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Related Music Theory Alchemy

The chord progression for the verse of “Electric Feel” by MGMT is based in the key of C major. The progression mainly revolves around the use of i, v, VI, and VII chords. The song has a hypnotic, cyclic feel that is characteristic of the neo-psychedelic genre, with touches of funk and dance music elements.

The chord progression in the refrain of MGMT’s “Weekend Wars” is an intriguing combination of diatonic and borrowed chords. It primarily features chords from the key of A minor and C major, with some noticeable out-of-key chords that add color and tension to the progression.

“Wicked Game” by Chris Isaak is in the key of B minor. The chord progression for the section provided, which is the verse, is unique due to its simplicity, making it easily accessible and memorable. Even though it is incredibly simple, consisting of just three chords, the progression manages to evoke a strong sense of melancholy and longing, which resonates powerfully with the song’s lyrical themes.

“Exit Music (For a Film)” by Radiohead features a unique and somewhat complex chord progression, particularly in the second verse. The song can be viewed as being in A minor, with various borrowed chords and non-diatonic chords. The chord progression reflects Radiohead’s experimental and innovative approach to harmony and songwriting.

The verse 2 chord progression from Muse’s “New Born” reflects their signature harmonic daring and interesting relationships, which provides this piece with a fresh and captivating sound. The progression features a blend of diatonic and non-diatonic chords, as well as key shifts and chromaticism. It utilizes major-minor modal interchange and emphasizes the Em – B relationship throughout.

MGMT – Electric Feel – Verse 2

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Chord Progression

Am7, Em, F, G, Em, F, Am7, Em, F, G, Em, F, Am7, Em, F, G, Em, F, Am7, Em, F, G, Em, F

Chord Progression Analysis

`Am7 (vi7) | Em (iii) | F (IV) | G (V) | Em (iii) | F (IV) |`
`Am7 (vi7) | Em (iii) | F (IV) | G (V) | Em (iii) | F (IV) |`
`Am7 (vi7) | Em (iii) | F (IV) | G (V) | Em (iii) | F (IV) |`
`Am7 (vi7) | Em (iii) | F (IV) | G (V) | Em (iii) | F (IV) |`

This chord progression is in the key of C major/A minor. The chords used create a sense of direction and evoke a dreamy feeling with the combination of minor and major chords.

Similar Chord Progressions

1. Fleetwood Mac – “Dreams”:
`Fmaj7 (IVmaj7) | G (V) | Am (vi) | Am (vi) / G (V)`

2. Radiohead – “Karma Police”:
`Am (vi) | Fmaj7 (IVmaj7) | Em (iii) | G (V)`

These songs share the same pattern of blending minor and major chords, creating a sense of tension and resolution, and have a catchy, hypnotic vibe.

Musical Analysis

The chords of the progression create a well-balanced blend between tension and resolution. The vi7 (Am7) chord starts the progression, providing a minor, slightly melancholic reflection of the tonic. The iii (Em) chord keeps a sense of suspense and leads well into the IV (F) chord. The V (G) chord is a dominant chord that creates tension, which is resolved back into the iii (Em) chord. The repetition of this pattern contributes to the catchy, hypnotic vibe of the track.

Overall Analysis

“Electric Feel” by MGMT is characterized by its repetitive, catchy chord progression and usage of both major and minor chords which create a unique, surreal atmosphere. The song includes elements of psychedelic pop, funk, and electronic music.

Style Analysis

“Electric Feel” features a fusion of styles, primarily combining electronic music, psychedelic pop, and funk. The song heavily relies on synths and digital effects, which give it a distinct, modern feel. The production is lush and layered, echoing the style of electronic music from the ’80s, a style that MGMT often references. Additionally, the funk element is especially noticeable in the groovy bass line and syncopated rhythm. The chord progression contributes to the song’s immersive atmosphere, further highlighting the band’s unique style.

Chords in the Verse 2 section of Electric Feel by MGMT are:

Am7, Em, F, G, Em, F, Am7, Em, F, G, Em, F, Am7, Em, F, G, Em, F, Am7, Em, F, G, Em, F