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“The Sound of Silence” by Simon & Garfunkel is a song from the folk-rock genre. Built on simplicity with few chords used throughout the whole song, the primary focus of the song is on the hauntingly beautiful melody and the profound lyrics. It is written in the key of Am which gives the song a melancholic and somber tone.

The chord progression for “The Sound Of Silence” by Simon & Garfunkel is in the key of A minor. It makes use of both diatonic and borrowed chords. The song reflects a folk and folk rock style, with its roots in the 1960s. The melody and harmony are interwoven to form an integral part of the song, reflecting the introspective and melancholic mood of the lyrics.

“Whole Lotta Love” by Led Zeppelin is characterized by its distinctive blues-rock style and its highly memorable, driving riff. The bulk of the song revolves around the E5 (E power) chord, with occasional transitions to the D5 chord at the beginning of each phrase, giving the song a simple yet highly effective chord progression. The song is in the key of E Mixolydian.

The chord progression in the verse 2 of Megalomania by Muse is predominantly in the key of E minor, with several chromatic and borrowed chords that give the progression a unique character. This progression consists of 16 chords and features an interesting mix of diatonic chords, secondary dominants, and borrowed chords that contribute to the dramatic and dark atmosphere of the piece.

“Someone to Love” by Queen is a rock song infused with gospel and blues influences. It’s written in the key of Ab major but the second verse you have provided seems to be in G major.

Simon & Garfunkel – The Sound Of Silence – Verse 2

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Chord Progression

[‘G’, ‘Am’, ‘F’, ‘C’, ‘F’, ‘C’, ‘F’, ‘C’, ‘C/B’, ‘Am’, ‘C’, ‘G’, ‘Am’]

Chord Progression Analysis

1. G Major (VII)
2. A Minor (i)
3. F Major (VI)
4. C Major (III)
5. F Major (VI)
6. C Major (III)
7. F Major (VI)
8. C Major (III)
9. C Major/B (III0)
10. A Minor (i)
11. C Major (III)
12. G Major (VII)
13. A Minor (i)
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Borrowed Chords: G Major (VII)
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Similar Chord Progressions

1. “Let It Be” by The Beatles: C, G, Am, F, C, G, F, C (I, V, vi, IV, I, V, IV, I)
2. “Despite What You’ve Been Told” by Two Gallants: Am, F, C, G (vi, IV, I, V)
3. “Wonderwall” by Oasis: Em, G, D, A (ii, IV, I, V)

The same descending (step-wise) bass motion can also be found throughout the Beatles’ seminal “Let It Be,” where it escorts the listener from the root position C through its first inversion (C/B) to root position Am, following a similar trajectory to Simon & Garfunkel’s “The Sound Of Silence.”

The occasional use of borrowed chords also relates to the Beatles music that often saw these to establish an emotional center in their pieces. In their progression, however, the Beatles resolve to the Major tonic (C) which allows a more uplifting resolution similar to the picardy third used in many classical pieces, a contrast to the “Sound of Silence” where the minor tonal center gives a darker shade to the music.

Musical Analysis

This progression mainly consists of basic triadic harmony with some use of first inversion chords, specifically C/B which is lot of a step-wise or scalar bass movement.

Overall Analysis

“The Sound Of Silence” by Simon & Garfunkel is written in the key of Am and follows the Verse-Chorus form common in pop and rock music. The progression consists of a beachfront of common and borrowed chords, showing the use of modal interchange and diatonic chords in creating a memorable and emotive sound.

Style Analysis

Simon & Garfunkel have been categorized as folk rock artists, and their music often features intricate harmonies and layered meanings. “The Sound of Silence” marries these typical tendencies with a more pop-oriented approach to songwriting, with its strong, memorable melody and poignant, contemplative lyrics addressing themes of alienation and social disconnection.

Chords in the Verse 2 section of The Sound Of Silence by Simon & Garfunkel are:

[‘G’, ‘Am’, ‘F’, ‘C’, ‘F’, ‘C’, ‘F’, ‘C’, ‘C/B’, ‘Am’, ‘C’, ‘G’, ‘Am’]