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Related Music Theory Alchemy

The chord progression in the chorus of “Breathe” by Pink Floyd is a non-diatonic progression, meaning it does not strictly follow a specific key. The progression features some borrowed chords and a dominant seventh alteration. The style is influenced by blues and jazz, with a relaxed and reflective mood.

Chorus 1

“Time” by Pink Floyd is a progressive rock song from their iconic album, The Dark Side of the Moon (1973). The listed chords form the harmonic basis of the chorus section. The harmony is characterized by diatonic major seventh chords, interspersed with a few borrowed chords. The chorus features a fluctuating major/minor tonality, giving the song an emotional and contemplative feel.

“Since I’ve Been Loving You” by Led Zeppelin is a slow blues ballad with a rich harmonic palette, featuring expressive guitar solos and a passionate, longing vocal performance. The song is characterized by its use of chromaticism, borrowed chords, and seventh chords, which contribute to its intense, bluesy atmosphere. The chord progression for Verse 2 displays a moody and introspective tone, which serves as the perfect backdrop for the plaintive lyrics and the emotional solos throughout the piece.

“Every Day Is Exactly The Same” by Nine Inch Nails is primarily composed in the key of E minor. The song consists of four sections: Verse 1, Chorus, Verse 2, and Bridge. The chord progressions in the song are relatively simple, with a distinct alternation between E and C chords in the verses, while the chorus and bridge sections feature a broader range of chords such as A, C, and G.

Chord Progression Analysis (Verse 2):
E minor (i), C major (VI), E minor (i), C major (VI), E minor (i), C major (VI), G major (III), F major (♭VII; borrowed chord from E Phrygian), E minor (i)

*G major (III) and F major (♭VII) are both non-diatonic chords in E minor, with the F major chord being borrowed from the E Phrygian mode.

“Feels Like We Only Go Backwards” by Tame Impala is a psychedelic pop song notable for its dreamy, lo-fi sound and use of unconventional chord progressions. Musically, the song is written in the key of F major, but creatively uses chromatic mediants, borrowed chords, and modal interchange to establish a unique harmony. The song also uses dynamic contrast to create a dreamlike atmosphere, increasing the song’s overall psychedelic effect.

Pink Floyd – Breathe – Verse 2

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Chord Progression

Em, A7, Em, A7, Em, A7, Em, A7

Chord Progression Analysis

Em (i) – A7 (IV7)

Similar Chord Progressions

1. The Doors – “Riders on the Storm”
Chord progression: Em9 (i9) – A7 (IV7)
2. The Beatles – “While My Guitar Gently Weeps”
Chord progression: Am (i) – G (bVII) – Am (i) – G (bVII)
3. Led Zeppelin – “Babe I’m Gonna Leave You”
Chord progression: Am (i) – C (III) – G (bVII) – Am (i) – C (III)

These examples follow a similar alternation between a minor chord (usually the tonic) and another chord, either borrowed from the parallel major (as in “Riders on the Storm”) or invoking a sense of tension and resolution (as in “While My Guitar Gently Weeps” and “Babe I’m Gonna Leave You”).

Musical Analysis

The chord progression consists of two chords: Em, which is the tonic or home chord, and A7, which is the dominant seventh chord built on the fourth scale degree in the key of E minor. The A7 chord is borrowed from the parallel major key (E major), which is why it is considered a borrowed chord in the progression. The alternation between these two chords creates a sense of movement throughout the entire verse. The dominant seventh chord (A7) brings tension and instability in the progression, making the listener eager to hear the resolution to the tonic chord (Em).

Overall Analysis

The given chord progression is from the verse of Pink Floyd’s “Breathe,” a song from their 1973 album, “The Dark Side of the Moon.” The progression consists of alternating Em and A7 chords throughout the entire verse. This creates a sense of movement and tension between the chords while also being relatively simple and repetitive. The harmonic back-and-forth between these two chords gives the song a dreamy and immersive quality that is a signature sound of Pink Floyd’s style.

Style Analysis

Pink Floyd’s music often delves into the realms of space rock, progressive rock, and psychedelic rock. The alternating Em and A7 chords in the “Breathe” verse serve as a perfect example of Pink Floyd’s ability to create an ethereal, otherworldly, and hypnotic atmosphere within their music. The simplicity and repetitiveness of the chord progression, combined with Pink Floyd’s trademark use of effects and atmospheric sounds, give “Breathe” its unique sonic character.

Chords in the Verse 2 section of Breathe by Pink Floyd are:

Em, A7, Em, A7, Em, A7, Em, A7