-I pattern known as a “plagal cadence”. It’s a progression which consists of a major key followed by its dominant (V), then its subdominant (IV), taking us back to the tonic (I).

“Rocky Raccoon” by The Beatles incorporates chords commonly associated with the genre of folk or country music. It is primarily built on a repetitive chord progression which consists of Am7, D7sus4, D7, G7, C, and C/B. There’s also a use of plenty of sevenths and suspensions to create a slightly jazzy feel. It’s also worth noting The Beatles’ penchant for chords that provide a mix of major and minor tonalities.

“The Bullet With Butterfly Wings” by The Smashing Pumpkins essentially revolves around the use of power chords, or 5th chords, to project a raw, grungy intensity. The chord progression (B5, Em, G5), extracted from the second verse of the song, is prominent throughout. The use of power chords results in a composition that doesn’t transpose to a traditional major or minor key, but fits within a modal framework.

The song “Closer” by Nine Inch Nails is based primarily around the C minor 7 chord, giving the song its dark and moody atmosphere. The song is in the key of C minor. This chord progression is repetitive and simple, allowing other aspects of the song, such as the lyrics and production, to take center stage.

The Rolling Stones – Honky Tonk Women – Verse 2

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Chord Progression

[‘G’, ‘C’, ‘G’, ‘A’, ‘D’, ‘G’, ‘C’, ‘G’, ‘D’, ‘G’]

Chord Progression Analysis

“`
G Major (I)
C Major (IV)
G Major (I)
A Major (V/IV)
D Major (IV)
G Major (I)
C Major (IV)
G Major (I)
D Major (IV)
G Major (I)
“`
Note: The A Major chord in the progression is a borrowed chord from the key of D, the IV of the key of G.

Similar Chord Progressions

1. AC/DC – “You Shook Me All Night Long” uses a similar I-IV progression in the key of G: G (I), C (IV) and D (IV).
2. Lynyrd Skynyrd – “Sweet Home Alabama” uses a similar I-IV progression in the key of D: D (I), C (IV), G (V).
3. Bruce Springsteen – “Born in the USA” also uses a I-IV-V progression (though in the key of B): B (I), E (IV), F# (V).

Musical Analysis

The progression as a whole utilizes a common move in rock and roll and blues music, by alternating between the tonic, the subdominant and the dominant. This creates a sense of drive and tension that keeps the groove going. The A Major, a borrowed chord from the key of D, provides a nice ‘twist’ in the progression, adding a feeling of increased tension and leading neatly into the D Major, which then resolves back to the G Major to complete the cycle.

Overall Analysis

“Honky Tonk Women” is a classic blues-infused rock and roll track, like many songs by The Rolling Stones. The guitar riffs and solo (though not discussed here) clearly show blues influence in their use of the pentatonic scale and common blues licks.

The chord progression used for verse 2 is a typical example of a classic rock chord progression, with a key center around G, utilizing the dominant chords of the key in a I-IV-I-V-IV-I-IV-I progression.

Style Analysis

“Honky Tonk Women” has a bluesy rock vibe which is signature of many of The Rolling Stones’ songs. The chord progression is influenced by the standard blues progression, but with a rock twist. The track makes extensive use of power chords and is driven by a strong groove from the rhythm section (drums and bass) and the use of the dominant chords in the progression adds to the bluesy feel of the song.

Chords in the Verse 2 section of Honky Tonk Women by The Rolling Stones are:

[‘G’, ‘C’, ‘G’, ‘A’, ‘D’, ‘G’, ‘C’, ‘G’, ‘D’, ‘G’]