Search

Related Music Theory Alchemy

**

The Beatles were known for their innovative use of musical elements, and this can be seen in “I Want To Hold Your Hand”. The song is largely in the key of G major, but it also has some borrowed chords from other keys. This variety creates a unique listening experience that keeps the song fresh.

**

This chorus from The Beatles’ “The Continuing Story Of Bungalow Bill” is an example of clever use of common chord transitions with several shifts in tonality. The chord progression uses the tonic key of C Major and F minor, showing complex modulation derived from modal interchange and secondary dominant techniques.

The chord progression throughout this verse of Beck’s “Lost Cause” is predominantly in the key of F Major with some chords from its relative minor (D minor). The use of borrowed chords adds variety and color to the progression, and the alternation between F major and C major chords creates a strong sense of tonality and grounding in the key of F Major. The use of Am and E7 chords provides a brief tension and leaning toward the parallel key of F minor before resolving back to the original key. This adds interest and complexity to the otherwise straightforward progression.

“Goodbye Blue Sky” by Pink Floyd is a beautifully haunting piece with a chord progression that demonstrates their innovative use of borrowed chords and modulation to explore various tonal centers. The song is generally in the key of A minor.

“Roads” by Portishead is set in the key of Am, also known as A minor. In the verse, there is an interesting use of the flat major 7 (Fmaj7) chord. This chord is not typically found within the natural minor key but is considered a borrowed chord from the A major key. Thus, this use of said borrowed chord and its resolution to the E7 dominants gives the song a unique feel, contributing to its mesmerizing and emotive ambience. Portishead tends to blend the use of A minor and A Dorian modality in their music, especially apparent in this composition.

The Beatles – I Want To Hold Your Hand – Verse 1

Add To Favorites Remove From Favorites

< All Analyses

Chord Progression

[‘G’, ‘D’, ‘Em’, ‘B’, ‘G’, ‘D’, ‘Em’, ‘B7’]

Chord Progression Analysis

– G Major (I)
– D Major (V)
– E minor (vi)
– B Major (‘III borrowed from parallel minor’)
– G Major (I)
– D Major (V)
– E minor (vi)
– B7 Major (‘III7 borrowed from parallel minor’)

A code block for the borrowed chord:
“`
“B Major” and “B7 Major” are borrowed from the parallel minor (G minor) scale
“`

Similar Chord Progressions

Artists like The Beach Boys and Elton John have also used similar chord progressions. For example, in Elton John’s “Tiny Dancer”:

– A Major (I)
– E Major (V)
– F# minor (vi)
– C# Major (‘III borrowed from parallel minor’)
– A Major (I)
– E Major (V)
– F# minor (vi)
– C#7 Major (‘III7 borrowed from parallel minor’)

In Beach Boys’ “God Only Knows”, the progression is:

– A Major (I)
– E Major (V)
– F# minor (vi)
– C# Major (‘III borrowed from parallel minor’)
– A Major (I)
– E Major (V)
– F# minor (vi)
– C#7 Major (‘III7 borrowed from parallel minor’)

Musical Analysis

Borrowed chords create an unexpected element in chord progressions and it’s one of the tools used by The Beatles for enhancing musical interest in their composition. The use of the B Major and B7 chords from the parallel minor scale adds a unique color to the harmony and increases the tension which is resolved when returning to the G Major. It also creates a seamless chromatic ascending bass line from E (in Em chord) to F# (in G chord) via F (in B major or B7).

Overall Analysis

“I Want To Hold Your Hand” by The Beatles is an excellent example of their innovative approach to harmony and chord progression. This song, written in the key of G major, features a common I-V-vi-III progression in the verses. It notably uses borrowed ‘B’ major and ‘B7’ chords from the parallel minor scale.

Style Analysis

The use of major chords borrowed from the parallel minor scale is a key characteristic of The Beatles’ style and it’s evident in many of their songs. It gives a happy yet melancholic feel to the song. Another style hallmark in this song is the effective use of dominant 7th chords to create a sense of anticipation and resolve.

Chords in the Verse 1 section of I Want To Hold Your Hand by The Beatles are:

[‘G’, ‘D’, ‘Em’, ‘B’, ‘G’, ‘D’, ‘Em’, ‘B7’]