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The interlude piece from Weezer’s “Say It Ain’t So” features an eight-chord progression in the key of C major, with prevalent use of Roman numeral notation and borrowed chords from parallel minor scales. This progression is typical in rock and pop music, representing Weezer’s alternative rock style.

The chord progression in the outro of Weezer’s “Undone – The Sweater Song” follows a repeating pattern with a combination of major and power chords. The overall key of the progression is G major, and the chords follow a predictable pattern that is rooted in rock and alternative music styles. The chord progression uses borrowed chords from the parallel key of G minor, specifically the B♭ major chord.

“Stairway to Heaven” is a progressive rock song by Led Zeppelin, released in 1971. The song showcases a movement between different styles and musical settings, as it starts with a gentle, fingerpicked acoustic section and gradually evolves into a powerful and climactic electric guitar solo, finishing with a full-band finale. The song is characterized by its ascending progression and intricate chord changes, which contribute to its unique and haunting atmosphere. The verse 1 chord progression features a blend of diatonic and chromatic elements, borrowed chords, and inversions, which create a sense of tension and resolution throughout the progression.

The chord progression in the verse of Beck’s “Paper Tiger” can be considered a combination of common and non-diatonic chords. The progression moves from a major chord to its dominant 7th and then resolves to the relative minor. Stylistically, this progression is used in rock, pop, and jazz music to create tension and resolution while maintaining a sense of movement or flow.

“Hey Joe” by Jimi Hendrix is a classic rock song featuring a cyclic chord progression in the key of E major. The song is well-known for its distinctive and temporarily ambiguous harmonic structure, bluesy vocal melodies, and Jimi Hendrix’s influential guitar playing. The verse chord progression constantly circles back on itself, creating a hypnotic effect.

Weezer – Say It Aint So – Verse 1

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Chord Progression

Am, E, F, C, Am, E, F, C, Am, E, F, C

Chord Progression Analysis

The chord progression starts with an A minor chord, which sets a melancholic tone right away. The E major chord that follows intensifies this feeling, as it is a borrowed chord functioning as the secondary dominant, pulling the progression towards the VI chord (A minor). However, the progression instead moves to the IV and I chords (F major and C major), which prevents resolution and contributes to the overall sense of tension.

Similar Chord Progressions

Musical Analysis

Weezer is known for its fusion of catchy power pop melodies and alternative rock structures, and “Say It Ain’t So” is no exception. The verse progression is memorable and engaging while still leaving room for the vocal melody to shine. The use of borrowed chords and unexpected resolutions helps the song stand out and adds a layer of depth to its harmonic structure.

Overall Analysis

“Say It Ain’t So” by Weezer is a rock song, primarily falling within the alternative rock and power pop styles. The chord progression of Verse 1 is simple yet effective in creating a somber, introspective mood. It primarily utilizes diatonic chords of the C major key, with the E major chord borrowed from the parallel minor key (C minor).

Chord progression analysis with Roman numerals:
A minor (vi) – E major (V/vi) – F major (IV) – C major (I)

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Borrowed chord: E major (V/vi)
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Style Analysis

1. Radiohead – “Creep”: [‘C’, ‘E’, ‘F’, ‘Fm’]
Chord progression: C major (I) – E major (V/vi) – F major (IV) – F minor (iv)

2. The Beatles – “While My Guitar Gently Weeps”: [‘Am’, ‘AmMaj7’, ‘Am7’, ‘Am6’, ‘D’, ‘G’, ‘C’, ‘E’]
Chord progression: A minor (vi) – A minor Major 7 (viMaj7) – A minor 7 (vi7) – A minor 6 (vi6) – D major (II) – G major (V) – C major (I) – E major (V/vi)

Chords in the Verse 1 section of Say It Aint So by Weezer are:

Am, E, F, C, Am, E, F, C, Am, E, F, C