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The chord progression of “Say Goodbye” by Beck uses a combination of diatonic and borrowed chords within the key of G major. The verse features a total of 8 chords: G major, A# major, A minor, and C major. The use of a borrowed chord (A# major) adds an interesting twist to the progression and provides a unique color to the harmony.

“Lost Cause” by Beck from the album “Sea Change” showcases a melancholic and heartfelt mood with a slow tempo, exuding a sense of introspection and vulnerability. The song can be described as a folk-rock ballad with subtle touches of country and indie rock.

The chord progression of “Beast Of Burden” by The Rolling Stones from verse 3 appears to be a standard pop/rock progression with a bit of melodic flavor. It features the chords of E major, B major, C# minor, and A major.

The song is in the key of E Major as that’s the chord the progression starts and ends with, and most of the chords are from the E major scale. There are no borrowed chords, and the progression is repetitive, maintaining a loop throughout most of the song.

Let’s move on to the detailed chord progression analysis, chord names, and their roman numerals.

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The given chord progression is from the verse 3 of the song “The Good Life” by Weezer. The song is in the key of G major and features a mix of diatonic chords from the G major scale and a borrowed chord from the parallel minor (G minor).

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“Yesterday” is predominantly composed in the key of F Major. The song is a classic in pop songwriting and showcases the effective use of borrowed chords to capture a unique, nostalgic sound that has made it one of the most covered songs in pop music. Specifically, in this verse, the use of secondary dominants and borrowed chords from the parallel minor key provides the song’s distinctive tonal color.

Beck – Say Goodbye – Verse 3

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Chord Progression

G, A#, Am, C, G, A#, Am, C

Chord Progression Analysis

“`
G Major (I) – A# Major (bIII) – A minor (ii) – C Major (IV) – G Major (I) – A# Major (bIII) – A minor (ii) – C Major (IV)
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Similar Chord Progressions

1. Radiohead – Karma Police (Verse):
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A minor (i) – A# Major (bII) – G Major (bVII) – D Major (IV)
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2. The Beatles – While My Guitar Gently Weeps (Verse):
“`
A minor (i) – A major (V/V) – A# Major (bII) – G Major (bVII) – C Major (III) – E Major (V)
“`

These songs feature similar chord progressions that include borrowed chords and unconventional progressions that challenge traditional harmony. They blend different styles and evoke emotional depth through the use of non-diatonic chords.

Musical Analysis

This progression begins with a G Major chord that establishes the tonal center. The second chord, A# Major, is borrowed from the parallel minor key of G minor and creates a chromatic departure from the diatonic scale. The A# Major serves as a pivotal chord leading to the Am which is diatonic. We then transition to the C Major chord which provides a sense of resolution.

The progression repeats with the same chords, further emphasizing the uniqueness of the chords chosen by Beck in this song. The use of the bIII (borrowed) and ii chords provides a sense of tension while the I and IV chords add a sense of resolution.

Overall Analysis

The chord progression in Verse 3 of Beck’s “Say Goodbye” features an interesting mixture of diatonic and chromatic chords with noticeable tonal shifts. The progression is G – A# – Am – C – G – A# – Am – C, with an emphasis on the G major key. This progression conveys an expressive and slightly unstable mood, creating tension and release with the inclusion of borrowed and non-diatonic chords.

Style Analysis

Beck is known for blending various genres and experimenting with chord progressions that defy traditional classification. In “Say Goodbye,” he fuses elements of folk, blues, and pop with the unconventional chord progression. This combination contributes to a slightly melancholic and introspective mood, giving the song an evocative and memorable quality.

Chords in the Verse 3 section of Say Goodbye by Beck are:

G, A#, Am, C, G, A#, Am, C