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Related Music Theory Alchemy

“Yellow” by Coldplay is written in the key of G major. The song maintains a consistent use of diatonic chords from its own major key, with a predominant chord progression in the bridge and other sections being G – D – Cmaj7. Briefly, the song changes to a minor key using the Dm7 chord as a poignant moment in its structure.

The song “Viva La Vida” by Coldplay is in the key of G major and follows a fairly simple chord progression in the pop/rock genre. This progression particularly makes use of the I, IV, V, and vi chords in this key, which is a typical pop progression.

“Hallelujah” is a song by singer-songwriter Jeff Buckley and is a cover of a song originally written by Leonard Cohen. The song is in the key of C major and features a moderate tempo with a 6/8 time signature. This particular chord progression, taken from the second verse, consists mainly of diatonic chords found within the key, but also includes a few borrowed chords and a secondary dominant, giving the song a sense of tension and release.

The verse 2 chord progression of Radiohead’s “Everything In Its Right Place” demonstrates a combination of diatonic and non-diatonic chords with tonal ambiguity, frequent use of borrowed chords from parallel modes, and modulation. The progression has a cyclic, hypnotic quality with occasional surprises due to large leaps in pitch and unexpected, non-diatonic chords.

“Time” by Pink Floyd is a progressive rock song that features an uncommon chord progression with some unique harmonic choices. The Verse 2 progression has a strong sense of tonal ambiguity and the chords often fluctuate between major and minor tonalities. This contributes to the emotional depth and complexity of the song, which is characteristic of Pink Floyd’s music.

Coldplay – Yellow – Verse 2

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Chord Progression

[‘G’, ‘D’, ‘Cmaj7’, ‘G’, ‘D’, ‘Cmaj7’, ‘G’, ‘Gsus4’]

Chord Progression Analysis

“`
G Major (I),
D Major (V),
Cmaj7 (IV7),
G Major (I),
D Major (V),
Cmaj7 (IV7),
G Major (I),
Gsus4 (Isus4)

“`

Similar Chord Progressions

“Let it Be” by The Beatles: [‘C’, ‘G’, ‘Am’, ‘F’, ‘C’, ‘G’, ‘F’, ‘C’]

“`
“C Major (I)”,
“G Major (V)”,
“Am (vi)”,
“F Major (IV)”,
“C Major (I)”,
“G Major (V)”,
“F Major (IV)”,
“C Major (I)”
“`

“Don’t Look Back in Anger” by Oasis: [‘C’, ‘G’, ‘Am’, ‘E’, ‘F’, ‘G’, ‘C’, ‘Am G’]

“`
“C Major (I)”,
“G Major (V)”,
“Am (vi)”,
“E Major (III, borrowed chord)”,
“F Major (IV)”,
“G Major (V)”,
“C Major (I)”,
“Am (vi)”,
“G Major (V)”
“`

Each of these songs shares a similar tonality with “Yellow,” sticking to major key chord progressions and containing the use of the IV and V chords from the major scale.

Musical Analysis

This type of chord progression is very common in pop music because it provides a strong pulling effect from the tonic (G Major) to the dominant (D Major), and then a softened passing by the subdominant (Cmaj7).

It’s worth noting that replacing the standard IV chord (C Major) with a IV7 (Cmaj7) adds a touch of sophistication and a lush quality to the sound, which reflects the dreamy, soft-rock vibe the band is known for.

Furthermore, the use of the Gsus4 chord adds more harmonic interest and suspense, as it lacks the leading tendency of the normative major chord.

Overall Analysis

The song “Yellow” by Coldplay uses a fairly standard pop/rock chord progression in the key of G major. It comprises three chords for the main progression: G Major (I), D Major (V), and Cmaj7 (IV7).

Style Analysis

Coldplay often employs simple, effective harmonic structures underlying ethereal melodies and atmospheric instrumentation. The use of sus4 chord acts as a clever way to enhance the textural layer of the song and add an emotional richness—touching upon the sense of longing in the lyrics.

Chords in the Verse 2 section of Yellow by Coldplay are:

[‘G’, ‘D’, ‘Cmaj7’, ‘G’, ‘D’, ‘Cmaj7’, ‘G’, ‘Gsus4’]