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Related Music Theory Alchemy

“Somewhere Only We Know” by Keane uses a handful of straightforward major and minor chords which contribute to a pop, atmospheric, and emotive sound indicative of the band’s alternative rock aesthetic. The chord progression of the pre-chorus is fairly common and creates a cyclical and slightly unsettled feel that fits well with the song’s lyrical themes of uncertainty and longing for return.

“Somewhere Only We Know” by Keane is a softly and tenderly written song that rests primarily on the key of C Major. However, it uses a fair amount of borrowed chords from the parallel minor key, giving it a warm, melancholic tone, which is typical of many pop ballads.

“Brown Sugar” by The Rolling Stones, off their 1971 album Sticky Fingers, is in the key of C major, and primarily uses the chords C, F, G and Bb. This song showcases the band’s blues rock influences, built on a repetitive, riff-driven chord progression. The use of I, IV, V, and a borrowed bVII (Bb), which is common in the blues, creates an appealing and familiar sound, helping the song resonate with listeners.

“Dont Stop Me Now” by Queen has a key of F major. The song takes you on a journey of a unique blend of chords and progression. Freddie Mercury and the entire band are known for their diverse songwriting abilities, apparent in ‘Don’t Stop Me Now’. The chord progression in Verse 2 hints a story-telling stalwart of pop music production – the major-to-relative-minor movement (I to vi), with some interesting additions of minor seven, major seven and diminished seventh chords, giving it a more sophisticated feel.

The given chord progression is from Beck’s song “Sexx Laws” and runs as follows: B, G#, B, G#, B, G#, A, F#. This progression features chords mainly from the B Major key, but includes borrowed chords from the parallel minor key as well. The harmonic movement showcases Beck’s interesting approach to songwriting and shows some influence from the soul and funk genres.

Keane – Somewhere Only We Know – Verse 2

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Chord Progression

[‘C’, ‘C/B’, ‘Dm’, ‘Gsus4’, ‘G’, ‘C’, ‘C/B’, ‘Dm’, ‘Gsus4’, ‘G’]

Chord Progression Analysis

The chord progression provided falls under the key of C Major and can be analyzed as follows:

C Major (I), C Major with B Bass (I with VII bass or I64), D Minor (ii), Gsus4 (Vsus4), G Major (V), and it repeats.

In other words:

“`C Major (I) -> C Major/B (I64) -> D Minor (ii) -> Gsus4 (Vsus4) -> G Major (V)“`

Each of these chords are diatonic to the key of C Major and there are no borrowed chords present.

Similar Chord Progressions

The chord progression of “Somewhere Only We Know” is quite common in pop music. For example, the verse of “Someone Like You” by Adele shares a similar progression:

“`A Major (I) -> A Major/G# (I64) -> B Minor (ii) -> E Major (IV) -> E Major (IV)“`

Another example is “Hey Jude” by The Beatles:

“`F Major (I) -> F Major/E (I64) -> G Minor (ii) -> C Major (V) -> C Major (IV)“`

These songs also feature the step-wise descending bass line and typical I to ii progression. The difference lies in the resolution; “Somewhere Only We Know” uses a Vsus4 to V resolution, whereas these examples don’t incorporate suspended chords.

Musical Analysis

The chord progression gives the song its signature feeling of movement and build-up, characteristic for pop ballads. The transition to the C/B introduces a step-wise descent in the bass line adding depth to the progression and the move to the Dm (a typical ii chord) further elaborates on the harmonic complexity. The delayed resolution created by the Gsus4 to the G major gives the song its emotional impact, as the listeners await the resolve of the suspension.

Overall Analysis

“Somewhere Only We Know” by Keane is a pop/rock song written in the key of A Major, although the chord progression given seems to be transposed to the key of C Major. It is characterized by its use of repeated motifs and sequenced chord progressions to create a sense of familiarity and typical of the pop genre.

Style Analysis

The progression is typical of pop style, with the repetitive chord progression creating a predictable and approachable palette for listeners. The balance between major and minor chords, along with the suspension to resolution pattern, keeps the song intriguing while maintaining a sense of melodic familiarity.

Chords in the Verse 2 section of Somewhere Only We Know by Keane are:

[‘C’, ‘C/B’, ‘Dm’, ‘Gsus4’, ‘G’, ‘C’, ‘C/B’, ‘Dm’, ‘Gsus4’, ‘G’]