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Related Music Theory Alchemy

The chord progression of “Say Goodbye” by Beck uses a combination of diatonic and borrowed chords within the key of G major. The verse features a total of 8 chords: G major, A# major, A minor, and C major. The use of a borrowed chord (A# major) adds an interesting twist to the progression and provides a unique color to the harmony.

The chord progression of the chorus in Beck’s “Girl Acoustic” is relatively simple and straightforward, yet effective in creating a memorable and catchy tune. The song is in the key of A major, and the progression maintains a predominantly diatonic harmony.

The chord progression for Radiohead’s “All I Need” chorus features a simple and repetitive structure, with a strong emphasis on the tonic (C major) and its relative minor (E minor). The progression then ends with a brief move to the dominant (G major), before returning to the tonic. This accessible sequence reflects the song’s emotional vulnerability and simplicity, while also showcasing the band’s ability to create emotional depth in their music.

The song “Space Oddity” by David Bowie features a complex and varied chord progression that incorporates elements of both traditional and experimental popular music. The song is in the key of C Major, and its progression is characterized by the use of modal interchange, or the borrowing of chords from parallel scales. This is indicative of Bowie’s varied musical influences, combining elements of folk, rock, and pop while also incorporating experimental techniques associated with progressive rock.

The song “Viva La Vida” by Coldplay is in the key of G major and follows a fairly simple chord progression in the pop/rock genre. This progression particularly makes use of the I, IV, V, and vi chords in this key, which is a typical pop progression.

Beck – Say Goodbye – Chorus

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Chord Progression

G, A#, Am, C, G, A#, Am, C, G, A#, Am, C, G, A#, Am, C

Chord Progression Analysis

G Major (I), A# Major (bIII), A Minor (ii), C Major (IV)

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Borrowed Chord: A# Major (bIII)
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Similar Chord Progressions

1. Radiohead – “Creep” [‘G’, ‘B’, ‘C’, ‘Cm’]
G Major (I), B Major (III), C Major (IV), C Minor (iv)

2. The Beatles – “While My Guitar Gently Weeps” [‘Am’, ‘G’, ‘Am’, ‘G’, ‘Am’, ‘C#m’, ‘F#m’, ‘G’]
A Minor (i), G Major (VII), A Minor (i), G Major (VII), A Minor (i), C# Minor (iii), F# Minor (vi), G Major (VII)

While the chord progressions in these songs are not identical to that in “Say Goodbye,” they share some similarities in terms of creating tension and contrast through the use of borrowed or non-diatonic chords. In “Creep,” the Cm (iv) chord provides a similar effect as the borrowed A# Major chord in “Say Goodbye.” In “While My Guitar Gently Weeps,” the non-diatonic C#m (iii) and F#m (vi) chords provide a similar sense of tension and resolution within the progression.

Musical Analysis

The progression begins with the I chord (G Major), establishing the tonal center of G. It then moves to the borrowed bIII chord (A# Major), which adds a touch of unexpected chromaticism and, in the context of G major, provides a sense of tension before resolving to the more diatonic ii chord (A Minor). The progression then moves to the IV chord (C Major), which creates a sense of resolution, though not as strongly as returning to the I chord would have. This cycle repeats four times, providing a sense of familiarity and continuity within the chorus. The contrast between the chromatic A# and the more familiar diatonic chords within the progression contributes to the song’s overall emotional impact and memorability.

Overall Analysis

The chord progression in the chorus of “Say Goodbye” by Beck features a simple, yet unique combination of major and minor chords. It is primarily built around the key of G major, but includes a chromatic twist with the inclusion of the A# major chord. The progression is fairly repetitive, which provides a stable and recognizable backbone for the chorus.

Style Analysis

This chord progression appears to have influences from a range of genres, including pop, rock, and folk. The mix of major and minor chords, as well as the inclusion of a borrowed chord, creates an interesting tension between brightness and darkness, a common feature in many of Beck’s songs. The use of chromaticism and borrowing chords from parallel keys can also be seen as an element of experimentation, which is often present in alternative and indie music.

Chords in the Chorus section of Say Goodbye by Beck are:

G, A#, Am, C, G, A#, Am, C, G, A#, Am, C, G, A#, Am, C