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“Viva la Vida” mostly utilizes a four-chord progression thorough the song which is fairly common in popular music. The verse we are focusing on replicating the verse goes like this: C – D – G – Em. The chord progressions are pretty simple, catchy and give the song an uplifting feel.

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The progression for the song is tuned to a standard E Standard (E A D G B E) and it is in the key of G.

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“Sour Times” by Portishead is a song with a complex and intriguing chord progression. It blends minor key tonality with modulations and chromaticism to give it a mysterious and brooding atmosphere. The song is primarily in the key of C# minor and features some borrowed chords and inversions that color the overall progression.

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The chord progression of “Beast Of Burden” by The Rolling Stones from verse 3 appears to be a standard pop/rock progression with a bit of melodic flavor. It features the chords of E major, B major, C# minor, and A major.

The song is in the key of E Major as that’s the chord the progression starts and ends with, and most of the chords are from the E major scale. There are no borrowed chords, and the progression is repetitive, maintaining a loop throughout most of the song.

Let’s move on to the detailed chord progression analysis, chord names, and their roman numerals.

The chord progression for “The Sound Of Silence” by Simon & Garfunkel is in the key of A minor. It makes use of both diatonic and borrowed chords. The song reflects a folk and folk rock style, with its roots in the 1960s. The melody and harmony are interwoven to form an integral part of the song, reflecting the introspective and melancholic mood of the lyrics.

Coldplay – Viva La Vida – Verse 3

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Chord Progression

[‘C’, ‘D’, ‘G’, ‘Em’, ‘C’, ‘D’, ‘G’, ‘Em’, ‘C’, ‘D’, ‘G’, ‘Em’, ‘C’, ‘D’, ‘G’, ‘Em’]

Chord Progression Analysis

Details with full chord names and their roman numerals are as below, and code block for borrowed chord:

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C Major (IV)
D Major (V)
G Major (I)
E minor (vi)
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Similar Chord Progressions

1. “Let It Be” by The Beatles:
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C Major (IV)
G Major (I)
A minor (ii)
E minor (vi)
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2. “No Woman, No Cry” by Bob Marley:
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C Major (IV)
G Major (I)
A minor (ii)
F Major (III)
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These songs share the same feature of transitioning from a IV or V chord to the I, then to the vi chord. This I-V-vi-IV pattern, which “Viva la Vida” follows, is one of the most common chord progressions in popular music.

Musical Analysis

The chord progression of “Viva la Vida” can be viewed in terms of tonic (I), subdominant (IV) and dominant (V) harmonic areas. The initial progression of C (IV) to D (V) creates a sense of movement and tension; G (I) comes across as a resolution or return to base after a journey, with the tension eased. The following E minor (vi) is a common minor substitute for the tonic that alters the colour of the progression and provides an effective contrast before returning to the beginning of the cycle.

Overall Analysis

“Viva la Vida” by Coldplay is predominantly in the key of G Major, and the main chord progression is a four-chord loop: C, D, G, Em, which repeats throughout the song. The chord progression creates a highly emotional, triumphant atmosphere which reflects the lyrics and overall theme of the song. The use of the B minor chord, the flattened third, later in the song adds some depth and complexity to the harmonic structure and provides a relief from the repetition of the main progression.

Style Analysis

The repeated chord progression throughout the song is a common feature in pop and rock music. It provides a strong harmonic backbone to support Coldplay’s catchy melody, and its simplicity allows for some level of predictability, which is relatable for listeners. The tone of the song is anthemic and uplifting due to the use of major and minor chords, this is signature to Coldplay’s music style which often combines rock and pop elements with layered textures and anthemic choruses.

Chords in the Verse 3 section of Viva La Vida by Coldplay are:

[‘C’, ‘D’, ‘G’, ‘Em’, ‘C’, ‘D’, ‘G’, ‘Em’, ‘C’, ‘D’, ‘G’, ‘Em’, ‘C’, ‘D’, ‘G’, ‘Em’]