Music Theory Alchemy

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The Beatles were known for their innovative use of musical elements, and this can be seen in “I Want To Hold Your Hand”. The song is largely in the key of G major, but it also has some borrowed chords from other keys. This variety creates a unique listening experience that keeps the song fresh.

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As this song has a distinct classical rock sound, you’ll see a mixture of major and minor chords. The progression is in the key of E major. The use of seventh chords and suspended chords provides a dense harmonic texture.

The song “It’s A Fire” by Portishead features complex harmonic structures, distinguished by a fusion of pop, rock, and elements of jazz harmonies. The band, known for their trip-hop style, employ chromatically richer harmony and non-diatonic chord progressions in this piece. The chord progression of ‘It’s A Fire’ is consistent with this approach as we see the frequent use of suspended and minor chords alongside major ones, which creates a sense of unresolved tension. Borrowed chords, usually taken from the parallel minor or major key, are also used frequently to add stylistic color to the harmony.

“Here Comes The Sun” by The Beatles uses a D Major scale. The song primarily comprises chords built on the tonic or root note (D), which lends a consistent, grounded feel. This reflects the lyrics’ mood—contentment, renewed optimism, and a sense of homecoming with the arrival of the sun.

“Let It Be” by The Beatles utilizes a very accessible and effective chord progression throughout the song. This progression is designed to create tension and release as it progresses, as well as establish the root key of the song, which is C Major.

The chords used throughout the song show a strong use of borrowed chords, inversions, and extensions, adding to the depth and complexity of the song despite the relatively uncomplicated chord progression.

The balance between the root key, dissonance, resolution, and overall harmony creates an emotive and engaging song that maintains listener interest and displays the songwriting abilities of The Beatles.

The Beatles – I Want To Hold Your Hand – Verse 1

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Chord Progression

[‘G’, ‘D’, ‘Em’, ‘B’, ‘G’, ‘D’, ‘Em’, ‘B7’]

Chord Progression Analysis

– G Major (I)
– D Major (V)
– E minor (vi)
– B Major (‘III borrowed from parallel minor’)
– G Major (I)
– D Major (V)
– E minor (vi)
– B7 Major (‘III7 borrowed from parallel minor’)

A code block for the borrowed chord:
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“B Major” and “B7 Major” are borrowed from the parallel minor (G minor) scale
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Similar Chord Progressions

Artists like The Beach Boys and Elton John have also used similar chord progressions. For example, in Elton John’s “Tiny Dancer”:

– A Major (I)
– E Major (V)
– F# minor (vi)
– C# Major (‘III borrowed from parallel minor’)
– A Major (I)
– E Major (V)
– F# minor (vi)
– C#7 Major (‘III7 borrowed from parallel minor’)

In Beach Boys’ “God Only Knows”, the progression is:

– A Major (I)
– E Major (V)
– F# minor (vi)
– C# Major (‘III borrowed from parallel minor’)
– A Major (I)
– E Major (V)
– F# minor (vi)
– C#7 Major (‘III7 borrowed from parallel minor’)

Musical Analysis

Borrowed chords create an unexpected element in chord progressions and it’s one of the tools used by The Beatles for enhancing musical interest in their composition. The use of the B Major and B7 chords from the parallel minor scale adds a unique color to the harmony and increases the tension which is resolved when returning to the G Major. It also creates a seamless chromatic ascending bass line from E (in Em chord) to F# (in G chord) via F (in B major or B7).

Overall Analysis

“I Want To Hold Your Hand” by The Beatles is an excellent example of their innovative approach to harmony and chord progression. This song, written in the key of G major, features a common I-V-vi-III progression in the verses. It notably uses borrowed ‘B’ major and ‘B7’ chords from the parallel minor scale.

Style Analysis

The use of major chords borrowed from the parallel minor scale is a key characteristic of The Beatles’ style and it’s evident in many of their songs. It gives a happy yet melancholic feel to the song. Another style hallmark in this song is the effective use of dominant 7th chords to create a sense of anticipation and resolve.

Chords in the Verse 1 section of I Want To Hold Your Hand by The Beatles are:

[‘G’, ‘D’, ‘Em’, ‘B’, ‘G’, ‘D’, ‘Em’, ‘B7’]