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Related Music Theory Alchemy

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This is a simple and common chord progression often known as “four chords” used often in pop and rock music. The song is in G Major and the progression has a I-V-vi-IV pattern.

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The song “Yellow” by Coldplay uses a fairly standard pop/rock chord progression in the key of G major. It comprises three chords for the main progression: G Major (I), D Major (V), and Cmaj7 (IV7).

“Wish You Were Here” by Pink Floyd is a classic rock ballad from their 1975 album of the same name. The song features an introspective and expressive melody with a predominantly acoustic instrumentation. The chord progression for Verse 2 demonstrates a blend of diatonic and non-diatonic chords, with borrowed chords from parallel modes, which adds to the emotional depth of the piece.

“Perfect Situation” by Weezer is a pop-rock song that follows a standard verse-chorus format, with a strong focus on melody and harmony. The song is in the key of G major, and the chord progression provided is for the second verse. It features a simple, yet effective progression that creates a sense of movement and tension before resolving back to the tonic chord. This gives the song a very engaging, classic pop/rock feel.

The chord progression in Verse 2 of “Get You” by Daniel Caesar features some interesting and often non-diatonic chords. It provides a smooth and lush sound that complements the rest of the song. This progression shows influences from R&B and neo-soul genres, which often use extended and borrowed chords.

Coldplay – Viva La Vida – Verse 2

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Chord Progression

C, D, G, Em, C, D, G, Em, C, D, G, Em, C, D, G, Em

Chord Progression Analysis

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C Major (I)
D Major (‘V/V)
G Major (IV)
E minor (vi)

The progression repeats four times. It is important to denote that D Major is a borrowed chord in this case, functioning as a secondary dominant (‘V/V – dominant of the dominant) to G Major.

**Chord Symbols in Code: (For Borrowed Chord Indication)**

D Major (V/V)

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Similar Chord Progressions

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Here are some songs which share similar chord progressions in the genre of pop rock:

1. “Let it Be” by The Beatles: C – G – Am – F (or in terms of Roman numerals: I – V – vi – IV)

2. “No Woman No Cry” by Bob Marley: C – G – Am – F
(I – V – vi – IV)

3. “Don’t Stop Believing” by Journey: E – B – C#m – A
(I – V – vi – IV)

This highlights the fact that the I – V – vi – IV progression (or a variant of it) is something that has been popularly used in many successful songs across genres and decades.

Musical Analysis

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The progression starts with a major tonic chord which gives a sense of stability. The second chord, D major, which is a borrowed chord, adds a bit of suspense, essentially pulling towards the G major chord, creating a resolution. The fourth and last chord, E minor, gives a touch of melancholia to the musical phrase.

The progression itself is quiet dynamic, constantly moving forward and driving the song. Also, the oscillation between major and minor chords brings a good balance of cheerful and more introspective moments.

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Overall Analysis

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“Viva la Vida” mostly utilizes a four-chord progression thorough the song which is fairly common in popular music. The verse we are focusing on replicating the verse goes like this: C – D – G – Em. The chord progressions are pretty simple, catchy and give the song an uplifting feel.

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Style Analysis

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Coldplay is known for their uplifting, anthemic style of music and ‘Viva la Vida’ fits into this style perfectly. There is a mix of pop and rock elements, with a catchy, repeating chord progression that drives the song and makes it memorable.

The use of simple and common chord progressions is a hallmark of Coldplay’s music and ‘Viva la Vida’ is no exception. The band often uses simple and repetitive chord progressions as a background for their outstanding melody lines and lyrics.

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Chords in the Verse 2 section of Viva La Vida by Coldplay are:

C, D, G, Em, C, D, G, Em, C, D, G, Em, C, D, G, Em