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Related Music Theory Alchemy

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Feels Like We Only Go Backwards by Tame Impala uses very interesting chord progressions that convey a feeling of constant motion. The song is primarily in the key of F Major, as revealed by the majority of the chords (F, C, Gm). However, the chord progression in the verse introduces Dm and Cmaj7/G, showing some clever use of modal interchange, also known as borrowed chords.

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This chord progression from the verse of Tame Impala’s “Alter Ego” suggests a key of C major due to the recurring instances of Cmaj7. However, the presence of certain chords like Bm7 and Dm suggests that Kevin Parker is creatively “borrowing” chords from the parallel and associated keys (C minor, D minor) to create colorful departures from the primary tonality. The use of extended chords (7ths) and suspended chords (Bsus4) adds a sense of complexity and sophistication to the harmony. As can be seen, the chord progression mostly oscillates between Cmaj7, Bsus4, Bm7 before moving to Dm and Gm towards the end of the verse.

The chord progression in the verse 2 of “House of The Rising Sun” by The Animals is an iconic progression in popular music. The song is in the key of A minor, and is built using diatonic and borrowed chords with some chromaticism. The progression features a strong sense of movement and resolution, with the mix of major and minor chords creating an emotional and dramatic atmosphere.

“Stairway to Heaven” by Led Zeppelin is a classic and iconic rock song released in 1971, as part of their fourth studio album, Led Zeppelin IV. The song is considered one of the greatest rock songs of all time, featuring an intricate chord progression, a memorable melody, and folk-inspired acoustic guitar work. The verse you provided is the second verse of the song, which shares a similar, but not identical chord progression to the other verses. The song is in the key of A minor, and the chord progression showcases a mix of diatonic and borrowed chords, along with a couple of chromatic alterations.

“Let It Happen” by Tame Impala is characterized by its psychedelic and experimental nuances. It features an overall bright and uplifting tone despite its use of some more complex chords. The song ska common in pop music. The chord progression in question has a strong melodic sensibility demonstrating Kevin Parker’s ability to incorporate complex musical ideas into a pop format.

Tame Impala – Feels Like We Only Go Backwards – Verse 2

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Chord Progression

[‘Dm’, ‘Cmaj7/G’, ‘Cmaj7/G’, ‘Dm’, ‘G’, ‘Gm’]

Chord Progression Analysis

Verse 2, the chords progress as follows:
– D minor (‘vi’)
– C Major 7/G (‘VMaj7/IV’)
– C Major 7/G (‘VMaj7/IV’)
– D minor (‘vi’)
– G Major (‘II’)
– G minor (‘ii’)

“`md
Borrowed Chords: G Major (‘II’)
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Similar Chord Progressions

1. Radiohead – “Paranoid Android”:
– F# Minor (‘vi’)
– D Major (‘IV’)
– D Major (‘IV’)
– F# Minor (‘vi’)
– B Major (‘V’)
– B Minor (‘v’)

This progression is similar since it moves mainly between the relative minor and major, and also incorporates a major to minor shift.

2. Beach House – “Space Song”:
– E Minor (‘vi’)
– D Major (‘V’)
– D Major (‘V’)
– E Minor (‘vi’)
– A Major (‘II’)
– A Minor (‘ii’)

Another song that incorporates the shift between major and minor, and an unexpected II chord borrowed from the Lydian mode.

Musical Analysis

In the given progression of Verse 2 (Dm, Cmaj7/G, Cmaj7/G, Dm, G, Gm), the chords begin with D minor (vi), which is the relative minor of the song’s key. Then, the progressions move to the C Major 7/G (VMaj7/IV), this interesting move is an example of modal interchange (borrowing chords from the parallel minor) and it creates tension. The chord progression then returns to D minor (vi), which provides a bit of resolution.

However, the progression then moves to G Major (II), a borrowed chord from F Lydian, which is unexpected and adds a unique flavor to the song. Finally, the progression transitions into G minor (ii), which provides a sense of resolution and returns it back to the tonality of F Major.

Overall Analysis

“Feels Like We Only Go Backwards” by Tame Impala is a psychedelic pop song notable for its dreamy, lo-fi sound and use of unconventional chord progressions. Musically, the song is written in the key of F major, but creatively uses chromatic mediants, borrowed chords, and modal interchange to establish a unique harmony. The song also uses dynamic contrast to create a dreamlike atmosphere, increasing the song’s overall psychedelic effect.

Style Analysis

Tame Impala often utilizes unique chord progressions, non-diatonic chords, and modal interchange in their music, resulting in a psychedelic sound that’s both familiar and ethereal. The song’s production, with sweeping synth pads and dreamy vocal harmonies, further enhances this.

Chords in the Verse 2 section of Feels Like We Only Go Backwards by Tame Impala are:

[‘Dm’, ‘Cmaj7/G’, ‘Cmaj7/G’, ‘Dm’, ‘G’, ‘Gm’]