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The chord progression in Verse 3 of Beck’s “Say Goodbye” features an interesting mixture of diatonic and chromatic chords with noticeable tonal shifts. The progression is G – A# – Am – C – G – A# – Am – C, with an emphasis on the G major key. This progression conveys an expressive and slightly unstable mood, creating tension and release with the inclusion of borrowed and non-diatonic chords.

“Heart Is A Drum” by Beck is primarily a folk and indie rock song that features an interesting harmonic structure in the Hook 2. The progression adds complexity and emotional depth to the song by diverging from the standard conventions of Western popular music. The chord progression includes a borrowed chord, which adds richness to the overall sound.

“Goodbye Yellow Brick Road,” written by Elton John and Bernie Taupin, is characterized by a lush, cinematic melody that encapsulates John’s knack for crafting pop ballad choruses. Its base key is D Major, showcasing a mix of diatonic, dominant seventh, and borrowed chords. Its diverse chord progression is reflective of Elton John’s diverse influences, which include pop, rock, blues, and classical music.

As this song has a distinct classical rock sound, you’ll see a mixture of major and minor chords. The progression is in the key of E major. The use of seventh chords and suspended chords provides a dense harmonic texture.

The modality of the song “Yet Again” by Grizzly Bear is primarily in A minor, which makes it a piece in the minor modality. This song uses several traditional progression elements, but intermixes them with unexpected changes, especially the shift from E minor to F major, and the chromatic shift from G major to B flat major.

Beck – Say Goodbye – Chorus

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Chord Progression

G, A#, Am, C, G, A#, Am, C, G, A#, Am, C, G, A#, Am, C

Chord Progression Analysis

G Major (I), A# Major (bIII), A Minor (ii), C Major (IV)

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Borrowed Chord: A# Major (bIII)
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Similar Chord Progressions

1. Radiohead – “Creep” [‘G’, ‘B’, ‘C’, ‘Cm’]
G Major (I), B Major (III), C Major (IV), C Minor (iv)

2. The Beatles – “While My Guitar Gently Weeps” [‘Am’, ‘G’, ‘Am’, ‘G’, ‘Am’, ‘C#m’, ‘F#m’, ‘G’]
A Minor (i), G Major (VII), A Minor (i), G Major (VII), A Minor (i), C# Minor (iii), F# Minor (vi), G Major (VII)

While the chord progressions in these songs are not identical to that in “Say Goodbye,” they share some similarities in terms of creating tension and contrast through the use of borrowed or non-diatonic chords. In “Creep,” the Cm (iv) chord provides a similar effect as the borrowed A# Major chord in “Say Goodbye.” In “While My Guitar Gently Weeps,” the non-diatonic C#m (iii) and F#m (vi) chords provide a similar sense of tension and resolution within the progression.

Musical Analysis

The progression begins with the I chord (G Major), establishing the tonal center of G. It then moves to the borrowed bIII chord (A# Major), which adds a touch of unexpected chromaticism and, in the context of G major, provides a sense of tension before resolving to the more diatonic ii chord (A Minor). The progression then moves to the IV chord (C Major), which creates a sense of resolution, though not as strongly as returning to the I chord would have. This cycle repeats four times, providing a sense of familiarity and continuity within the chorus. The contrast between the chromatic A# and the more familiar diatonic chords within the progression contributes to the song’s overall emotional impact and memorability.

Overall Analysis

The chord progression in the chorus of “Say Goodbye” by Beck features a simple, yet unique combination of major and minor chords. It is primarily built around the key of G major, but includes a chromatic twist with the inclusion of the A# major chord. The progression is fairly repetitive, which provides a stable and recognizable backbone for the chorus.

Style Analysis

This chord progression appears to have influences from a range of genres, including pop, rock, and folk. The mix of major and minor chords, as well as the inclusion of a borrowed chord, creates an interesting tension between brightness and darkness, a common feature in many of Beck’s songs. The use of chromaticism and borrowing chords from parallel keys can also be seen as an element of experimentation, which is often present in alternative and indie music.

Chords in the Chorus section of Say Goodbye by Beck are:

G, A#, Am, C, G, A#, Am, C, G, A#, Am, C, G, A#, Am, C