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“Across The Universe” by The Beatles, written mostly by John Lennon, is known for its rich and complex harmonic structures that added new dimensions to pop music. The song is predominately in the key of D major, with occasional borrowings from the parallel minor (D minor) and the closely-related key of B minor. The verse 1 progression – D, Bm, F#m, Em7, A, A7, D, Bm, F#m, Em7, Gm – creates an affectingly melancholic mood through its mix of major, minor and borrowed chords, producing a unique ambience that evokes a sense of cosmic contemplation, matching with the philosophical lyrics of the song.

“And I Love Her” is a masterful composition by The Beatles that beautifully demonstrates their ability to mix pop songwriting with complexities of harmonic journey. The song is in the key of E Major, which is unique for being a popular song written by the Beatles in a major key. The main repeating chord progression of the Verse 3 is a progression that modulates between F# minor (the relative minor of A Major, which is the subdominant of E Major), and C# minor (the relative minor of E Major, the original key). The progression’s use of E6 at the end, which is a borrowed chord from the parallel minor (E minor), adds a unique flavor of sixth interval. Finally, it concludes on E6, a somewhat uncommon way to ground a song within a major key.

“Strawberry Fields Forever” by The Beatles is one of the excellent examples of the unique and complex style popular in the late 1960’s. It is in the key of E and further progresses to F# minor. The progression utilizes modal interchange, chromaticism, and unusual chord progressions to create a dreamlike and psychedelic landscape that perfectly suits the lyrical theme of the song.

The given chord progression for Tyler, The Creator’s “Gone Gone” verse 2 is primarily in the key of Bb major with a mixture of chords from other modes. The progression displays a combination of diatonic and borrowed chords, exhibiting the stylistic blending commonly found in modern music such as jazz, R&B, and hip-hop.

“Landslide” by The Smashing Pumpkins is a cover of a popular folk-rock song by Fleetwood Mac. In this song, The Smashing Pumpkins show their alternative rock style, while also paying homage to the folk-rock genre and especially to the founder of Folk-Rock “Fleetwood Mac”. The chords used throughout the song are predominantly composed in the key of G major, with the occasional use of a common borrowed chord (Am) from the G minor key.

The Beatles – Across The Universe – Verse 2

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Chord Progression

[‘D’, ‘Bm’, ‘F#m’, ‘Em7’, ‘A’, ‘A7’, ‘D’, ‘Bm’, ‘F#m’, ‘Em7’, ‘A’, ‘A7’]

Chord Progression Analysis

Here is the chord progression for Verse 2:

1. D Major (I)
2. B minor (vi)
3. F# minor (iii)
4. E minor 7 (ii7)
5. A Major (V)
6. A7 (V7)
7. D Major (I)
8. B minor (vi)
9. F# minor (iii)
10. E minor 7 (ii7)
11. A Major (V)
12. A7 (V7)

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E minor 7 is a borrowed chord from the parallel minor key (D minor).
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Similar Chord Progressions

Elton John’s “Your Song” features a similar chord progression:

1. Eb Major (I)
2. Bb minor (v)
3. G# minor (iii)
4. F minor 7 (ii7)
5. Bb Major (V)
6. Bb7 (V7)

The Police’s “Every Breath You Take” also shows a similar progression:

1. G Major (I)
2. E minor (vi)
3. B minor (iii)
4. A minor 7 (ii7)
5. D Major (IV)
6. D7 (IV7)

Musical Analysis

The progression starts with the tonic chord D major, providing a grounded, peaceful opening. It then progresses to B minor, the relative minor of D, adding a hint of sadness.

F# minor is the mediant chord, which often feels somewhat ambiguous due to its placement between the tonic and subdominant. Following F# minor is E minor 7, a borrowed chord from D minor that enhances the melancholy mood.

This progression concludes with a perfect cadence A Major to A7, exerting a strong pull back to the key’s tonic chord, D Major. This movement creates an emotional resolution after the melancholic journey through the previous chords.

Overall Analysis

Across the Universe by The Beatles is a melancholic, introspective piece set in the key of D major, imbuing an overall sound spectrum that’s somber with a hint of hopeful resolution. The chord progression utilizes both diatonic and borrowed chords, making it both unusual and interesting.

Style Analysis

Featuring a mix of major and minor as well as borrowed chords, this progression is characteristic of The Beatles’ ability to blend simple melodic elements with sophisticated harmonic techniques. The use of the borrowed chord (Em7) from the parallel minor key is a common Beatles’ trick to add colour, tension, and emotional depth, keeping the audience guessing.

Chords in the Verse 2 section of Across The Universe by The Beatles are:

[‘D’, ‘Bm’, ‘F#m’, ‘Em7’, ‘A’, ‘A7’, ‘D’, ‘Bm’, ‘F#m’, ‘Em7’, ‘A’, ‘A7’]