Search

Related Music Theory Alchemy

“3 Libras Acoustic Live” by A Perfect Circle revolves around a rock ballad style with an alternative rock genre. It features distinctive chord progressions and some borrowing from outside of the primary key. The harmonic progression in the chorus is relatively simple but contributes to the melancholic and introspective atmosphere of the song.

The progression from B to A to E is a common progression in pop and rock music. This progression utilizes diatonic and non-diatonic chords, meaning that the chords all belong to the same key and it suggests the use of borrowed chords. A Perfect Circle tends to use a lot of downward motion in their chord progressions, moving from higher to lower pitches, which can give their music a distinct ‘heavy’ feel.

The outro of Muse’s “Apocalypse Please” features a mix of power chords and triadic chords, with predominant iim7 and IV triads along with some embellishing chords. The piece has a rock-based style, with the emphasis on power chords, a driving rhythm, and intense dynamics. The chord progression borrows elements from different genres, such as pop and classical, with some interesting chromatic movement.

Patterns in music are fundamental for creating musical identity. This repetition ensures the music is coherent and familiar for the listener. In the case of “Perfect” by Smashing Pumpkins, the song makes use of a common popular music chord progression known as the I – vi progression.

“Paper Tiger” by Beck is a song from his album “Sea Change,” released in 2002. The style of this song is primarily alternative rock, with elements of psychedelia and baroque pop. The outro of “Paper Tiger” features a simple chord progression of E, E7, and Bm, with interesting harmonic techniques, such as secondary dominants and borrowed chords.

A Perfect Circle – 3 Libras Acoustic Live – Outro

Add To Favorites Remove From Favorites

< All Analyses

Chord Progression

[‘Asus2’, ‘Asus2’, ‘Asus2’, ‘Asus2’, ‘C#m’, ‘C#m’, ‘C#m’, ‘C#m’, ‘Asus2’, ‘Asus2’, ‘Asus2’, ‘Asus2’, ‘C#m’, ‘C#m’, ‘C#m’, ‘C#m’, ‘Asus2’, ‘Asus2’, ‘Asus2’, ‘Asus2’, ‘C#m’, ‘C#m’, ‘C#m’, ‘C#m’, ‘Asus2’, ‘Asus2’, ‘Asus2’, ‘Asus2’, ‘C#m’, ‘C#m’, ‘D’, ‘D’]

Chord Progression Analysis

The main progression is a repetition of Asus2 to C#m with a brief modulation to D at the end.

“`
Asus2 (V),
C#m (vii),
D (IV).
“`
Borrowed Chords:

Given the lack of a distinct home key and the oscillation between the A major and C# minor structures, it’s challenging to pinpoint the specific borrowed chords within this progression. However, if we consider A major as the home key, D could be viewed as a borrowed chord from the parallel minor (a common technique known as modal mixture or borrowing).

“`
D (borrowed from A minor)
“`

Similar Chord Progressions

1. Nirvana – “Come As You Are”: The main riff of this song hangs around a similar oscillating structure to “3 Libras Acoustic Live”. It, too, has a modulation towards the end of the progression:

“`
Em (I),
D (VII),
E (I).
“`

2. Linkin Park – “Numb”: This song uses a similar progression, swapping between major and minor chords, although it adheres more strictly to the key of C minor than “3 Libras Acoustic Live”:

“`
Cm (I),
G# (V),
Bb (bVII),
Fm (iv)
“`

Please note: This analysis assumes that both A major and C# minor are characteristic keys in the piece. The precise nature of modality in popular music can often be ambiguous and is regularly open to interpretation.

Musical Analysis

The song’s chord progression provides a sense of pliancy and uncertainty as it oscillates between the unresolved flavour of the Asus2 and the mournfulness of the C#m, giving the song its unique character and emotive impact. The D chord at the end provides a somewhat unexpected resolution.

Overall Analysis

The song “3 Libras Acoustic Live” by A Perfect Circle oscillates between an A major and a C# minor structure, with a D major introduced at the end of the progression. The dominant chords are A (represented as Asus2) and C# (represented as C#m). The final D chord can be seen as a modulation, adding a somewhat unexpected resolution that doesn’t adhere to the traditional rules of tonic-dominant resolution in either major or minor keys.

Style Analysis

In terms of style, A Perfect Circle has a renowned propensity for complex harmonic structures and experimental progressions, often playing with modality and unexpected resolves. Their music tends to dwell in alternative rock and progressive metal, but also dabbles in art rock and experimental rock.

Chords in the Outro section of 3 Libras Acoustic Live by A Perfect Circle are:

[‘Asus2’, ‘Asus2’, ‘Asus2’, ‘Asus2’, ‘C#m’, ‘C#m’, ‘C#m’, ‘C#m’, ‘Asus2’, ‘Asus2’, ‘Asus2’, ‘Asus2’, ‘C#m’, ‘C#m’, ‘C#m’, ‘C#m’, ‘Asus2’, ‘Asus2’, ‘Asus2’, ‘Asus2’, ‘C#m’, ‘C#m’, ‘C#m’, ‘C#m’, ‘Asus2’, ‘Asus2’, ‘Asus2’, ‘Asus2’, ‘C#m’, ‘C#m’, ‘D’, ‘D’]