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Related Music Theory Alchemy

The chord progression of “Say Goodbye” by Beck uses a combination of diatonic and borrowed chords within the key of G major. The verse features a total of 8 chords: G major, A# major, A minor, and C major. The use of a borrowed chord (A# major) adds an interesting twist to the progression and provides a unique color to the harmony.

The chord progression of the chorus in Beck’s “Girl Acoustic” is relatively simple and straightforward, yet effective in creating a memorable and catchy tune. The song is in the key of A major, and the progression maintains a predominantly diatonic harmony.

** The chord progression in Verse 3 of Radiohead’s “Fake Plastic Trees” is a combination of diatonic and non-diatonic chords in the key of A major, featuring the use of suspended chords, 9th chords, and 6th chords. The progression has a tonally ambiguous and ethereal quality, which is characteristic of Radiohead’s style.

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“Eleanor Rigby” is known for its unusual and innovative use of the Aeolian mode, otherwise known as the natural minor scale, which is reflected in the chord progression Em – C. The song incorporates string arrangements and has a narrative, storytelling style. Unlike most pop and rock songs of the time, it does not contain drums or guitars. The chord utilization is simple with only two chords used throughout, Em and C, but it nevertheless creates a unique and haunting soundscape.

“Wicked Game” has a distinct melancholic tone facilitated by the minor chord progression. The repeating pattern enhances the hypnotic sense of longing Isaak is known for. Isaak’s use of reverb and echo effects on the electric guitar contributes to the “dreamy” and somewhat eerie atmosphere of the song.

Beck – Say Goodbye – Verse 3

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Chord Progression

G, A#, Am, C, G, A#, Am, C

Chord Progression Analysis

“`
G Major (I) – A# Major (bIII) – A minor (ii) – C Major (IV) – G Major (I) – A# Major (bIII) – A minor (ii) – C Major (IV)
“`

Similar Chord Progressions

1. Radiohead – Karma Police (Verse):
“`
A minor (i) – A# Major (bII) – G Major (bVII) – D Major (IV)
“`
2. The Beatles – While My Guitar Gently Weeps (Verse):
“`
A minor (i) – A major (V/V) – A# Major (bII) – G Major (bVII) – C Major (III) – E Major (V)
“`

These songs feature similar chord progressions that include borrowed chords and unconventional progressions that challenge traditional harmony. They blend different styles and evoke emotional depth through the use of non-diatonic chords.

Musical Analysis

This progression begins with a G Major chord that establishes the tonal center. The second chord, A# Major, is borrowed from the parallel minor key of G minor and creates a chromatic departure from the diatonic scale. The A# Major serves as a pivotal chord leading to the Am which is diatonic. We then transition to the C Major chord which provides a sense of resolution.

The progression repeats with the same chords, further emphasizing the uniqueness of the chords chosen by Beck in this song. The use of the bIII (borrowed) and ii chords provides a sense of tension while the I and IV chords add a sense of resolution.

Overall Analysis

The chord progression in Verse 3 of Beck’s “Say Goodbye” features an interesting mixture of diatonic and chromatic chords with noticeable tonal shifts. The progression is G – A# – Am – C – G – A# – Am – C, with an emphasis on the G major key. This progression conveys an expressive and slightly unstable mood, creating tension and release with the inclusion of borrowed and non-diatonic chords.

Style Analysis

Beck is known for blending various genres and experimenting with chord progressions that defy traditional classification. In “Say Goodbye,” he fuses elements of folk, blues, and pop with the unconventional chord progression. This combination contributes to a slightly melancholic and introspective mood, giving the song an evocative and memorable quality.

Chords in the Verse 3 section of Say Goodbye by Beck are:

G, A#, Am, C, G, A#, Am, C