Beck – Sexx Laws – Verse 2
Sexx Laws < All Analyses
Chord Progression
B, G#, B, G#, B, G#, A, F#
Chord Progression Analysis
B Major (I), G# Major (VI), B Major (I), G# Major (VI), B Major (I), G# Major (VI), A Major (II), F# Major (V)
“`Borrowed Chords: G# Major (bVI)“`
Similar Chord Progressions
1. “Superstition” by Stevie Wonder: Eb min7 (i), Bb7 (V), Ab min7 (bVI), Eb min7 (i)
2. “Karma Police” by Radiohead: A min (i), E min (v), G (bVII), D maj (IV), G maj (bVII), C maj (III)
These songs also utilize non-diatonic chords and borrowed chords, giving them a unique harmonic character that sets them apart from standard progressions in popular music.
Musical Analysis
The chord progression starts with the B Major tonic chord (I), which establishes a clear sense of tonality. Next, the G# Major chord is a borrowed chord (bVI) from the parallel minor key (B minor). This gives a slightly unexpected twist and a touch of darkness to the harmonic movement. The alternation between B Major and G# Major creates a sense of tension and release throughout the verse.
The movement to A Major (II) brings a little bit of surprise as it is not a typical diatonic chord in the key of B Major. This non-diatonic chord adds more interest and color to the progression. Finally, the progression resolves back to F# Major (V), which is the dominant chord and strengthens the tonality in the key of B Major.
Overall Analysis
The given chord progression is from Beck’s song “Sexx Laws” and runs as follows: B, G#, B, G#, B, G#, A, F#. This progression features chords mainly from the B Major key, but includes borrowed chords from the parallel minor key as well. The harmonic movement showcases Beck’s interesting approach to songwriting and shows some influence from the soul and funk genres.
Style Analysis
Beck’s use of borrowed chords and non-diatonic harmony in “Sexx Laws” reflects his diverse musical influences, especially from soul and funk genres. The chord progression is a departure from standard pop progressions, showcasing his unique songwriting style. Beck is known for experimenting with various musical styles, and the harmonies in “Sexx Laws” are a testament to his eclectic approach.
What are the chords in: Beck – Sexx Laws – Verse 2?
B, G#, B, G#, B, G#, A, F#
