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Related Music Theory Alchemy

The chord progression from verse 3 of Pink Floyd’s “Wish You Were Here” is in the key of C major and shows a mix of diatonic chords and borrowed chords. The progression creates a sense of smooth journey and has a certain melancholic yet uplifting character.

“Time” by Pink Floyd is a progressive rock song that features an uncommon chord progression with some unique harmonic choices. The Verse 2 progression has a strong sense of tonal ambiguity and the chords often fluctuate between major and minor tonalities. This contributes to the emotional depth and complexity of the song, which is characteristic of Pink Floyd’s music.

“Creep” by Radiohead is a song that features a well-known four-chord progression throughout the verses. This progression is G – B – C – Cm, which is often considered one of the factors that contribute to the song’s memorable and emotional quality. The chord progression helps create a melancholic and haunting atmosphere in the song. This song is notably influenced by alternative rock and grunge styles from the early 90s.

The chord progression of “Say Goodbye” by Beck uses a combination of diatonic and borrowed chords within the key of G major. The verse features a total of 8 chords: G major, A# major, A minor, and C major. The use of a borrowed chord (A# major) adds an interesting twist to the progression and provides a unique color to the harmony.

Pink Floyd – Wish You Were Here – Verse 1

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Chord Progression

C, D/F#, Am/E, G, D/F#, C, Am, G

Chord Progression Analysis

C Major (I) – D Major/F# (V/V) – A Minor/E (vi) – G Major (V) – D Major/F# (V/V) – C Major (I) – A Minor (vi) – G Major (V)

The D Major chord in this context functions as a borrowed chord from the parallel Lydian mode:
`D Major (♭II)`

Similar Chord Progressions

1. “Hotel California” by Eagles:
B Minor (i) – F# Major/A# (V) – A Major (VII) – E Major/G# (IV) – G Major (VI) – D Major (III) – E Major (IV) – F# Major (V)
Here, the chords A Major and G Major function as borrowed chords from the parallel Dorian and Mixolydian modes, respectively.

2. “Stairway to Heaven” by Led Zeppelin (Verse):
A Minor (i) – C Major/G (♭III) – G Major (♭VII) – D Major/F# (IV) – A Minor (i) – C Major/G (♭III) – D Major (IV) – F Major (♭VI)
The F Major chord functions as a borrowed chord from the parallel Aeolian mode.

These similar chord progressions contain borrowed chords and/or inversions that create a sense of longing and depth, showcasing the versatility and emotional expressiveness of these techniques in rock music.

Musical Analysis

The verse begins with the tonic chord, C Major, establishing a sense of stability. The progression then moves to a borrowed D Major chord in first inversion, creating tension leading to the relative minor, A Minor. This chord progression (I – V/V – vi) heightens the emotional impact and sets up a smooth transition to the dominant, G Major. The cycle is repeated, transitioning back to the tonic chord (C Major) before ending on the dominant (G Major), leaving a sense of openness and anticipation of the next verse or chorus.

Overall Analysis

“Wish You Were Here” by Pink Floyd is an iconic rock ballad from their 1975 album of the same name. The song’s verse chord progression evokes a sense of nostalgia and longing, featuring a combination of major and minor chords, as well as borrowed chords and inversions that create a unique and emotional soundscape.

Style Analysis

“Wish You Were Here” is known for its acoustic guitar-driven sound, meaningful lyrics, and melodic guitar solos. The combination of introspective lyrics and the verse’s chord progression contributes to the overall melancholic atmosphere, making it a timeless representation of 70’s progressive rock.

Chords in the Verse 1 section of Wish You Were Here by Pink Floyd are:

C, D/F#, Am/E, G, D/F#, C, Am, G