The chord progression in the chorus of “Breathe” by Pink Floyd is a non-diatonic progression, meaning it does not strictly follow a specific key. The progression features some borrowed chords and a dominant seventh alteration. The style is influenced by blues and jazz, with a relaxed and reflective mood.
Chorus 1
“Strawberry Fields Forever” by The Beatles is written in the key of A Major and features 4/4 time signature. The chord progression for Chorus 3, which you’ve mentioned, is quite sophisticated and creative, exhibiting the Beatles’ aptitude for blending conventional pop harmony with more unexpected changes, drawn from their broad palette of influences and their willingness to experiment.
“Strawberry Fields Forever” by The Beatles is one of the excellent examples of the unique and complex style popular in the late 1960’s. It is in the key of E and further progresses to F# minor. The progression utilizes modal interchange, chromaticism, and unusual chord progressions to create a dreamlike and psychedelic landscape that perfectly suits the lyrical theme of the song.
The chord progression in the verse of “Telepatia” by Kali Uchis showcases a mix of diatonic and chromatic harmony. The progression is built around the key of G Major and has a strong Latin and jazz-influenced sound. The use of extended chords like Gmaj7 and Em9 adds depth and sophistication to the harmony, while the non-diatonic B7 contributes to the tension and resolution.
“Can You Feel The Love Tonight” is a pop ballad written in the key of G major. The progression makes traditional use of the G major chord scale with a notable exception of a borrowed chord A/C#.
A Perfect Circle Beck Bruno Mars Chris Isaak Coldplay Creedence Clearwater Revival Daniel Caesar Dolly Parton Elton John George Benson Goo Goo Dolls Green Day Grizzly Bear Grover Washington Jr. Jeff Buckley Jimi Hendrix John Denver Kali Uchis Keane Led Zeppelin Lizzy McAlpine MGMT Misc Soundtrack Muse Nine Inch Nails Oasis Pink Floyd Portishead Prince Queen Queens of the Stone Age Radiohead Sigur Rós Simon & Garfunkel Tame Impala Taylor Swift The Animals The Beach Boys The Beatles The Cranberries The Rolling Stones The Smashing Pumpkins Tyler, The Creator Vance Joy Weezer
“Yesterday” is predominantly composed in the key of F Major. The song is a classic in pop songwriting and showcases the effective use of borrowed chords to capture a unique, nostalgic sound that has made it one of the most covered songs in pop music. Specifically, in this verse, the use of secondary dominants and borrowed chords from the parallel minor key provides the song’s distinctive tonal color.
“Feeling Good” by Muse is a cover of the song originally written by Anthony Newley and Leslie Bricusse for the 1964 musical “The Roar of the Greasepaint – The Smell of the Crowd”. Muse’s version is characterized by its distinct blend of jazz, rock, and pop influences, with strong orchestration and stylistically unique elements that give the song a modern edge while still paying homage to its classic roots.
The “Glory Box” by Portishead chorus progression is based in D minor and moves between this primary D minor chord and three other chords: Dm/C, Bm7b5, and Bbmaj7. The Dm/C chord is the same as the D minor, but with a different note in the bass (C). The Bm7b5 is a half-diminished chord. The Bbmaj7 is major seventh chord.
The chord progression in the chorus of “Exit Music (For A Film)” by Radiohead is rather unconventional and features several borrowed chords from different modes. It showcases the band’s affinity for using non-diatonic chords and contributes to the song’s somber and haunting atmosphere.
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