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Related Music Theory Alchemy

The chord progression in Verse 3 of Beck’s “Say Goodbye” features an interesting mixture of diatonic and chromatic chords with noticeable tonal shifts. The progression is G – A# – Am – C – G – A# – Am – C, with an emphasis on the G major key. This progression conveys an expressive and slightly unstable mood, creating tension and release with the inclusion of borrowed and non-diatonic chords.

The chord progression in the verse 2 of Beck’s “Morning” is an example of a common progression in popular music, involving the I, IV, iii, and ii chords. The harmony is mostly diatonic, staying within the key of E major. The progression features regular 4-chord phrases and a smooth, consonant flow between chords.

The chord progression in the chorus of “Nude” by Radiohead features a mix of diatonic and borrowed chords, with some added tensions for additional color. It reflects the band’s signature style of blending unexpected harmonic elements to create a unique and evocative sound. In particular, the mix of major and minor chords with added tensions lends a sense of both familiarity and unconventionality to the progression.

The chorus of Muse’s “Hysteria” displays a mix of chords from the key of C Major and borrowed chords from the parallel minor key (C minor). The chord progression uses a combination of functional harmony mixed with chromatic elements, embodying characteristics of both rock and classical genres.

“Little Red Corvette” by Prince is in the key of Gb Major. The song is a staple of 80’s pop and a good example of Prince’s signature sound of fusing elements from different genres, such as funk, pop, and rock. It’s a strong blend of complex chord progressions and simple, catchy melodic lines which adds a compelling depth to the music.

Beck – Say Goodbye – Chorus

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Chord Progression

G, A#, Am, C, G, A#, Am, C, G, A#, Am, C, G, A#, Am, C

Chord Progression Analysis

G Major (I), A# Major (bIII), A Minor (ii), C Major (IV)

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Borrowed Chord: A# Major (bIII)
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Similar Chord Progressions

1. Radiohead – “Creep” [‘G’, ‘B’, ‘C’, ‘Cm’]
G Major (I), B Major (III), C Major (IV), C Minor (iv)

2. The Beatles – “While My Guitar Gently Weeps” [‘Am’, ‘G’, ‘Am’, ‘G’, ‘Am’, ‘C#m’, ‘F#m’, ‘G’]
A Minor (i), G Major (VII), A Minor (i), G Major (VII), A Minor (i), C# Minor (iii), F# Minor (vi), G Major (VII)

While the chord progressions in these songs are not identical to that in “Say Goodbye,” they share some similarities in terms of creating tension and contrast through the use of borrowed or non-diatonic chords. In “Creep,” the Cm (iv) chord provides a similar effect as the borrowed A# Major chord in “Say Goodbye.” In “While My Guitar Gently Weeps,” the non-diatonic C#m (iii) and F#m (vi) chords provide a similar sense of tension and resolution within the progression.

Musical Analysis

The progression begins with the I chord (G Major), establishing the tonal center of G. It then moves to the borrowed bIII chord (A# Major), which adds a touch of unexpected chromaticism and, in the context of G major, provides a sense of tension before resolving to the more diatonic ii chord (A Minor). The progression then moves to the IV chord (C Major), which creates a sense of resolution, though not as strongly as returning to the I chord would have. This cycle repeats four times, providing a sense of familiarity and continuity within the chorus. The contrast between the chromatic A# and the more familiar diatonic chords within the progression contributes to the song’s overall emotional impact and memorability.

Overall Analysis

The chord progression in the chorus of “Say Goodbye” by Beck features a simple, yet unique combination of major and minor chords. It is primarily built around the key of G major, but includes a chromatic twist with the inclusion of the A# major chord. The progression is fairly repetitive, which provides a stable and recognizable backbone for the chorus.

Style Analysis

This chord progression appears to have influences from a range of genres, including pop, rock, and folk. The mix of major and minor chords, as well as the inclusion of a borrowed chord, creates an interesting tension between brightness and darkness, a common feature in many of Beck’s songs. The use of chromaticism and borrowing chords from parallel keys can also be seen as an element of experimentation, which is often present in alternative and indie music.

Chords in the Chorus section of Say Goodbye by Beck are:

G, A#, Am, C, G, A#, Am, C, G, A#, Am, C, G, A#, Am, C