Beck – Sexx Laws – Verse 3
Sexx Laws < All Analyses
Chord Progression
B, G#, B, G#, B, G#, A, F#
Chord Progression Analysis
B Major (I), G# Major (VI+), B Major (I), G# Major (VI+), B Major (I), G# Major (VI+), A Major (VII), F# Major (V)
`G# Major (VI+)` is a borrowed chord from the parallel minor key.
Similar Chord Progressions
– Radiohead – “No Surprises”: [‘F’, ‘Am’, ‘E’, ‘F’, ‘Am’, ‘E’, ‘F’, ‘C’]
F Major (I), A Minor (III), E Major (V+/IV), F Major (I), A Minor (III), E Major (V+/IV), F Major (I), C Major (V)
– The Beatles – “Blackbird”: [‘G’, ‘A’, ‘C#m’, ‘G’, ‘A’, ‘C#m’, ‘B’, ‘G’]
G Major (I), A Major (II), C# Minor (iv), G Major (I), A Major (II), C# Minor (iv), B Major (III), G Major (I)
Both of these examples feature borrowed chords and utilize chromatic mediants to create tension in their chord progressions, similar to “Sexx Laws” by Beck. They show how artists from various musical styles and eras have employed these techniques to create unique and engaging harmonic movement in their songs.
Musical Analysis
The verse 3 chord progression starts with the tonic B Major, establishing a strong sense of tonality. The progression then moves to G# Major, a chromatic mediant relationship. This borrowed chord from the parallel minor key adds a sense of surprise and tension. The pattern repeats twice, further accentuating the tension.
The progression then moves to A Major, the subtonic, which is commonly found in modal interchange as well as rock and pop music, creating a sense of movement towards the dominant. The verse finally resolves to the dominant, F# Major, creating a sense of resolution and anticipation for the next section of the song.
Overall Analysis
“Sexx Laws” by Beck is a unique and interesting piece that combines elements of various musical styles including funk, rock, and pop. The chord progression found in Verse 3 is quite simple yet effective, creating a sense of tension and release.
Style Analysis
The use of borrowed chords is a common feature in Beck’s music, which often experiments with various musical styles and techniques. The presence of the chromatic mediant relationship in the progression adds a touch of unpredictability commonly found in Beck’s style. The song comfortably combines elements of rock, pop, and funk, with a particular emphasis on the funky groove that drives its momentum.
What are the chords in: Beck – Sexx Laws – Verse 3?
B, G#, B, G#, B, G#, A, F#
