Muse – Feeling Good – Verse 1
Feeling Good < All Analyses
Chord Progression
Gm, Gm/F, Eb, D, Gm, Gm/F, Eb, D, Gm, Gm/F, C/E, Cm/Eb
Chord Progression Analysis
G minor (i) – G minor/F (i/6) – E-flat Major (VI) – D Major (V) – G minor (i) – G minor/F (i/6) – E-flat Major (VI) – D Major (V) – G minor (i) – G minor/F (i/6) – C Major/E (IV/6) – C minor/E-flat (iv/6)
Borrowed Chord: `C Major (IV)`
Similar Chord Progressions
Musical Analysis
The verse starts with a G minor chord, followed by G minor/F – an inversion that adds a sense of forward motion. The E-flat major provides a smooth transition to the D Major, which is the dominant chord in the G minor key. This dominant chord creates tension before resolving back to the G minor. The pattern repeats once more with the exception of the last two chords.
The transition from G minor/F to C Major/E introduces a borrowed chord – C Major (IV), which implies a temporary shift to the parallel major key. The progression then smoothly transitions to C minor/E-flat (iv/6), reinforcing the minor tonality of the key. Finally, the verse ends on the dominant (V) to iv/6 progression, which establishes the tonality and creates a sense of anticipation that leads into the next section of the song.
Style Notes:
This chord progression showcases Muse’s unique stylistic blend, combining elements of soul, jazz, and rock music. The use of inversions, borrowed chords, and chromatic movement adds depth and interest to the progression, while the cyclical nature and smooth transitions create a sense of unity throughout the verse. The combination of these stylistic elements contributes to the overall impact of the song and its memorable quality.
Overall Analysis
The chord progression in Muse’s “Feeling Good” is in the key of G minor and showcases an interesting and creative use of borrowed chords and inversions. The progression follows a cyclical pattern that creates tension and release throughout the verse. The style is reminiscent of soul and jazz influences with a hint of rock elements, which is a common characteristic in Muse’s music.
Style Analysis
1. Radiohead – “Exit Music (For a Film)”
Chord progression: Am (i) – Am/G (i/6) – F (VI) – E (V) – Am (i) – Am/G (i/6) – F (VI) – E (V) – Am (i) – Am/G (i/6) – D/F# (IV/6) – Dm/F (iv/6)
2. Amy Winehouse – “Back to Black”
Chord progression: Dm (i) – Dm/C (i/6) – Bb (VI) – A7 (V7) – Dm (i) – Dm/C (i/6) – Bb (VI) – A7 (V7) – Dm (i) – Dm/C (i/6) – G/B (IV/6) – Gm/Bb (iv/6)
In these examples, similar elements such as the use of inversions, borrowed chords, and smooth transitions between chords can be observed. These progressions also showcase a blend of different styles and genres that contribute to their distinct sound and impact.
What are the chords in: Muse – Feeling Good – Verse 1?
Gm, Gm/F, Eb, D, Gm, Gm/F, Eb, D, Gm, Gm/F, C/E, Cm/Eb
