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The given chord progression is from the verse 3 of the song “The Good Life” by Weezer. The song is in the key of G major and features a mix of diatonic chords from the G major scale and a borrowed chord from the parallel minor (G minor).

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The bridge of Weezer’s “Say It Ain’t So” features an intriguing chord progression, which presents both diatonic and borrowed chords, as well as chromatic harmony. The song’s key is C major, but it touches on the parallel minor key and incorporates unusual chords such as the Eb major chord, which adds tension and surprise. The chord progression and harmonic rhythm are fairly consistent throughout the bridge, creating a sense of unity.

The chord progression in Verse 2 of Beck’s “Say Goodbye” showcases a unique blend of chords that are not commonly heard together in popular music. The mix of major, minor, and borrowed chords creates an interesting and engaging sound. Its distinctive quality can be found in the use of the A# major chord, which is not diatonic to the key of G major.

The piece “When I Was Your Man” by Bruno Mars showcases a common pop ballad structure that follows a typical 4-chord progression with common tone substitution as well as some chords borrowed from the relative minor. Its simplicity is one of its strengths as it allows the focus to fall on Bruno’s vocals and the lyrics, which matches the direct, emotional content of the song effectively.

“Give Me The Night” is a classic R&B and jazz-infused song by George Benson, released in 1980. The song was written by Rod Temperton and produced by Quincy Jones. It features a smooth, soulful groove, lush harmonies, and a sophisticated chord progression that is characteristic of the late 70s and early 80s R&B and jazz fusion style. The verse of the song makes use of diatonic chords with a few borrowed chords, giving the progression a rich and interesting harmonic content.

Weezer – The Good Life – Verse 2

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Chord Progression

G, D, Am, E, G, D, Am, E, G, D, Am, E, G, D, Am, E, G, D, Am, B7

Chord Progression Analysis

The chord progression follows a I-V-ii-VI pattern for most of the verse, creating a sense of harmonic stability and motion. The use of the VI chord (E Major) instead of the more typical vi chord (E minor) in the key of G major provides a touch of brightness and an uplifting quality to the progression.

The appearance of the borrowed chord (B7) towards the end of the verse adds a momentary touch of tension before resolving to the next section or back to the I chord (G Major), providing a sense of resolution and completion.

Similar Chord Progressions

Musical Analysis

This chord progression is common in pop-rock music and can be found in numerous songs across various genres. Weezer, as a band, often makes use of simple and catchy chord progressions in their songs, which helps give “The Good Life” its accessible and memorable quality.

Overall Analysis

The chord progression in question is from the verse 2 of Weezer’s “The Good Life.” It is a pop-rock song in the key of G major, and the progression features common chords found in the key, with one borrowed chord – B7 – to add a touch of tension and harmonic interest.

Chord Progression Analysis (with Roman Numerals):
G Major (I) – D Major (V) – A minor (ii) – E Major (VI) – G Major (I) – D Major (V) – A minor (ii) – E Major (VI) – G Major (I) – D Major (V) – A minor (ii) – E Major (VI) – G Major (I) – D Major (V) – A minor (ii) – E Major (VI) – G Major (I) – D Major (V) – A minor (ii) – B7 (`V7/iii`)

The borrowed chord in question is the B7, which is borrowed from the relative minor key (E minor) and functions as a secondary dominant to the iii chord (B minor).

Style Analysis

1. “With or Without You” by U2
This song features a similar I-V-vi-IV progression in the key of D major:
D Major (I) – A Major (V) – B minor (vi) – G Major (IV)

2. “Stand by Me” by Ben E. King
The progression in this classic song is I-vi-IV-V in the key of A major, with an additional borrowed V/V chord:
A Major (I) – F# minor (vi) – D Major (IV) – E Major (V) – B7 (`V7/V`)

Chords in the Verse 2 section of The Good Life by Weezer are:

G, D, Am, E, G, D, Am, E, G, D, Am, E, G, D, Am, E, G, D, Am, B7