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Related Music Theory Alchemy

The chord progression in Tyler, The Creator’s “See You Again” can be characterized as a mixture of jazz harmonies and pop sensibilities. The verse progression features major and minor seventh chords, a few borrowed chords, and a prominent chromatic movement.

Chord progression analysis (including borrowed chords)
1. F#maj7 (I)
2. F#maj7/B (I6)
3. Fmaj7 (bImaj7 – borrowed chord)
4. G#m7 (iii7)
5. D7#5 (VI7#5 – borrowed chord)
6. F#maj7 (I)
7. F#maj7/B (I6)
8. Fmaj7 (bImaj7 – borrowed chord)
9. G#m7 (iii7)
10. D7#5 (VI7#5 – borrowed chord)

The chord progression starts with the tonic F#maj7 and moves through a first inversion of the same chord (F#maj7/B) before introducing borrowed chords (Fmaj7 and D7#5) from the parallel minor key, creating tension and color. The G#m7 is a diatonic iii7 chord, adding to the jazzy feel of the song.

The given chord progression for Tyler, The Creator’s “Gone Gone” verse 2 is primarily in the key of Bb major with a mixture of chords from other modes. The progression displays a combination of diatonic and borrowed chords, exhibiting the stylistic blending commonly found in modern music such as jazz, R&B, and hip-hop.

“1979” by The Smashing Pumpkins is written in the A major key and showcases various examples of modal interchange, also known as borrowed chords. The song switches often between the major and minor modes, providing a dynamic interplay of moods. The outro particularly stands out due to its use of both major and maj7th chords, a somewhat unusual combination. Emaj7 adds color and complexity to the progression, as a borrowed chord from the E major scale.

“Bullet with Butterfly Wings” by The Smashing Pumpkins can be categorized as alternative rock. The chord progression showcases the grunge influence, with an emphasis on power chords and the use of suspended second chords which are often used to create ambiguity or tension.

“Someone to Love” by Queen exhibits a blend of rock and gospel music, showcasing their musical brilliance and theatrical elements. The chord progression forms a classic example of a departure from the typical I-IV-V root progression seen in much of popular western music, demonstrating Queen’s ingenious writing style.

Tyler, The Creator – See You Again – Outro

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Chord Progression

F#maj7, F#maj7/B, G#m7, D7#5

Chord Progression Analysis

F#maj7 (IMaj7), F#maj7/B (IMaj7/5), G#m7 (IIm7), D7#5 (VI7♯5)

`The D7#5 chord is borrowed from the F# harmonic minor scale.`

Similar Chord Progressions

1. Stevie Wonder – “Isn’t She Lovely”
Chord Progression: Emaj7 (IMaj7), Bm7 (IVm7), Amaj7 (IVMaj7), F#m7 (IIm7), F#7#5 (II7♯5)
2. John Coltrane – “Giant Steps”
Chord Progression: BMaj7 (IMaj7), D7 (V7/III), GMaj7 (VMaj7), Bb7 (V7/VI), EbMaj7 (bIIIMaj7), Am7 (VIm7), D7 (V7/II), GMaj7 (IIMaj7), Bb7 (V7/VI), EbMaj7 (bIIIMaj7), F#7#5 (II7♯5), BMaj7 (IMaj7)
3. Shania Twain – You’re Still The One
Chord Progression: EMaj7 (IMaj7), F#m7 (IIm7), A (IV), A/B (IV/2), B7#5 (V7#5)

These songs have incorporated the use of 7th chords and/or borrowed chords, particularly the augmented 5th chords or other unexpected chords, creating a similar harmonic texture as in “See You Again.”

Musical Analysis

The progression begins with a stable F#maj7 chord, followed by the F#maj7/B, which is essentially functioning as a first inversion chord. This inversion creates a smooth bass line and a subtle sense of forward motion. The progression then moves to the G#m7 chord, a diatonic chord in the key of F# major that provides a smooth transition from the tonic. The most interesting aspect of this progression is the D7#5 chord, which is a borrowed chord from the F# harmonic minor scale. This chord not only adds tension and color to the music but also creates a strong pull back to the tonic, effectively allowing the progression to loop seamlessly.

Overall Analysis

The chord progression in the outro of Tyler, The Creator’s “See You Again” displays a mix of diatonic and borrowed chords within the key of F# major. This progression creates a smooth and somewhat jazzy feel in the music, with the inclusion of a few unexpected chords that add tension and propel the music forward.

Style Analysis

Tyler, The Creator is known for his unique and often experimental approach to harmony within his music. The inclusion of the borrowed D7#5 chord in this progression showcases his distinctive choice of chords that are not traditionally used in pop music. The progression exhibits a jazzy feel; the use of 7th chords adds depth and gives the music a rich harmonic texture. Despite the unconventional chord choices, the progression still retains a strong sense of melodic movement and resolution throughout.

Chords in the Outro section of See You Again by Tyler, The Creator are:

F#maj7, F#maj7/B, G#m7, D7#5