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Related Music Theory Alchemy

The song “Yellow” by Coldplay uses a fairly standard pop/rock chord progression in the key of G major. It comprises three chords for the main progression: G Major (I), D Major (V), and Cmaj7 (IV7).

“Yellow” by Coldplay is written in the key of G major. The song maintains a consistent use of diatonic chords from its own major key, with a predominant chord progression in the bridge and other sections being G – D – Cmaj7. Briefly, the song changes to a minor key using the Dm7 chord as a poignant moment in its structure.

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The song, ‘Across the Universe’ by The Beatles is uniquely complex in its melody and chord progression. The song modulates or shifts key but is rooted mainly in D major. The song utilizes the standard rock/pop song structure of Verse, Chorus, and Outro. The unusual facet of this song’s composition is the use of borrowed chords (non-diatonic chords) that add unexpected twists to an otherwise typical chord progression.

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The Rolling Stones’ “As Tears Go By” is primarily in the key of G major and follows a Verse-Verse-Verse-Outro structure. The harmony is relatively simple, incorporating primarily diatonic chords from the G major scale as well as a few borrowed chords and inversions.

Chord Progression Analysis (Outro):
G Major (I) – A Major (V/vi, borrowed from E minor) – C Major (IV) – D Major (V) – G Major (I)

Kali Uchis’ “Telepatia” features a relatively simple two-chord progression in the outro, consisting of a major seventh chord followed by a dominant seventh chord. The harmonic texture is sparse yet effective, with a unique, ethereal atmosphere created by the interplay between the two chords.

Coldplay – Yellow – Outro

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Chord Progression

[‘G’, ‘Dm7’, ‘Cmaj7’]

Chord Progression Analysis

The outro of “Yellow” comprises the chords:
– G Major (‘I’)
– D minor 7 (‘vø7’)
– C Major 7 (‘IV7’)

Here we have a I-vø7-IV7 progression.

“`Chord Borrowing:
Borrowed Chord: D minor 7 (‘vø7’) is a borrowed chord from G minor scale.“`

Similar Chord Progressions

Similar to “Yellow”, Radiohead’s “High and Dry” uses a similar chord progression in its verse:
– E Major (‘I’)
– C# minor 7 (‘vi7’)
– A Major 7 (‘IV7’)

This progression also begins on the tonic, employs a minor seventh chord, and finishes on a major seventh chord for a similar emotional effect. Despite the different chords used, the essence of the chord progression is quite similar to that of “Yellow” by Coldplay.

Musical Analysis

The chord progression begins on G Major, the tonic of the key, providing stability and a starting point. It then moves to D minor 7, a borrowed chord from the parallel minor (G minor). This adds a layer of surprise or tension as it deviates from the expected D Major in a typical G Major key progression. Finally, it resolves to C Major 7, a major seventh chord that adds a layer of richness and sweetness to the end of the progression.

Overall Analysis

“Yellow” by Coldplay is in the key of G major and employs a mix of diatonic chords, extended chords such as the seventh chords, and the occasional borrowed chord from G minor. The progression presents variations of a common IV-V-I pattern seen in pop and rock music.

Style Analysis

“Yellow” features characteristics of pop and rock ballad styles. The use of the simple chord progression with an unexpected borrowed chord contributes to the song’s memorable and emotive nature. Additionally, the utilization of major seventh chords, such as the Cmaj7, injects a jazzy, sophisticated flavor into the song, differentiating it from other pop and rock songs.

Chords in the Outro section of Yellow by Coldplay are:

[‘G’, ‘Dm7’, ‘Cmaj7’]