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Related Music Theory Alchemy

The interlude piece from Weezer’s “Say It Ain’t So” features an eight-chord progression in the key of C major, with prevalent use of Roman numeral notation and borrowed chords from parallel minor scales. This progression is typical in rock and pop music, representing Weezer’s alternative rock style.

The chord progression from the intro of “Undone – The Sweater Song” by Weezer is in the key of G Major and features an interesting mix of chords with an alternative rock flavor. The progression includes a non-diatonic chord (G6#9) and has a nice balance of tension and resolution, giving the song a memorable sound.

“Roads” by Portishead is set in the key of Am, also known as A minor. In the verse, there is an interesting use of the flat major 7 (Fmaj7) chord. This chord is not typically found within the natural minor key but is considered a borrowed chord from the A major key. Thus, this use of said borrowed chord and its resolution to the E7 dominants gives the song a unique feel, contributing to its mesmerizing and emotive ambience. Portishead tends to blend the use of A minor and A Dorian modality in their music, especially apparent in this composition.

The chord progression in Verse 1 of “My Name Is Jonas” by Weezer is in the key of C Major. The progression is quite simple and common, but it includes an interesting borrowed chord to provide extra color. This can be described as a mix of pop and rock idioms.

Chord Progression Analysis (with full chord names and Roman numerals):

C Major (I) – G Major (V) – A minor (vi) – F Major (IV)

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Borrowed Chord: None in this progression
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“I Want To Hold Your Hand” by The Beatles is an excellent example of their innovative approach to harmony and chord progression. This song, written in the key of G major, features a common I-V-vi-III progression in the verses. It notably uses borrowed ‘B’ major and ‘B7’ chords from the parallel minor scale.

Weezer – Say It Aint So – Verse 1

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Chord Progression

Am, E, F, C, Am, E, F, C, Am, E, F, C

Chord Progression Analysis

The chord progression starts with an A minor chord, which sets a melancholic tone right away. The E major chord that follows intensifies this feeling, as it is a borrowed chord functioning as the secondary dominant, pulling the progression towards the VI chord (A minor). However, the progression instead moves to the IV and I chords (F major and C major), which prevents resolution and contributes to the overall sense of tension.

Similar Chord Progressions

Musical Analysis

Weezer is known for its fusion of catchy power pop melodies and alternative rock structures, and “Say It Ain’t So” is no exception. The verse progression is memorable and engaging while still leaving room for the vocal melody to shine. The use of borrowed chords and unexpected resolutions helps the song stand out and adds a layer of depth to its harmonic structure.

Overall Analysis

“Say It Ain’t So” by Weezer is a rock song, primarily falling within the alternative rock and power pop styles. The chord progression of Verse 1 is simple yet effective in creating a somber, introspective mood. It primarily utilizes diatonic chords of the C major key, with the E major chord borrowed from the parallel minor key (C minor).

Chord progression analysis with Roman numerals:
A minor (vi) – E major (V/vi) – F major (IV) – C major (I)

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Borrowed chord: E major (V/vi)
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Style Analysis

1. Radiohead – “Creep”: [‘C’, ‘E’, ‘F’, ‘Fm’]
Chord progression: C major (I) – E major (V/vi) – F major (IV) – F minor (iv)

2. The Beatles – “While My Guitar Gently Weeps”: [‘Am’, ‘AmMaj7’, ‘Am7’, ‘Am6’, ‘D’, ‘G’, ‘C’, ‘E’]
Chord progression: A minor (vi) – A minor Major 7 (viMaj7) – A minor 7 (vi7) – A minor 6 (vi6) – D major (II) – G major (V) – C major (I) – E major (V/vi)

Chords in the Verse 1 section of Say It Aint So by Weezer are:

Am, E, F, C, Am, E, F, C, Am, E, F, C