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“Honky Tonk Women” by the Rolling Stones is a classic rock track steeped in the blues tradition. The song is played in the key of G Major and primarily uses chords G, C, A, and D.

**Chorus

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“Paint It, Black” by The Rolling Stones is arranged in a minor key, specifically E minor. The verse chord progression of the song exhibits a fairly common pattern in 60’s rock and pop music, incorporating the use of both diatonic chords and borrowed chords from the parallel major key.

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The verse 2 chord progression in Tyler, The Creator’s “Earfquake” is a mixture of diatonic and non-diatonic chords. The progression mainly features chords from the Bb Major key, with the D7 acting as a secondary dominant chord (V7/III). The progression has a smooth, jazzy feel that is typical of Tyler’s signature style.

“Brown Sugar” by The Rolling Stones, off their 1971 album Sticky Fingers, is in the key of C major, and primarily uses the chords C, F, G and Bb. This song showcases the band’s blues rock influences, built on a repetitive, riff-driven chord progression. The use of I, IV, V, and a borrowed bVII (Bb), which is common in the blues, creates an appealing and familiar sound, helping the song resonate with listeners.

The given chord progression is found in Verse 2 of Tyler, The Creator’s song “Are We Still Friends.” The song is in the key of E major, and the progression features a mix of major, minor, and dominant seventh chords. The distinctive chromatic movement and the use of borrowed chords make for a memorable and unique progression. The combination of these elements results in a lush and emotionally charged progression which contributes greatly to the overall feel of the song.

The Rolling Stones – Honky Tonk Women – Verse 2

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Chord Progression

[‘G’, ‘C’, ‘G’, ‘A’, ‘D’, ‘G’, ‘C’, ‘G’, ‘D’, ‘G’]

Chord Progression Analysis

“`
G Major (I)
C Major (IV)
G Major (I)
A Major (V/IV)
D Major (IV)
G Major (I)
C Major (IV)
G Major (I)
D Major (IV)
G Major (I)
“`
Note: The A Major chord in the progression is a borrowed chord from the key of D, the IV of the key of G.

Similar Chord Progressions

1. AC/DC – “You Shook Me All Night Long” uses a similar I-IV progression in the key of G: G (I), C (IV) and D (IV).
2. Lynyrd Skynyrd – “Sweet Home Alabama” uses a similar I-IV progression in the key of D: D (I), C (IV), G (V).
3. Bruce Springsteen – “Born in the USA” also uses a I-IV-V progression (though in the key of B): B (I), E (IV), F# (V).

Musical Analysis

The progression as a whole utilizes a common move in rock and roll and blues music, by alternating between the tonic, the subdominant and the dominant. This creates a sense of drive and tension that keeps the groove going. The A Major, a borrowed chord from the key of D, provides a nice ‘twist’ in the progression, adding a feeling of increased tension and leading neatly into the D Major, which then resolves back to the G Major to complete the cycle.

Overall Analysis

“Honky Tonk Women” is a classic blues-infused rock and roll track, like many songs by The Rolling Stones. The guitar riffs and solo (though not discussed here) clearly show blues influence in their use of the pentatonic scale and common blues licks.

The chord progression used for verse 2 is a typical example of a classic rock chord progression, with a key center around G, utilizing the dominant chords of the key in a I-IV-I-V-IV-I-IV-I progression.

Style Analysis

“Honky Tonk Women” has a bluesy rock vibe which is signature of many of The Rolling Stones’ songs. The chord progression is influenced by the standard blues progression, but with a rock twist. The track makes extensive use of power chords and is driven by a strong groove from the rhythm section (drums and bass) and the use of the dominant chords in the progression adds to the bluesy feel of the song.

Chords in the Verse 2 section of Honky Tonk Women by The Rolling Stones are:

[‘G’, ‘C’, ‘G’, ‘A’, ‘D’, ‘G’, ‘C’, ‘G’, ‘D’, ‘G’]