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“Paint It, Black” is in E minor key, with verse 3 having an exciting harmonic progression: Em – B – Em – B – Em – D – G – D – Em – Em – D – G – D – A – B. The chord progression suggests that the Rolling Stones utilise borrowed chords to impose an air of ambiguity that reflects the song’s lyrical themes. Additionally, this song is a blend of rock and raga rock style and exemplifies the Stones’ 1960s exploration into psychedelia and Eastern musical styles.

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“You Can’t Always Get What You Want” by The Rolling Stones is built around major tonality and uses direct and simple progressions. It also features what are known as additive chords (Gadd9) – chords to which notes are added beyond the common triad. The song commences in the key of G Major, indicated by the G, Gadd9, and C chords. These chords progress in an almost continual cyclical pattern across the verses. Here, the dominant chord (D) in the key of G Major is absent, which grants a tonal ambiguity to the song. Interestingly, the song takes a departure into a different key later on which will not be included in this analysis as it pertains to the Verse only.

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“Feels Like We Only Go Backwards” by Tame Impala is a psychedelic pop song notable for its dreamy, lo-fi sound and use of unconventional chord progressions. Musically, the song is written in the key of F major, but creatively uses chromatic mediants, borrowed chords, and modal interchange to establish a unique harmony. The song also uses dynamic contrast to create a dreamlike atmosphere, increasing the song’s overall psychedelic effect.

“Since I’ve Been Loving You” by Led Zeppelin is a slow blues ballad with a rich harmonic palette, featuring expressive guitar solos and a passionate, longing vocal performance. The song is characterized by its use of chromaticism, borrowed chords, and seventh chords, which contribute to its intense, bluesy atmosphere. The chord progression for Verse 2 displays a moody and introspective tone, which serves as the perfect backdrop for the plaintive lyrics and the emotional solos throughout the piece.

The verse 2 chord progression from Muse’s “New Born” reflects their signature harmonic daring and interesting relationships, which provides this piece with a fresh and captivating sound. The progression features a blend of diatonic and non-diatonic chords, as well as key shifts and chromaticism. It utilizes major-minor modal interchange and emphasizes the Em – B relationship throughout.

The Rolling Stones – Paint It Black – Verse 2

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Chord Progression

[‘Em’, ‘B’, ‘Em’, ‘B’, ‘Em’, ‘D’, ‘G’, ‘D’, ‘Em’, ‘Em’, ‘D’, ‘G’, ‘D’, ‘A’, ‘B’]

Chord Progression Analysis

Em (i),
B (V),
Em (i),
B (V),
Em (i),
D (vii),
G (III),
D (vii),
Em (i),
Em (i),
D (vii),
G (III),
D (vii),
A (IV),
B (V).

Similar Chord Progressions

Stylistically, the chord progression recalls “House of the Rising Sun” by The Animals, another song that plays heavily with minor tonality. The song “All Along the Watchtower” by Jimi Hendrix also exhibits a similar chord progression in the key of C minor (with the chords being Cm, G, Ab and Bb).

– The Animals – House of The Rising Sun:

Am (i), C (III), D (IV), F (VI), Am (i), E (V), Am (i).

– Jimi Hendrix – All Along the Watchtower:

Cm (i), G (V), Ab (bVI), Bb (bVII).

Musical Analysis

The music of “Paint It Black” is characterized by its minor tonality and the use of syncopated rhythms. The chords are strummed in a steady eighth-note rhythm, giving the track its driving feel. The melody of the song is centered around the E minor pentatonic scale, which gives it its haunting and heartfelt quality. The instrumentation includes a wide array of textures, including electric guitar and drums with the sitar, a traditional Indian instrument, as the primary lead instrument. This instrumentation gives the song an exotic and slightly psychedelic feel, further emphasizing the minor tonality of the piece.

Overall Analysis

“Paint It Black” plays with minor tonality, which isn’t extremely common in rock and roll music of the era. The song is in the key of E minor and uses the chords Em, B, D, G, and A. The verse has an interesting use of harmonies, incorporating the minor i, major V, minor iv, major bIII, and major IV chords.

Style Analysis

The song exhibits an unconventional approach to rock and roll, playing with minor tonality and uncommon instrumentation. There is a significant influence of Indian classical music, not just in the use of sitar but also in the melody, which is based on the E minor pentatonic scale, a tuning commonly used in Indian classical music. However, the song stays grounded in its rock roots through its use of typical rock instruments and song structure.

Chords in the Verse 2 section of Paint It Black by The Rolling Stones are:

[‘Em’, ‘B’, ‘Em’, ‘B’, ‘Em’, ‘D’, ‘G’, ‘D’, ‘Em’, ‘Em’, ‘D’, ‘G’, ‘D’, ‘A’, ‘B’]